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£76.99
Barbie's World
From the blockbuster movie Barbie comes the equally sensational soundtrack album featuring an all-star lineup of performers and songwriters. This upbeat and entertaining medley for band includes: Barbie Dreams, Barbie Girl, What Was I Made For, and Dance the Night.
Estimated dispatch 7-14 working days
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£110.99
Hymn at Twilight - Philip Sparke
Although specifically describing the uncertainty of approaching night and an evening prayer, Hymn at Twilight is actually about the human emotions of doubt, insecurity, hope and resolve. This solemn piece opens quietly and introduces a recurring four-note rising figure. Optimism, anxiety and resignation alternate, with the flute taking centre stage. Brass and woodwind take up the chorale. The piece ends in a mood of sanguine optimism.
Estimated dispatch 7-14 working days
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£119.60
Frankenstein - Kelly Bennette
This tone poem entitled Frankenstein is based on the original novel by Mary Shelley (1797-1851). Victor Frankenstein creates life from pieces of many dead bodies. Soon, his monster comes to life. Though very intelligent, the monster has the maturity of a child. In a fit of rage, the monster kills William, Victor's younger brother. The monster finds Victor in The Alps and asks him to make him a mate. Victor makes him a mate, but kills her. The enraged monster tells Victor, "I will be with you on your wedding night." The monster forces his way into the wedding and kills Victor's fiance, Elizabeth. Victor chases the monster all the way to the Arctis where he dies of exhaustion. The monster finds Victor's body and realizes he has nothing to live for and goes away to die.
Estimated dispatch 7-14 working days
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£114.99
The Many Moods of Christmas - Robert Shaw
This all-new setting of Robert Russell Bennett's enchanting Many Moods of Christmas, Suite No. 1 for wind band alone, consists of approximately eight of the original twelve minutes of the original suite for band with chorus. It is the third offering in an ongoing series which will bring all four of these suites to the repertory of band conductors. This arrangement includes Sinfonia (fanfare) and Good Christian Men, Rejoice, Silent Night, Pat-a-pan, concluding with a rousing rendition of O Come, All Ye Faithful.
Estimated dispatch 7-14 working days
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£74.00
Galop - Amilcare Ponchielli
La Gioconda, with a libretto by Arrigo Boito, is the most successful theatrical work by Amilcare Ponchielli (1844-1886). In this work there are two dance pieces: the Furlana at the conclusion of the 1st act and the Danza delle ore in the 3rd act. The Dance of the Hours has a precise choreographic outline: it is a masked ball which includes the "hours" of dawn, day, evening and night successively, and ends with a wild finale of galop. The latter is a sort of fast polka, in binary rhythm and unbridled pace. A French variant of it is the can-can. The finale in galop time of the Dance of the Hours recalls certain playful dances by the composer Jacques Offenbach, such as the famous Can-can that concludes the overture of the operetta Orphe au enfers.
Estimated dispatch 7-14 working days
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£244.00
Stratoscape - Gauthier Dupertuis
Stratoscape, by Swiss composer Gauthier Dupertuis, is a colorful and contrasting work for wind orchestra, depicting the view of our earth as seen from the stratosphere. This voyage into the sky is pictural, but also metaphorical, as it is also about distancing from our world. br>The work is divided into five sections:I Ignition!, II Broadness & The Big Blue, III Stars Shining from Down to Above, IV Destructive Forces, V One and Only HomeFive contrasting movements, starting with Ignition in which Gauthier Dupertuis tries to musically convey the majesty of our planet seeing if from the atmosphere, ending with One and Only Hope, as the title say, a message of hope. In between three movements that depict the broadness of the landscapes of our planet (second movement), the fragility of our earth at night with only the stars shining (third movement). But also sheer reality in the fourth movement when the composer translates into music the damage caused to our planet by us human beings. Stratoscape: a fantastic view of Planet Earth!
