Results
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£106.99A Medieval Christmas (Concert Band - Score and Parts) - Sparke, Philip
Christmas is full of customs and traditions, both old and new. This is especially evident in Christmas songs, some of which have been part of Christian worship for centuries. A Medieval Christmas combines three ancient melodies that are still popular around the world today. Philip Sparke chose Gaudete, a song of praise from the middle ages, Coventry Carol, an English song from the 14th century, and In dulci jubilo, which can also be traced back to the 14th century, to form this joyous suite.Duration: 6:45
Estimated dispatch 7-14 working days
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£74.99The Bells of Christmas (Concert Band - Score and Parts) - Fahnholz, Simon
"The idea behind this song is to remind everyone, for all those who have forgotten, how colourful and exciting Christmas was during their childhood. Christmas is a magical time and, after all, no matter how old we are, we are all still children at heart." These words were written by Chris de Burgh about his 2009 hit, The Bells of Christmas, inspired by Dickens' A Christmas Carol. Simon Fahnholz has now made an excellent version of this Christmas hit for concert band.Duration: 2:45
Estimated dispatch 7-14 working days
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£49.95Big Sky Round-Up (Concert Band - Score and Parts) - Sheldon, Robert
Visions of the Old West come to mind as cowboys bring in the herd with this rollicking, rhythmic round- up inspired by the film music of Hollywood's classic Westerns. Players and audiences alike will enjoy the musical personality and the tuneful character of the Big Sky Round-Up.
Estimated dispatch 7-14 working days
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£49.95Jump Start (Concert Band - Score and Parts) - Hodges, Steve
This catchy tune lets the band cut loose with a strong jump beat powered by an old school bass line and active percussion. A dynamic introduction leads to the melody presented by the trumpets and then repeated by the rest of the band. The solo tom-tom leads to the give-and-take middle section that builds into a repeat of the melody. A short coda section provides a big finish to this exciting piece. Careful attention to articulation markings will add even more energy to the rhythmic patterns throughout the piece.Duration: 1.50
Estimated dispatch 7-14 working days
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£69.99The Knight's Castle (Concert Band - Score and Parts) - Oswald, Gerald
Gerald Oswald's new composition, The Knight's Castle, takes listeners on a journey to the middle ages and introduces its inhabitants. After hearing the majestic introduction, a knight is seen riding towards the castle on his way to court the lovely princess residing there. The old ghost inhabiting the castle watches this romance blossom with great sadness. Only the castle and its ghost know how this story will end. The audience, on the other hand, will have to use their imaginations...Duration: 3:30
Estimated dispatch 7-14 working days
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£102.99Variations on an Austrian Folksong (Concert Band - Score and Parts) - Oswald, Gerald
Hot off the press! Composer Gerald Oswald bases this new work on an old Austrian folksong, O du lieber Augustin! The Augustin in questions is a ballad singer and an ad lib poet who apparently wrote this folksong about himself. His grim sense of humour and his attitude towards life, that humour can get you through anything, are readily apparent in this new piece. Gerald Oswald's Variations on an Austrian Folk Song received top honours at the 2010 Austrian Composition Contest.Duration: 6:45
Estimated dispatch 7-14 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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£54.95Swingtime Religion (Concert Band - Score and Parts) - Gott, Barrie
An exciting arrangement, in big-band style, based on the gospel song, 'Give me that old time religion' and an original melody.
Estimated dispatch 7-14 working days
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£10.95
Swingtime Religion (Concert Band - Score Only) - Gott, Barrie
An exciting arrangement, in big-band style, based on the gospel song, 'Give me that old time religion' and an original melody.
Estimated dispatch 7-14 working days
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£104.99A Flemish Christmas (Concert Band - Score and Parts) - Hadermann, Jan
In A Flemish Christmas, Jan Hadermann tells the Christmas story by means of four Old Flemish Christmas Songs. Mary is chosen to bring Jesus Christ, the son of God, into the world: Het was een maged uitverkoren ('She was a virgin chosen'). On the occasion of a census, Mary, who is with child, and Joseph, her husband to be, travel from Nazareth to Bethlehem, where Jesus will be born in a humble stable: Maria die zoude naar Bethlehem gaan (Mary would go to Bethlehem'). O kerstnacht, schoner dan de dagen ('Oh Christmas Night, more beautiful than the days') is a stately chorale that sings the praises of Jesus' birth. Three wise men from the East, Caspar, Melchior and Balthazar, follow a bright star in the sky, which leads them to Bethlehem. There, they worship the new-born King, and offer him gold, frankincense and myrrh: Wij komen van Oosten (We've come from the East'). This musical Christmas story ends with a festive repeat of the third movement, the stately chorale.Duration: 6:30
Estimated dispatch 7-14 working days
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