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£137.70
Rendezvous - Torstein Aagaard-Nilsen
Rendezvous was commissioned by Krohnengen Brass Band for their 50th Anniversary in 2019. This version for Concert Band was scored autumn 2020.Rendezvous is devided into three sections. Each section are referring to Edvard Grieg's own titles. but twisted, to make sure that everybody understand that this music is a mash-up of themes Edvard Grieg used in opus 54 (for piano) and opus 61 (songs for children).1. Trolltog med avsporing (March of the Trolls derailment)March of the Trolls is a famous part of Edvard Grieg lyric pieces, opus 54.2. Klokkeklang i feil sang (Bell ringing in wrong tune).Bell ringing show that Grieg was one of the first composers to write the way impressionists did. What happens if this beatiful piece is combined with several other themes from the same book? It somehow works in its own way.3. Pep talk til Blakken (Pep talk to Blakken)The riff used in the first part becomes an important part of the third part: a funky treat of the childrens song "Kveldssang for Blakken" (Evening song for Blakken).I felt that a rather tired old horse needed a pep talk more than a slow tune. So that is why you get this music(!) - and this is how my rendezvous with Grieg ends.Not sure what maestro Grieg would have thougt... But, I have read that the fiddlers that played the tunes Grieg used was not happy with the way Grieg used them.So there you go...Torstein Aagaard-Nilsen
Estimated dispatch 7-14 working days
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£98.20
Golden suite - Lorenzo Pusceddu
In the Non Valley, during spring when the water of Lake Santa Giustina starts lowering, the old main traffic system and the steep terrain with the Groppello vineyards resurface. The majestic and uncompromising Mount Ozolo dominates this landscape and acts like a guard of the fertile valley. The people who had to walk along the Regiai road to leave their village in search of fortune keep those memories very alive. Their trip started by descending the valley along the Regiai road, walking through the luxuriant vineyards that were supported by dry stone walls, downright mosaics of stones built to help the growth of the vineyard. Those who left and casted a glance at their village for one last time could catch sight of the Ozolo, the mountain of the primordial man, of hunting and friendship. They also had to cross a bold stone bridge that still exists and is jealously safeguarded by the lake water, which has also sunken together with the bridge hectares of vineyards of Groppello, the vine of the traditional and vigorous wine produced in the Non Valley. Its name is said to come from the typical structure of the grapes, which are compact and resemble a thick tangle ("groppo" in local dialect), almost a defense against the shifting temperatures of the fall that gives the grapes a bright color and a honey-like sweetness. The production at the end of the nineteenth century was of circa fifty thousand hectoliters of wine, but today it has reduced to only five hundred hectoliters produced by about thirty courageous farmers who want to preserve an authentic patrimony of taste and flavor. These wine makers have the will to safeguard a vineyard that is at risk of extinction and work the land as they used to do many years ago: with hoe, shovel, and a lot of sweat! The Groppello vineyard extended to the bottom of Mount Ozolo, but on the higher slopes the more rigid temperatures allowed only for the growth of pines, spruces, larches, broad-leaved trees, and pastures. In the course of the years, this typical vegetation of the mountain has provided the population with the raw material to build houses, to keep warm during the winter, and to feed the animals. Mount Ozolo has also been since ancient times the "sacred" mountain of the valley, and today it has become a game preserve and a site of socialization for young people who know how to love and respect nature.
Estimated dispatch 7-14 working days
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£113.30
Via Della Terra - Marco Somadossi
Composing music also involves being able to imagine the sound of something that has no sound of its own. "Via della Terra" is a soundtrack without a film, a story without a narrator; "Via della Terra" is a street in a town, but not just any street, because if a street could tell its story, "Via della Terra" would not know where to start or where and indeed if it should finish. Like all "Vie della Terra", this street in this piece is full of sounds, none of which, however, have ever belonged to it for more than a fleeting moment, just long enough to be reflected here and there and then up and away from the earth, to be lost in the air. The steps of Mozart as a child as he whistled a piece of music, never again to be remembered or written; the philosophical thoughts, or mere everyday cares, uttered to a friend by Rosmini (whispered? or declaimed?); the excited or humorous comments of people who saw Depero's futuristic works for the first time; the voices of marketstall owners, rendered louder and more acute by the noisy crowd of women sorting through the stalls of rustling and colourful silk (so many desires; silent pauses between one item of gossip and the next); the absolute and devastating roar of cannons that violated every corner of the town, injuring bodies and mutilating the memories of its inhabitants... followed by a seeming eternity, as the citizens held their breath, waiting... "Via della Terra" is the old imperial road along which the town of Rovereto was built and has developed. "Via della Terra" is music for an imaginary, impossible and simultaneous representation of all its stories. The composer has always lived in this town, which he dearly loves, and on innumerable occasions he has imagined the voices, smells, people and the lives that have been such a part of it. With his composition, "Via della Terra", Marco Somadossi won second prize (no first prize was awarded) at the XXI Corciano International Competition for original band music in the grade 4 category.
