Results
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£119.99Queen Medley (Concert Band - Score and Parts) - Amano, Masamicz
The iconic music by one of the most famous rock bands ever is popular throughout the world. This accessible arrangement by Masamichi Amano features Queen's hits Don't Stop Me Now, We Will Rock You, We Are the Champions and I Was Born to Love You.Duration: 7.20
Estimated dispatch 7-14 working days
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£109.99Aladdin Medley (Concert Band - Score and Parts) - Menken, Alan - Takahashi, Hiroki
This Grade 3 arrangement by Hiroki Takahashi allows bands to perform music from the fantastic new live-action version of Disney's Aladdin, including the ever popular Friend Like Me, A Whole New World and Prince Ali.Duration: 6.50
Estimated dispatch 7-14 working days
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£72.99Aladdin, Music from (Flexible Ensemble - Score and Parts) - Vinson, Johnnie
One of Disney's most popular and enduring animated films, Aladdin was released in 1992 and followed by the live action version in 2019. This fast-paced melody of familiar songs includes Arabian Nights, Friend Like Me, Prince Ali and A Whole New World.Duration: 4.50
Estimated dispatch 7-14 working days
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£134.99Aretha! (Concert Band - Score and Parts) - Tinner, Gilbert
Aretha Franklin - the 'Queen of Soul' - was an icon and inspiration for women all around the world, and the first female artist to enter the 'Rock and Roll Hall of Fame' in 1987. This medley by Gilbert Tinner contains Aretha Franklin's most famous hits: 'Respect', '(You Make Me Feel Like) A Natural Woman', 'Son of a Preacher Man' and of course 'Think', one of the greatest up-tempo tracks of all time.Duration: 7.45
Estimated dispatch 7-14 working days
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£60.99Sleepsong (Concert Band - Score and Parts) - Graham & Lovland - Sweeney, Michael
From the composers of You Raise Me Up, this tender ballad is filled with a range of emotions in the form of a lullaby from a parent to a grown child embarking on a life all their own. Michael Sweeney retains the soothing beauty of the original melody while exploring a rich variety of textures and moods, giving full expression to the feelings that inspired the lyric.Duration: 4.30
Estimated dispatch 7-14 working days
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£72.99The Queen of Soul (Remembering Aretha Franklin) (Concert Band - Score and Parts) - Murtha, Paul
As the world mourns the passing of Aretha Franklin, we celebrate the enduring legacy of her songs and persona. This powerful medley for the concert stage includes the hits Respect, (You Make Me Feel Like) A Natural Woman, and Think.
Estimated dispatch 7-14 working days
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£94.30Solid Gold Soul (Wind Band - Score and Parts) - Fernie, Alan
Includes: Dancing in the Street; Midnight Hour; Proud Mary; Rescue Me; Land of a Thousand Dances; Mustang Sally.
Estimated dispatch 7-14 working days
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£70.50The Lego Ninjago Movie, Selections from (Concert Band - Score and Parts) - Roszell, Patrick
From the blockbuster film score, this electric medley features "Heroes," "Found My Place," and "Operation New Me." Every member has a shot at the melody. Bring the excitement of the film to your stage!Duration: 4.15
Estimated dispatch 7-14 working days
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£42.50Celtic Air and Dance No.4 (Concert Band - Score and Parts) - Sweeney, Michael
Featuring two traditional Irish tunes, this effective work for second year players opens with a sensitive and lyric setting of Perry Maid Milking Her Cow. The dance segment features the familiar tune I'll Tell Me Ma with the melody traded around the band and an exciting finish.Duration: 2:45
Estimated dispatch 7-14 working days
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£140.00Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)
Estimated dispatch 7-14 working days
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