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£79.50Christmas Halls of Wonder
Open or close your holiday concert with this fantastic holiday offering.Christmas Halls of Wonder, arranged by Patrick Roszell, contains the enduring favorites "Deck the Halls," "Silent Night," and "Joy to the World." A dynamic medley to ring in the holiday season!
Estimated dispatch 7-14 working days
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£159.99Christmas Suite - Robin Hoffmann
The weeks leading up to and around Christmas are imbued with a unique and enchanting atmosphere. This season brings a blend of reflection, festive activity, and a touch of mystery that captivates both children and adults alike. These three pieces beautifully capture the essence of these moods. The Night Before Christmas" evokes the magic and mystery of Christmas Eve, building to a thrilling and ecstatic finale. "By the Christmas Tree" conveys the warmth and serenity of the season through an hymn-like theme. Finally, "Christmas Village" concludes the suite with a whimsical and lively melody, perfectly encapsulating the bustling charm of the holiday season.
Estimated dispatch 7-14 working days
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£54.99Santa: Trapped in the Looking Glass! - Laura Estes
This clever new work by Laura Estes imagines Santa having quite a frustrating night! While delivering gifts, he is somehow trapped inside a mirror and can't get out. Chock-full of clever effects - Santa: Trapped in the Looking Glass is a fun and inspiring piece for musicians and audiences alike!
Estimated dispatch 7-14 working days
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£114.99The Many Moods of Christmas - Robert Shaw
This all-new setting of Robert Russell Bennett's enchanting Many Moods of Christmas, Suite No. 1 for wind band alone, consists of approximately eight of the original twelve minutes of the original suite for band with chorus. It is the third offering in an ongoing series which will bring all four of these suites to the repertory of band conductors. This arrangement includes Sinfonia (fanfare) and Good Christian Men, Rejoice, Silent Night, Pat-a-pan, concluding with a rousing rendition of O Come, All Ye Faithful.
Estimated dispatch 7-14 working days
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£74.00Galop - Amilcare Ponchielli
La Gioconda, with a libretto by Arrigo Boito, is the most successful theatrical work by Amilcare Ponchielli (1844-1886). In this work there are two dance pieces: the Furlana at the conclusion of the 1st act and the Danza delle ore in the 3rd act. The Dance of the Hours has a precise choreographic outline: it is a masked ball which includes the "hours" of dawn, day, evening and night successively, and ends with a wild finale of galop. The latter is a sort of fast polka, in binary rhythm and unbridled pace. A French variant of it is the can-can. The finale in galop time of the Dance of the Hours recalls certain playful dances by the composer Jacques Offenbach, such as the famous Can-can that concludes the overture of the operetta Orphe au enfers.
Estimated dispatch 7-14 working days
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£244.00Stratoscape - Gauthier Dupertuis
Stratoscape, by Swiss composer Gauthier Dupertuis, is a colorful and contrasting work for wind orchestra, depicting the view of our earth as seen from the stratosphere. This voyage into the sky is pictural, but also metaphorical, as it is also about distancing from our world. br>The work is divided into five sections:I Ignition!, II Broadness & The Big Blue, III Stars Shining from Down to Above, IV Destructive Forces, V One and Only HomeFive contrasting movements, starting with Ignition in which Gauthier Dupertuis tries to musically convey the majesty of our planet seeing if from the atmosphere, ending with One and Only Hope, as the title say, a message of hope. In between three movements that depict the broadness of the landscapes of our planet (second movement), the fragility of our earth at night with only the stars shining (third movement). But also sheer reality in the fourth movement when the composer translates into music the damage caused to our planet by us human beings. Stratoscape: a fantastic view of Planet Earth!
