Results
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£132.00Sasha Takes a Train - Kim Portnoy
This large full score (11" x 17") is available for this entry in our Wind Band Select series at normal discount. Sasha Takes a Train, commissioned by the USAF Band of Mid-America, was inspired by a memorable overnight train ride in Eastern Europe taken by the composer's family. The music is intended to evoke the motion and sounds of the train and the noisy, scary, surprising and joyous character of the journey. Sasha refers to the composer's then 13 month old son Alexander who managed to sleep through much of his first train adventure.
Estimated dispatch 12-14 working days
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£53.00The Red Cape
Looking for an alternative to the same old American style march for festival? The Red Cape may be your answer. It is written in a Spanish style reminiscent of some of the classic Spanish marches like Amparita Roco, but it is within the technical limitations of young bands. Composer James Meredith draws on his many years of being a band director to give us something fresh and different for your next contest or festival warm-up march.
Estimated dispatch 12-14 working days
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£65.00Rifle Regiment
When you hear the names John Phillip Sousa and Andrew Balent, you know they have to do with something great! Balent takes one of Sousa's most popular marches and works it down to keep some of the technical demands in check for most younger bands. Sousa wrote this march in 1886 to commemorate The Third Infantry, known as "The Old Guard."
Estimated dispatch 12-14 working days
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£44.00Scottish Bobber
Bobber in the old Scots language is the word for a dance. The piece is an original composition for developing bands in a Scottish style. It cantains all of the typically Larry Clark compositional techniques that you have come to know and your students have come to love.
Estimated dispatch 12-14 working days
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£10.00The Show Boy - William Huff
Here is one of the standard marches from the old Fillmore Bros. catalog. Considered one of Will Huff's best marches, the piece is tuneful and easy enough for most high school bands to be able to play. A perfect contest warm-up march!
Estimated dispatch 12-14 working days
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£15.00Cloudsplitter - Various
An excellent ensemble (Trade Winds) in their premier recording of old and new band classics featuring the music of Larry Clark, Percy Grainger, Robert Thurston, Carl Strommen, Sean O' Loughlin and others. Includes: Ascendance, The Tell-Tale Heart, Sonic Fusion, Molly on the Shore, Shoutin' Liza Trombone, Morning, Noon and Night in Vienna, Cloudsplitter, Bacchanale, Cascades and Quaere Verum.
Estimated dispatch 12-14 working days
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£91.60Variations on a Theme by Elgar - Árpád Balázs
In rpd Balzs's diverse and varied oeuvre, works for wind orchestra play a prominent role alongside choral music. He composed the Elgar Variations in 2022 on the theme of one of Edward Elgar's (1857-1934) short early works (Love's Greetings, 1888). As rpd Balzs writes ''The theme I used as the starting point for my work may already be considered a variation, since I 'peeled off' the dense ornamentation and the tonicisations from it, and what remained was the melody, beautiful in its own place. What come back from time to time from the theme in the variations are: the arched structure, the double peak point, and mostly the major sixth leaping downwards, then upwards. The modest, transparent orchestration, which then is amplified at the repetition of the theme is also a defining feature. There is a personal family secret hidden in the third variation: a late compliment to a loyal spouse for the past half century... The closing variation is calm and quiet - similarly to the chorale-like slow movement in Bla Bartk's 3rd Piano Concerto. It is like a message from an old composer to the Future.'' The Elgar Variations together with the Concertino (1992, Z. 14909) and the Rhapsody (2015-2021, Z. 15167) form an ambitious, emotionally wide-range trilogy for a concert band.
Estimated dispatch 7-14 working days
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£50.50Holiday Party Mix
Get the party started with this energetic, upbeat medley of holiday favorites arranged by William Owens! Featuring "Jingle Bells," "Jolly Old Saint Nicholas," "Good King Wenceslas," "Up on the Housetop," and "Ode to Joy," the music may play very easy, but it grooves really hard!
Estimated dispatch 7-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£68.80Shanty - Scott Rogers
A shanty is a work song sung by sailors. The steady beat and strong pulse of the song helped the sailors to work together and coordinate their efforts. In the old days there was lots of heavy lifting, and raising the anchor or adjusting the sails required both strength and cooperation.
Estimated dispatch 7-14 working days
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