Results
-
£144.99Ross Roy - Jacob de Haan
Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". Thismovement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.
Estimated dispatch 7-14 working days
-
£132.00Journey in the Dark (from Symphony No.1: The Lord of the Rings) (Concert Band - Score and Parts) - De Meij, Johan
Revised 2023 editionJohan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. The fourth movement describes the laborious journey of the Fellowship of the Ring, headed by the wizard Gandalf, through the dark tunnels of the Mines of Moria. The slow walking cadenza and the fear are clearly audible in the monotonous rhythm of the low brass, piano and percussion. After a wild pursuit by hostile creatures, the Orks, Gandalf is engaged in battle witha horrible monster, the Balrog, and crashes from the subterranean bridge of Khazad-D m in a fathomless abyss. To the melancholy tones of a Marcia funebre, the bewildered Companions trudge on, looking for the only way out of the Mines, the East Gate of Moria.Duration: 9.00
Estimated dispatch 7-14 working days
-
£109.99Sbandiamo! (Concert Band - Score and Parts) - De Haan, Jacob
Sbandiamo! is a joyous--and swinging--work, taking its title from the wind music event held annually in the medieval Italian city of Gubbio, Umbria in which various bands from all over Italy participate. The first performance of this piece was given at the Piazza Grande, Gubbio, under the baton of the composer himself, with a wind band of some 250 musicians. A stately introduction, with festive percussion, is followed by a catchy theme in alternating pop and march rhythms. The opening theme then returns as a marcia cantabile, and the work is brought to a grand and compelling conclusion.Duration: 5.30
Estimated dispatch 7-14 working days
-
£76.99Ode to the Spirit of Man (Concert Band - Score and Parts) - Curnow, James
Fantasy on Themes of BeethovenA powerful work for the symphonic band, Ode to the Spirit of Man is based on thematic material taken from the fourth movement of Beethoven's Symphony No.9 and developed into a fantasy of kaleidoscopic nature. The opening is a joyful expression of the spirit of freedom and is based on the composer's own themes derived from Beethoven's music. Throughout the work, various themes from the symphony are interwoven, including Alla Marcia, Scherzo, Andante maestoso and finally the uplifting Ode to Joy.Duration: 5:15
Estimated dispatch 7-14 working days
-
£278.00UFO Concerto (Euphonium Solo with Concert Band - Score and Parts) - De Meij, Johan
UFO Concerto, the first solo work by Johan de Meij for euphonium, is not a traditional concert work in the classical sense. It is comprised of five movements that are thematically interconnected:Andante - Con motoGiocoso - VivoAndante cantabileVivaceAlla Marcia - VivaceDuration: 23.45
Estimated dispatch 7-14 working days
-
£148.00La Quintessenza (Concert Band - Score and Parts) - De Meij, Johan
La Quintessenza is a musical approach of the quintessence, the heart of the matter. By focusing a five note motif in a number of variants, De Meij tries to get through to the essence of the musical matter. The core of the composition is a lyrical middle part (Arioso), preceded by an opening fanfare for brass (Introduzione) and a burlesque variant on the same motif (Capriccio). In the fourth part (Alla Marcia) this main motif is only used as an ambient signal, and in the Finale the opening theme is repeated so the musical walk-round is complete. Duration: 12.00
Estimated dispatch 7-14 working days
-
£84.99Turkish March (Concert Band - Score and Parts) - Beethoven, Ludwig van - Kobayashi, Mika
The Turkish March (Marcia alla turca) is a well-known classical march theme by Ludwig van Beethoven. It was written in the Turkish style, popular in music at the time. The theme was first used in Beethoven's Six Variations on an Original Theme, Op.76, of 1809. In 1811, Beethoven wrote an overture and incidental music to a play by August von Kotzebue called The Ruins of Athens (Op.113), which premiered in Pest in 1812. The Turkish March appears as movement four of the incidental music.Duration: 3.30
Estimated dispatch 7-14 working days
-
£104.99Concertino (Trumpet Solo with Concert Band - Score and Parts) - Schoonenbeek, Kees
The first movement of this work, an Allegretto, begins with a fanfare-like opening. After a number of other melody lines, a reprise of the beginning follows, which ends in a cadenza for the soloist. Movement two, titled Rituel, is characterized by interplay between the soloist and the band within a stately melody. In the final movement, the theme of the first movement's opening returns. As the indication 'alla marcia' of the last movement suggests, this Allegro Giocoso contains march-like music that guarantees a lively conclusion. With Concertino, Kees Schoonenbeek has written an appealing work that is very suitable for a beginner soloist. It is also available for trumpet and piano.Duration: 9.00
Estimated dispatch 7-14 working days
-
£144.99
Ross Roy (Concert Band - Score and Parts) - De Haan, Jacob
Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.Duration: 9:20
Estimated dispatch 7-14 working days
View Music