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£145.00The First Shoot (Concert Band - Score and Parts) - Walton, William - Noble, Paul
The First Shoot was written and first performed in 1935 for the ballet Follow the Sun. The original music was lost, but reconstructed for brass band, and later for orchestra by Christopher Palmer. This Concert Band arrangement is based on that orchestra score. It is a charming look back (one can imagine the music that might have accompanied a Charlie Chaplin movie!) Concert bands will experience a worthwhile challenge in bringing this wonderfully tuneful music to their audiences, as well as the broadening of their own musical experience.
Estimated dispatch 7-14 working days
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£250.00The Wind in the Willows (Concert Band - Score and Parts) - De Meij, Johan
A book for those who keep the spirit of youth alive in them; of life, sunshine, running water, woodlands, dusty roads, winter firesides, said author Kenneth Grahame (1859-1932) about his children's book The Wind in the Willows. Initially, he wrote the stories about Ratty, Mole, Badger and Toad to read to his visually handicapped son Alistair, but after the publication in book form in 1908, it became a worldwide success. It was later also turned into a film and a television series. What appealed ti the composer most is the friendly, very cosy atmosphere that Grahame has managed to create with his optimistic narrative style full of high spirits, an atmosphere that reminds thecomposer of his own carefree youth. It was therefore a great pleasure to set this book to music! The four movements successively describe: I) The River- The river, which flows through the habitat of the animals like a lifeline, regularly is the scene of pleasant boat trips and picnics. The animals lead their untroubled lives here. The four-tone main motif [A-C-D-C] is extensively presented by the brass section, and returns in the following movements as a countermelody. II) Ratty and Mole -The bright, energetic Rat and the melancholy doubter Mole are inseparable friends and have many adventures. Their opposite characters are illustrated by separate musical themes. III) Mister Toad - The wilful, haughty Mister Toad is indeed a unique case: time after time, he runs into tricky situations, and with his indomitable passion for fast, preferably stolen, cars he causes quite a lot of damage... IV) The Return of Ulysses - After Toad Hall, the majestic residence of Mister Toad, is recovered from the weasels and stoats of the Wild Wood, who had captured the estate in a cowardly way, our friends get ready for a banquet. They celebrate the victory with a triumphant parade, and so both the book and the music conclude with a happy ending. Duration: 17.00
Estimated dispatch 7-14 working days
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£60.99Tuba Tiger Rag (Tuba Feature with Concert Band - Score and Parts) - Henderson & Marshall
When it comes to pure entertainment, the Canadian Brass are the kings of schtick and this dixieland tuba feature is one of the highlights of their concerts. David Marshall's clever, playable version can feature a soloist or the tuba section and packs in all the fun and silliness - just right for a dull audience!
Estimated dispatch 7-14 working days
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£88.00EUPHONIUM MUSIC (Euphonium/Concert Band) - Bowen, Brian
Something of a classic in its brass band and piano versions. Written in 1978, the work is constructed in three movements and is virtually a concerto for euphonium and band. The first movement begins with an unaccompanied motto theme, which uses all twelve notes of the scale but with a tonal feel. The slow second movement is based on an original song melody by the compsoer - The Eyes of God - and affords lyrical and richly expressive playing that is typically euphonium. movement three follows without a break - a capricious movement which ends triumphantly. Duration: 15:00 American Grade 5
Estimated dispatch 7-14 working days
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£124.95SWORD AND THE CROWN, The (Prestige Concert Band - Score and Parts) - Gregson, Edward