Estimated dispatch 7-14 working days
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£84.50
American Hymn - William Schuman
American Hymn was commissioned by the American Bandmasters Association and the United States Air Force Band. It received its premiere on March 5th, 1980 as part of the 40th anniversary of the American Bandmasters Association in Washington, DC. It is based on an earlier choral work which Schuman contributed to a comprehensive survey entitled American Hymns Old and New, published by Columbia University Press. The Langston Hughes text that inspired the original human is simple and straightforward, which is reflected in the melodic setting (quasi hymn-spiritual).
Estimated dispatch 7-14 working days
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£121.00
Overture On An Early American Folk Hymn - Claude T. Smith
A delicate opening features the flutes stating the countermelody followed by the entire ensemble. A few various solo passages lead into the true theme My Shepherd Will Supply My Need. The powerful and chilling scoring of the marvelous old folk melody will have you reprogramming it year after year.
Estimated dispatch 7-14 working days
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£82.50
Chasin Joaquin Murrietta - Gary P. Gilroy
Take your audience on a wild chase through history with the exciting tale of this legendary Robin Hood-like bandit from the old west. Colorful writing and extensive percussion effects will have you experience the thrill of the chase, from the sound of a rattlesnake to the crack of the gunshot that ended this chapter of California lore.
Estimated dispatch 7-14 working days
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£104.50
King Of Terror - W. Paris Chambers
William Paris Chambers (November 1, 1854 - November 13, 1913) was an American composer, cornet soloist and bandmaster who wrote several cornet solos and nearly 90 marches. His most famous marches are Chicago Tribune, The Boys of the Old Brigade, Hostrausers, Northwind and Revelation. The King of Terror March was published by J.W. Pepper in 1882. Its title is thought to be inspired by a carnival or midway attraction. The march is fast and furious, with all the drama and ferocity thats reflected in its name. Although one of his earlier marches, King of Terror contains all of the characteristics of Chambers famous bravura band writing.
Estimated dispatch 7-14 working days
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£82.50
A Holiday Galop - Randall D. Standridge
A Holiday Galop utilizes the melodies of Jingle Bells, God Rest Ye Merry Gentlemen, Twelve Days of Christmas, and Jolly Old St. Nicholas to construct a delightful Galop thats perfect for opening or closing a holiday concert. It provides excellent opportunities to develop ensemble playing, dynamic expression, style, and percussion techniques, all wrapped up in a festive musical package.
Estimated dispatch 7-14 working days
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£104.50
Bonnie Annie Laurie March - John Philip Sousa
According to Sousa scholar Paul Bierley, Sousa often remarked that the old Scottish ballad Annie Laurie was the most beautiful of all folk songs. In 1883 he wrote the march Bonnie Annie Laurie based on this favorite folk song. In 1880 Sousa became the fourteenth leader of the United States Marine Band, and this was undoubtedly one of the marches that he composed during this period. Highlighted and enhanced in this march-style setting, this wonderful melody never sounded better.
Estimated dispatch 7-14 working days
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£82.50
The Troll Bridge - John Prescott
Legends and folklore tell scary tales of a bridge guarded by a gruesome troll that lives beneath. This work takes the listener on a scary journey alone at night down a road that crosses a stream with an old wooden bridge. Youll experience the cautious approach, frightening crossing and mad dash to safety in this musical recreation of this famous story.
Estimated dispatch 7-14 working days