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  • £75.00

    English Dance Suite - V. Volta (Concert Band - Score and Parts) - Gardner, John - Noble, Paul

    Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.

    Estimated dispatch 7-14 working days

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  • £75.00

    English Dance Suite - VI. Pavan (Concert Band - Score and Parts) - Gardner, John - Noble, Paul

    Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.

    Estimated dispatch 7-14 working days

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  • £125.00

    English Dance Suite - VII. Reel (Concert Band - Score and Parts) - Gardner, John - Noble, Paul

    Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.

    Estimated dispatch 7-14 working days

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  • £110.00

    Macbeth (Fanfare and March) (Concert Band - Score and Parts) - Walton, William - Noble, Paul

    The following program notes are taken from those by Christopher Palmer, the arranger for orchestra from William Walton's incidental music for John Gielgud's production of Macbeth in 1941-42. The music was recorded and taken on tour with the production. Up to now it has remained in manuscript and unknown. Although this piece is called Fanfare and March, the principal march is in fact the banquet music (with its clever suggestion of bagpipes on the woodwind, hence my ad lib parts for extra flutes and oboes). Walton made several different versions of this for dramatic purposes, and here some of them have been pieced together. The central section of Trio is the March (Show) of the Eight Kings (Act 4, Scene 1) which reveals to Macbeth that Banquo's issue, not his, will rule in Scotland.

    Estimated dispatch 7-14 working days

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  • £54.95

    Shine (Concert Band - Score and Parts) - Gott, Barrie

    Barrie Gott, originally from Sheffield, now living in in the suburbs of Sydney Australia has, in the past, composed 2 very successful swing numbers, entitled 'Light-walk' and 'Swingtime Religion'; here is a brand new third piece to add to the collection. Set around the spiritual 'This little light of mine' it will feature well on most types of concert programme and will be enjoyed by all.

    Estimated dispatch 7-14 working days
  • £8.95

    Shine (Concert Band - Score Only) - Gott, Barrie

    Barrie Gott, originally from Sheffield, now living in in the suburbs of Sydney Australia has, in the past, composed 2 very successful swing numbers, entitled 'Light-walk' and 'Swingtime Religion'; here is a brand new third piece to add to the collection. Set around the spiritual 'This little light of mine' it will feature well on most types of concert programme and will be enjoyed by all.

    Estimated dispatch 7-14 working days
  • £44.99

    The Forgotten Village (Concert Band - Score and Parts) - Oare, Michael

    This overture tells the musical story of Portsmouth Village, once a bustling sea village on North Carolina's Outer Banks, but now a ghost town with past glories only a memory. In this descriptive work, the slow and reflective opening leads to a vibrant faster section with driving rhythms and melodic lines passed from section to section.Duration: 2:45

    Estimated dispatch 7-14 working days
  • £3.00

    The Polar Express, Selections from (2 Part Choral Octavo) - Ballard & Silvestri - Snyder, Audrey

    Now available in a 6-minute medley for choir, band and strings, the music from The Polar Express simply sparkles! A great all-school concert closer, it is easily learned and includes: Believe, Hot Chocolate, The Polar Express, Spirit of the Season.

    Estimated dispatch 7-14 working days
  • £3.00

    The Polar Express, Selections from (SAB Choral Octavo) - Ballard & Silvestri - Snyder, Audrey

    Now available in a 6-minute medley for choir, band and strings, the music from The Polar Express simply sparkles! A great all-school concert closer, it is easily learned and includes: Believe, Hot Chocolate, The Polar Express, Spirit of the Season.

    Estimated dispatch 7-14 working days
  • £3.00

    The Polar Express, Selections from (SATB Choral Octavo) - Ballard & Silvestri - Snyder, Audrey

    Now available in a 6-minute medley for choir, band and strings, the music from The Polar Express simply sparkles! A great all-school concert closer, it is easily learned and includes: Believe, Hot Chocolate, The Polar Express, Spirit of the Season.

    Estimated dispatch 7-14 working days