Results
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£174.99Toccata Festiva (Concert Band - Score and Parts) - Van der Roost, Jan
Toccata Festiva was commissioned in 1994 by the Dutch Brass Band Championships. The wind band version was made a year later by the composer himself. Historically speaking, the toccata is considered to be one of the first independent instrumental forms for keyboard instruments. Originally the toccata was typically more or less improvised, later this musical form was given a more regulated structure. Both elements are used in the Toccata Festiva: on the one hand the different themes are developed freely, on the other, the piece has an orderly structure. It is in a three part form (quick-slow-quick) and includes both strong rhythmical figures and broad melodic lines. Part of the composition is written in a more or less archaic tone idiom, referring to the period from which the toccata form originates (16th century).Duration: 13:30
Estimated dispatch 7-14 working days
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£59.95Variations VIII & IX (From Enigma) (Concert Band - Score and Parts) - Elgar, Edward - Brand, Geoffrey
Elgar's Variations for orchestra were written during 1898-9; they are dedicated "To my friends pictured within" Each of the 14 variations is a musical portrait to one of the composer's friends. Over the 17 bar theme which inspired the Variations, Elgar wrote the word ENIGMA. Later he said, "The ENIGMA I will not explain - its "dark saying" must be left unguessed" In Variation VIII W.N. is Winifred Norbury. In 1897 local friends organised a choral and orchestral society for Elgar to conduct. The secretaryship of The Worcester Philharmonic, as the society was called, was shared by two ladies, of whom W.N.. was one She has been described as "very sedate and calm, rather like a kind governess with Elgar, but had a sense of humour - and a laugh, rather like a deep bell". Variation IX Nimrod is Elgar's deeply felt tribute toA.J.Jaeger, his German-born friend who worked for the publisher Novello and Co. His sincere support meant a great deal to Elgar. Jaeger, in German, means "hunter". Elgar concealed this in the nickname Nimrod. The variation has become extremely popular and is often played on thoughtful occasions. In this arrangement, either W.N. or Nimrod can be played alone. However, in the Variations they are linked by Elgar in an inspired manner.
Estimated dispatch 7-14 working days
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£11.95
Variations VIII & IX (From Enigma) (Concert Band - Score Only) - Elgar, Edward - Brand, Geoffrey
Elgar's Variations for orchestra were written during 1898-9; they are dedicated "To my friends pictured within" Each of the 14 variations is a musical portrait to one of the composer's friends. Over the 17 bar theme which inspired the Variations, Elgar wrote the word ENIGMA. Later he said, "The ENIGMA I will not explain - its "dark saying" must be left unguessed" In Variation VIII W.N. is Winifred Norbury. In 1897 local friends organised a choral and orchestral society for Elgar to conduct. The secretaryship of The Worcester Philharmonic, as the society was called, was shared by two ladies, of whom W.N.. was one She has been described as "very sedate and calm, rather like a kind governess with Elgar, but had a sense of humour - and a laugh, rather like a deep bell". Variation IX Nimrod is Elgar's deeply felt tribute toA.J.Jaeger, his German-born friend who worked for the publisher Novello and Co. His sincere support meant a great deal to Elgar. Jaeger, in German, means "hunter". Elgar concealed this in the nickname Nimrod. The variation has become extremely popular and is often played on thoughtful occasions. In this arrangement, either W.N. or Nimrod can be played alone. However, in the Variations they are linked by Elgar in an inspired manner.
Estimated dispatch 7-14 working days
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£89.99
Band Fever (Concert Band - Score and Parts)
Modern wind music in the style of the great Big Bands was the model for the composition Band Fever by Otto M. Schwarz. It was written on commission of the prestigious South Tyrolese concert band, Symphonic Winds. The piece features two soloists, one saxophone and one flugel. Rhythms like Hip Hop Style and Double Samba support a catchy melody, which is later taken up by the full band, forming the basis for the above-mentioned soloists' improvisations. A unique work in the world of wind music, Band Fever allows both soloists and conductor to display individuality and creativity. It is especially suitable as an opener of the light part of a concert, or as a feature number for special soloists in the orchestra. 04:30
Estimated dispatch 7-14 working days
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£44.55Equinox
Take a good look at this superior new overture for mid-level bands by Ed Huckeby. A brief andante introduction drives straight into an animated allegro, punctuated by heart-stirring rhythms. Excellent teaching material for developing musicianship in your young players. You can't go wrong with this one - a clear winner from one of the most popular composers.
Estimated dispatch 7-14 working days
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£59.40
I've Made My Plans For the Summer (Concert Band - Score and Parts) - Sousa, John Philip
An absolutely stunning composition created by combining sections from several of Sousa's arrangements of "Yankee Doodle". The main section, the "fugue" is taken from Sousa's "International Congress" and while every note of these arrangements was written by Sousa, Keith Brion and Loras Schissel have combined them into one piece that is certain to become one of his big hits! PERFECT!