Estimated dispatch 7-14 working days
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£159.99
Carnival - Thomas Doss
This work was commissioned by Marktmusik Timelkam to celebrate its 170th anniversary. It describes the cultural life and hustle and bustle of the band's home base, the Austrian town of Timelkam. Carnival pictures a festive procession starting at the marketplace and lasting well into the night. The work features many 'carnivalesque' elements and is a joy for players to perform. There is a lot of merry activity going on in the music; people cheerily chatting in the inn; singing and dancing together and having fun. There is also room for a melancholy mood, accompanied by reminiscences about eternal goodbyes and searching for love. With the added musical representation of children's playing and pranks, a beautiful sunrise as well as a depiction of the churches and societies in town, this composition is not just an account of a carnival parade but a small portrayal of life.
Estimated dispatch 7-14 working days
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£159.99
Guardian Angels - Kevin Houben
Guardian Angels gives a musical expression to the legend of Reverend Louis Henri Bhler referring to the use of Psalm 34.North-west Veluwe and in particular Oldebroek (The Netherlands) has a very rich religious tradition which is demonstrated by its monumental churches. They tell the story of a stirring history in which Reverend Bhler played a crucial role. Inspired by his arrival as a pastor in 1870 in the neighbouring Oosterwolde, two big religious communities came into existence with their characteristic churches but this rivalry also resulted in great social unrest.This composition reflects on this striking personality and in particular on the story of the Angel Guard.'One evening Reverend Bhler has given a sermon in Oldebroek and he walks over the Church path through the pastures to Oosterwolde. On this dark and stormy evening Bhler's opponents are waiting for the pastor in ambush. They want to drown him in a watercourse near the Church path but abandon their plan because Bhler is accompanied by two men. The next day it comes to an encounter between Bhler and his opponents. They repent their, fortunately unexecuted , plan. Bhler firmly believes that on the previous night he walked alone over the Church path, and was not accompanied by two men. It was concluded that it must have been the angels who had protected Bhler.'Psalm 34 is central to this composition and this because of its powerful melody but also because the lyrics of verse 4 of the rhymed version fit in well with the special legend of Reverend Bhler:The Lord's angel gathered round himAn invincible heavenly guard,Who tries God's will, around himSo he's well guard(ed)A second melodious and harmonic cell is a musical transformation of the name 'Bhler'. This cell is varied in major and minor third chords and sometimes used as the main idea or apotheosis, but also serves as an accompanying cell or as a bridge between other melodic and rhythmic constructions.The composition was made possible by contributions of: Mr Evert van de Poll, owner of the Van Gelder Groep, Het Prins Bernhard Cultuurfonds Gelderland en Het Feteris Oosterbaan Fonds.
Estimated dispatch 7-14 working days
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£67.50
Wedding March - Felix Mendelssohn Bartholdy
Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op. 21). Sixteen years later, in 1842, he composed the incidental music (opus 61) for King Frederick William IV of Prussia, in which he incorporated the existing overture. The overture premiered in Stettin (then in Prussia, now Szczecin, Poland) on February 20, 1827, conducted by Carl Loewe. Mendelssohn had to travel 80 miles through a raging snowstorm to get to the concert, which became his first public appearance. The interlude between the 4th and 5th acts of the incidental music is the famous Wedding March, Mendelssohn's most popular and most performed work.
Estimated dispatch 7-14 working days
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£152.99
A Midsummer Night's Dream - Felix Mendelssohn Bartholdy
Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op. 21). Sixteen years later, in 1842, he composed the incidental music (opus 61) for King Frederick William IV of Prussia, in which he incorporated the existing overture. The overture premiered in Stettin (then in Prussia, now Szczecin, Poland) on February 20, 1827, conducted by Carl Loewe. Mendelssohn had to travel 80 miles through a raging snowstorm to get to the concert, which became his first public appearance. The first British performance of the overture was conducted by Mendelssohn himself on June 24, 1829, at the Argyll Rooms in London. After the concert, Thomas Attwood was given the score of the overture for safekeeping, but left it in a taxi and was never found. Mendelssohn later rewrote the overture entirely from memory.
Estimated dispatch 7-14 working days