Results
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£74.00On Parade - Edwin Franko Goldman
Edwin Franko Goldman's energetic composition On Parade is both programmatic and descriptive of parades from yesteryear, complete with bugle, fife (piccolo), and drum strains. In addition, a joyful vocal refrain was included in the 1934 edition of the march with lyrics by Goldman. Edward Lisk's meticulous, modern edition brings this wonderful new march to the attention of a whole new generation of band musicians.
Estimated dispatch 12-14 working days
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£66.00From This Valley - Gregory Rudgers
A fantasy on the folk song "Red River Valley," composer Gregory Rudgers's stunning new composition ranges from dramatic to lush and lyrical, accented by occasional, whimsical drifts. He employs all of the forces of the modern concert band to their fullest in this symphonic presentation. Ideal for a contest or festival.
Estimated dispatch 12-14 working days
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£66.00A Little Night and Day Music
Commissioned by Carl Fischer for a school band series in the 1970s, A Little Night and Day Music is a classic of the modern band repertoire. The "Night Music" section is a study in color and atmosphere and makes striking use of contemporary instrumental techniques including clusters and aleatory. The second section ("Day Music") is a bright and brassy contrast, full of drive and an exhilarating momentum. (Only the first section of A Little Night and Day Music is included on the recording)
Estimated dispatch 12-14 working days
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£74.00Onward-Upward (March) - Edwin Franko Goldman
A delightful example of the Goldman style at its most infectious, this concert edition by Edward Lisk will make this charmer from the early 1930s available for a new generation of performers and listeners. Edwin Franko Goldman (1878-1956), who founded the Goldman band in 1918, was one of the great bandsmen who was inspired by the example of John Philip Sousa in creating the modern marching band repertoire.
Estimated dispatch 12-14 working days
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£63.00Tapestries - Mike Forbes
Using the musical styles and forms of the Medieval and Renaissance periods, Mike Forbes has written a striking and powerful three movement suite that is a major addition to serious band literature. The music is entirely original, but the style and approach is similar to such pieces as the Courtly Dances from Gloriana by Benjamin Britten, and makes effective use of the coloristic possibilities of the modern concert band.
Estimated dispatch 12-14 working days
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£58.00Annie Laurie - Anonymous
The song "Annie Laurie" was written to her by William Douglas, and amended by Lady John Scott. This song was a favorite with Scottish soldiers during the Crimean War. Composer Carl Strommen gives us a wonderful new setting of this popular folk song that explores all of the glorious colors of the modern concert band. A great change of pace piece for any concert and a great way to improve the musicianship of your students.
Estimated dispatch 12-14 working days
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£51.00Path To The Pacific
Silva brings you an open Copland-type sound in a work that is musically descriptive. With its big angular gestures that contrast with sweeping melodic lines, this piece isa perfect vehicle to promote lyrical playing. With Path to the Pacific, you get a real different sounding piece that is marvelously orchestrated to exploit all of the colors of the modern concert band.
Estimated dispatch 12-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£148.99Joyride - Otto M. Schwarz
"Joyride" was composed on behalf of the city of Landeck in Austria to embody the spirit of adventure, flourishing development, and a promising future. It not only describes economic progress but also the cultural richness of a modern city of the future. The composition opens with a majestic fanfare seamlessly transitioning into a cheerful allegro in 7/8 time signature. Following a section steadily gaining momentum, a tranquil middle passage ensues, immersing the piece in a contemplative mood. The reprise reintegrates the opening motifs in varied forms. Joyride" provides an opportunity for all instrumental groups to showcase their abilities in the composer's characteristic musical language.
Estimated dispatch 7-14 working days
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£135.99Let's Celebrate - Otto M. Schwarz
Following the successes of "Last Call," "Funk Attack," and "Funky Brass," Schwarz once again presents a bold fusion of pop and funk, pushing the boundaries of the orchestra world.Let's Celebrate" captures the essence of modern orchestra music, blending traditional instrumentation with contemporary sounds. Immerse yourself in a captivating celebration of music and discover Schwarz's latest masterpiece that is sure to captivate both your orchestra and audience alike!
Estimated dispatch 7-14 working days
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