Estimated dispatch 7-14 working days
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£118.99LUX AURUMQUE (Light of Gold) (Concert Band Set) - Whitacre, Eric
Score and Parts. Commissioned by the Texas Music Educators Association for their 2005 All-State Band, Lux Aurumque is an extraordinarily lush and poignant adaptation of one of Eric Whitacre's most popular choral works. Gorgeous, simple triads melt from one beautiful chord to the next, creating a slowly evolving wash of colours and light. Elegantly orchestrated by the composer, Lux Aurumque is a profoundly moving experience for players and audiences alike. American Grade 4. Duration: 5:30
Estimated dispatch 7-14 working days
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£137.99
Odyssee Wind Band Set (Score & Parts)
The Odyssee tells the story of Odysseus, the undaunted hero. In times long ago the blind poet Homer wrote this famous epic. The "Odyssey" follows the "Iliad", the story of the bloody war between the Greek and the Trojans. This battle ends after ten years thanks to the Odysseys famous trick. the Trojan Horse. The Odyssey is not a war epic, but a story about perseverance, loyalty, adventure, and the survival instinct of its ingenious hero. In The Odyssey, Homer describes how Odysseus, the king of Ithaca, had to endure another ten years of affliction after the ten years of war in Troy before he could finally return to his home land. During those years, his wife, Penelope, had to try and keep her many admirers away. These men not only wanted het hand but also the kingship. To prove her husbands worth, she played a trick: "As soon as I have finished weaving this shroud for my father-in-law, Laertes, I will choose one of you to become my husband", she promised them. But during the night, she secretly loosened what she had woven during the day, prolonging the time until Odysseus would finally return. After twenty long years, when he finally stood at the door, she wondered: Is this really my husband? Is he an imposter? Cunningly, she asked him to move the bed, because only she and her husband know that the bed was immovable and was build around an old three trunk! Odysseus was deeply moved: this really was his wife, his Penelope! Nearly three thousands years later, the loyalty and strength of this character, and all the dangerous adventures that Odysseus survived thanks to courage and intelligence, still moves us today. Odyssee by Jan Bosveld is not just an adventure story, but rather a characteristic piece in which memories of Homers story can be heard. The composition opens with a firm, stirring theme describing our hero, Odysseus, in detail: This man is not to be taken lightly. The further development of this short introduction completes this character sketch: trustworthy, perseverant, and a genius. After that we can picture Odysseus on the lonely beach of Ogygia. Do the trumpets depict his memories of the war of Troy? Does he think of his wife, as we recognise the weaving loom of Penelope in the murmuring eighth? In the solemn, plaintive part that follows, we can imagine Penelope feeling lonely, sitting in the womens room with her servants.One of the girls plays the harp, but that does not clear the sombre atmosphere. Then we can imagine seeing the sorceress Circe, who changed Odysseus men into swine. After she gives a simple magic sign something follows that reminds us of the sound of pigs grunting. Then the Odysseus theme resounds: the hero comes to savi his comrades. Assisted by Hermes, he forces Circe to lift the spell. The piece ends the same way as it began, with an animated theme: Odysseus is still the same, undefeated and not to be taken lighty! 07:45
Estimated dispatch 7-14 working days
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£164.99
Reflections on an Old Japanese Folk Song (Concert Band - Score and Parts) - Sparke, Philip
Reflections on an Old Japanese Folk Song is based on the tune Suiryo-Bushi, which comes from the shamisen tradition and opens with two contrasting statements of the melody followed by several variations each in an own style based upon the same tune, or sometimes only fragments of it. In one of the variants, the pentatonic scale is used. The final section is in the form of a scherzo, which eventually forms the accompaniment to a final presentation of the folk tune. Reflections on an Old Japanese Folk Song is based on the tune Suiryo-Bushi, which comes from the shamisen tradition and opens with two contrasting statements of the melody followed by several variations each in an own style based upon the same tune, or sometimes only fragments of it. In one of the variants, the pentatonic scale is used. The final section is in the form of a scherzo, which eventually forms the accompaniment to a final presentation of the folk tune.Duration: 8:30
Estimated dispatch 7-14 working days
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£122.50After Mozart
Lszl Dubrovay's work, written in 2006, on the 250th anniversary of Mozart's birth, is a salute of a 21st-century composer to one of the greatest geniuses in the history of music. The composer builds his original ideas on one of the best-known melodies of The Marriage of Figaro (Figaro's aria: ''Non pi? andrai, farfallone amoroso''). The series of variations on the theme of the aria is created by the involvement of special instruments, and by fully harnessing their technical abilities, while Dubrovay's hallmark of a perfect balance and peculiar compositional tone is realised on an exceptionally large orchestra. The work is suited to illustrate the potentials of crossovers between different periods in the history of music, but it can also be played at a festive, thematic concert.
Estimated dispatch 7-14 working days
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