In 1988 I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for power (the crown) through the use of force (the sword) and they portray one of the most turbulent periods in the history of the British monarchy.This work quickly became established in the mainstream repertoire and has received performances worldwide as well as five commercial recordings and many broadcasts. In 2002 I was approached by the Parc and Dare Band regarding their summer festival and commissioned to do a version for brass band. This was given its first performance in Treorchy Hall by the combined bands of Black Dyke and Parc and Dare conducted by Nicholas Childs.When the Royal Air Force Music Services commissioned me to write a work especially for their British tour in 1991 I immediately thought of turning to this music and transforming some of it into a three-movement suite for symphonic band.The first movement opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but the English army music returns in counterpoint. Finally, a brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed).The second movement takes music from the Welsh Court in Henry IV (part 1) which is tranquil in mood; distant fanfares foreboding battles to come are heard, but the folktune is heard three times in different variations and the movement ends as it began with alto flute and gentle percussion.The final movement starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the 'war machine' and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV's defeat of the rebellious forces.- Edward GregsonPerformance time 13'54"Recorded on QPRM117D FESTIVAL OF MUSIC 1991, Massed Bands of the Royal Air ForceRecorded on QPRM120D THE SWORD AND THE CROWN, Central Band of the Royal Air Force'Finale' recorded on QPRM142D FESTIVAL OF MUSIC 2002, Massed Bands of the Royal Air Force)
Estimated dispatch 7-14 working days
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£84.99
Start Up the Band - Gilbert Tinner
The music society Melodia Goldach from Switzerland commissioned Gilbert Tinner to write Start Up the Band, an ideal opening piece for any concert. Following a lively, fanfare-like brass introduction, high-spirited woodwind phrases and powerful bass and timpani lines, the theme is heard - in a rock style. The middle section, if played softly, can also be used as background music for presentation and announcements.
Estimated dispatch 7-14 working days
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£50.00Flight of the Dragonfly (Concert Band - Score and Parts) - Smith, Robert W.
A dragonfly is a fast, agile flier that sometimes migrates great distances and across oceans. In some cultures, dragonflies are symbols of courage, strength and happiness, and in others, they are seen as dark and sinister. "Flight Of The Dragonfly" captures the power and energy of this amazing creature through music. Featuring a soaring melody over driving rhythms, this work for the young band utilizes colorful percussion scoring as well as insect effects using brass mouthpieces. An exciting work that will captivate your developing musician and their audience! Duration: 2.00
Estimated dispatch 7-14 working days
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£91.00Send in the Clowns (Flugelhorn and Trombone Duet with Concert Band - Score and Parts) - Sondheim, Stephen - Rydland, Frode
Send in the Clowns was originally written for soloist with Brass Band accompaniment for Eikanger-Bjorsvik Musikklag. The song is taken from the musikal A Little Night Music by Stephen Sondheim. In the song, the character Desiree reflects on the ironies and disappointments of her life. Duration: 3.15
Estimated dispatch 7-14 working days
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£164.95
Tristan Encounters (Prestige Concert Band - Score and Parts) - Ellerby, Martin
This work is subtitled Prelude and Transfigurations for Brass, Wind and Percussion. It is derived from Wagner's Prelude to his opera Tristan and Isolde and consists of a series of tableaux-mood pictures which alternate between a romantic idiom and tritone-style aggressive music. The work is cast as a prelude and ensuing set of fourteen variations and is meant to be played as a continuous piece.Grade 5Performance time 16'25''Recorded on QPRM152D MOSAIC: Great British Music for Wind Band Vol.13 (Royal Northern College of Music Wind Orchestra)
Estimated dispatch 7-14 working days
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£32.95
Tristan Encounters (Prestige Concert Band - Score only) - Ellerby, Martin
This work is subtitled Prelude and Transfigurations for Brass, Wind and Percussion. It is derived from Wagner's Prelude to his opera Tristan and Isolde and consists of a series of tableaux-mood pictures which alternate between a romantic idiom and tritone-style aggressive music. The work is cast as a prelude and ensuing set of fourteen variations and is meant to be played as a continuous piece.Grade 5Performance time 16'25''Recorded on QPRM152D MOSAIC: Great British Music for Wind Band Vol.13 (Royal Northern College of Music Wind Orchestra)
Estimated dispatch 7-14 working days
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