Results
-
£47.00The Heart of a Mustang
The Heart of a Mustang evokes the musical imagery of free-roaming horses galloping across the open plains. The music suggests an intense urgency embodying the struggles faced by mustangs in the wild. Heartbeat rhythms serve as the musical bridge throughout in this solid choice for contest and festival performances.
Estimated dispatch 12-14 working days
-
£47.00Legacy
Composer Sean O'Loughlin has already produced a great deal of exceptional pieces for developing students that will leave a legacy to educators for years to come. This piece is a perfect example of his style of composing that students just love to play. Forceful and bold, Legacy is highly melodic with dramatic musical punches and lots of musical value. Sean has such a marvelous way of making these pieces for younger students sound like more mature music.
Estimated dispatch 12-14 working days
-
£59.00Turning Point
In any conflict, there is always a turning point which determines the outcome. The phrase is often used to describe epic wars throughout history, and the music of Turning Point reflects the weight and drama that comes with these key historical moments. Composer Sean O'Loughlin takes the listener on a musical journey filled with dramatic twists and turns. This piece will serve as your young band's turning point in their development to becoming a solid musical ensemble.
Estimated dispatch 12-14 working days
-
£74.00Conducting the Music, Not the Musicians
Conducting the Music, Not the Musicians is the first conductor training text to put the primary emphasis on musical expression as it introduces basic technique through the concept of phrase conducting. Among many unique features it examines cueing within the beat pattern in greater detail than is usual in beginning conducting texts. The examples and exercises (drawn from both the vocal/choral and instrumental repertoires), progress to guided practice chorales and etudes and finally to full score rehearsal and guided performance. Jerry and Henry Nowak have produced a groundbreaking book that will help novice conductors solve technical problems, with musical solutions.
Estimated dispatch 12-14 working days
-
£64.99Survivors - Thierry Deleruyelle
Survivors is a concert march that is both luminous and tuneful. The brilliance of the brass, combined with the expressiveness of the woodwinds, gives this work a clear modernity. It was composed for and dedicated to those wounded in the army, paying tribute to their courage, resilience, and inner strength. Through a musical style rich in emotion and power, this work celebrates the "survivors" - those who, despite the hardships of war and injury, continue to pick themselves up, overcome adversity, and find within themselves an unshakeable determination. Survivors embodies both the enormity of the struggle and the hope of reconstruction, a march for those who have been wounded but who, through their courage, have become survivors. This concert march was commissioned by the French Army bands on the initiative of their musical director, Maurice Marc.
Estimated dispatch 7-14 working days
-
£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
-
£76.99Santa's Spring Break - Larry Clark
Take a fun and engaging trip with Santa as he enjoys his spring vacation! This creative piece is a treasure of musical concepts wrapped up in one accessible package! Spring from The Four Seasons is cleverly woven amongst a medley of popular holiday songs. Creative orchestration puts the music in a variety of settings from festive to march-like to Middle Eastern. Beginning players will reinforce a wide variety of musical concepts, and young trombonists will work on developing first to sixth position. A guaranteed holiday favorite!
Estimated dispatch 7-14 working days
-
£87.99Fanfare Esprit - Carol Brittin Chambers
Looking for a thrilling and spirited musical experience? Look no further than Fanfare Esprit by Carol Brittin Chambers! This piece will transport you to a world of classic fanfares with a twist, featuring lush melodies and intricate rhythms. Don't miss out on this exhilarating musical journey!
Estimated dispatch 7-14 working days
-
£115.60Our Last Summer - Benny Andersson
An exciting arrangement where almost all players have a bit of the melody line. There are many opportunities to give individual musicians soloistic challenges. Any bandmember should find something interesting in this piece. It will be possible to add vocals to the arrangement. A lovely melody with great expressions.Our Last Summer" is a song by the Swedish pop group ABBA from their seventh studio album, "Super Trouper," released in 1980. The song is indeed featured in the musical "Mamma Mia!", a little bit shortened and with small changes in the lyrics. The musical premiered in London's West End in 1999 and is a duet performed by the characters Harry Bright and Donna Sheridan, reflecting on their past romance during a summer spent in Paris.The song is primarily sung by Bjrn Ulvaeus, with backing vocals provided by Agnetha Fltskog and Anni-Frid Lyngstad, the female members of ABBA. Their harmonies contribute to the song's nostalgic and wistful atmosphere. The lyrics vividly describe the memories of the summer spent together, including scenes of walking along the Seine River in Paris and listening to French songs. The song also touches on the passage of time and the realization that the summer romance has ended.While not released as an official single in most countries, "Our Last Summer" still received considerable airplay and became a fan favorite. It charted in some European countries and has remained popular among ABBA fans over the years.
Estimated dispatch 7-14 working days
-
£50.50The Jester's Galop - Jack Wilds
Dramatic and full of humor, The Jester's Galop will showcase your ensemble in a musical whirlwind from beginning to end. Complex sounding yet extremely playable, the work allows for a lot of musical exploration with opportunities to work on dynamic contrast, fermatas, cesuras, and style to heighten the excitement. A phenomenal work by Jack Wilds!
Estimated dispatch 7-14 working days
View Music