Estimated dispatch 7-14 working days
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£159.99Carnival - Thomas Doss
This work was commissioned by Marktmusik Timelkam to celebrate its 170th anniversary. It describes the cultural life and hustle and bustle of the band's home base, the Austrian town of Timelkam. Carnival pictures a festive procession starting at the marketplace and lasting well into the night. The work features many 'carnivalesque' elements and is a joy for players to perform. There is a lot of merry activity going on in the music; people cheerily chatting in the inn; singing and dancing together and having fun. There is also room for a melancholy mood, accompanied by reminiscences about eternal goodbyes and searching for love. With the added musical representation of children's playing and pranks, a beautiful sunrise as well as a depiction of the churches and societies in town, this composition is not just an account of a carnival parade but a small portrayal of life.
Estimated dispatch 7-14 working days
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£159.99Guardian Angels - Kevin Houben
Guardian Angels gives a musical expression to the legend of Reverend Louis Henri Bhler referring to the use of Psalm 34.North-west Veluwe and in particular Oldebroek (The Netherlands) has a very rich religious tradition which is demonstrated by its monumental churches. They tell the story of a stirring history in which Reverend Bhler played a crucial role. Inspired by his arrival as a pastor in 1870 in the neighbouring Oosterwolde, two big religious communities came into existence with their characteristic churches but this rivalry also resulted in great social unrest.This composition reflects on this striking personality and in particular on the story of the Angel Guard.'One evening Reverend Bhler has given a sermon in Oldebroek and he walks over the Church path through the pastures to Oosterwolde. On this dark and stormy evening Bhler's opponents are waiting for the pastor in ambush. They want to drown him in a watercourse near the Church path but abandon their plan because Bhler is accompanied by two men. The next day it comes to an encounter between Bhler and his opponents. They repent their, fortunately unexecuted , plan. Bhler firmly believes that on the previous night he walked alone over the Church path, and was not accompanied by two men. It was concluded that it must have been the angels who had protected Bhler.'Psalm 34 is central to this composition and this because of its powerful melody but also because the lyrics of verse 4 of the rhymed version fit in well with the special legend of Reverend Bhler:The Lord's angel gathered round himAn invincible heavenly guard,Who tries God's will, around himSo he's well guard(ed)A second melodious and harmonic cell is a musical transformation of the name 'Bhler'. This cell is varied in major and minor third chords and sometimes used as the main idea or apotheosis, but also serves as an accompanying cell or as a bridge between other melodic and rhythmic constructions.The composition was made possible by contributions of: Mr Evert van de Poll, owner of the Van Gelder Groep, Het Prins Bernhard Cultuurfonds Gelderland en Het Feteris Oosterbaan Fonds.
Estimated dispatch 7-14 working days
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£67.50Wedding March - Felix Mendelssohn Bartholdy
Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op. 21). Sixteen years later, in 1842, he composed the incidental music (opus 61) for King Frederick William IV of Prussia, in which he incorporated the existing overture. The overture premiered in Stettin (then in Prussia, now Szczecin, Poland) on February 20, 1827, conducted by Carl Loewe. Mendelssohn had to travel 80 miles through a raging snowstorm to get to the concert, which became his first public appearance. The interlude between the 4th and 5th acts of the incidental music is the famous Wedding March, Mendelssohn's most popular and most performed work.
Estimated dispatch 7-14 working days
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£152.99A Midsummer Night's Dream - Felix Mendelssohn Bartholdy
Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op. 21). Sixteen years later, in 1842, he composed the incidental music (opus 61) for King Frederick William IV of Prussia, in which he incorporated the existing overture. The overture premiered in Stettin (then in Prussia, now Szczecin, Poland) on February 20, 1827, conducted by Carl Loewe. Mendelssohn had to travel 80 miles through a raging snowstorm to get to the concert, which became his first public appearance. The first British performance of the overture was conducted by Mendelssohn himself on June 24, 1829, at the Argyll Rooms in London. After the concert, Thomas Attwood was given the score of the overture for safekeeping, but left it in a taxi and was never found. Mendelssohn later rewrote the overture entirely from memory.
Estimated dispatch 7-14 working days
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