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£74.99Beautiful Savior - Luigi Denza
An impressive setting of a beloved hymn that is not only a wonderful "change of pace" concert selection, it is also an outstanding composition for teaching expressive performance practices. Expressive, yet reverent, the introduction of this work leads into a lovely flute solo followed by a bold and glorious rendition of one of the most celebrated hymns of all time. As one would expect from this popular composer, the lush harmonies and tasteful scoring give it a sound that is quite impressive. VERY HIGHLY RECOMMENDED!
Estimated dispatch 7-14 working days
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£107.50Goddess of Fire - Steven Reineke
A magnificent programmatic work for symphonic band that is an offering to Pele, the Goddess of Hawaii's volcanoes. The work opens with primordial, mysterious sounds representing the foreboding volcanoes of Hawaii. We are then introduced to Pele as a tall, beautiful young woman. This is one of the forms she can take and it represents her powers of creation and beauty. This gives way to the active and destructive Pele, often taking the form of an old woman, wrinkled and bent with age. The following lyrical section of the piece is the full statement of Pele's theme of creation and beauty. As this theme settles, we begin to hear the ground pop and crack letting us know that new lava is beginning to bubble and flow. Suddenly and violently, one of her volcanoes erupts, creating massive chaos and destruction. After the eruption subsides, Pele's theme of creation and beauty returns again. A wonderful addition to any concert or festival performance by mature bands. Exceptional in every respect!
Estimated dispatch 7-14 working days
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£164.99A Weekend In New York - Philip Sparke
Philip Sparke was so inspired and moved by his first visit to New York, that he had to capture the moment in one of his compositions. At first a general picture of New York is presented as all the sights and sounds are taken it. Eventually the composer finds himself in Manhattan. Walking along a street, music can be heard wafting from one of the jazz-clubs. This musical representation of personal impressions creates an extremely memorable work.
Estimated dispatch 7-14 working days
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£104.99The Best of Mika - Mika
British-Lebanese singer and songwriter Mika took the pop-scene by surprise in 2006 with not only one, but two successful albums in consecutive years, proving beyond doubt that he is more than just another one hit wonder. His intoxicating, sometimes even crazy, songs contain melodies and rhythms that have not only brought fl ocks of people to the dance floor, but have also entertained people of all generations. Gilbert Tinner's medley brings together three of Mika's hits: Lollipop, We Are Golden and Grace Kelly.
Estimated dispatch 7-14 working days
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£134.99Gulliver's Travels - Bert Appermont
The book Gullivers Travels (1726) by author Jonathan Swift formed the provocation for writing this composition. Even though this composition isnt a literal representation of the original story, a number of elements were still retained. The shipsdoctor Gulliver finds himself in 4 (fictive) areas, each with their own inhabitants and customs. Each part of this suite also received the name of one of these areas:I. Lilliput The enterprising Lilliputians are represented by a playful, common themein the first part.II. BrobdingnagIn the land of "Brobdingnag" Gulliver is carried off by gigantic giants, which you hear approaching with the sounds of the bassinstruments. The same theme is constantly repeated and quickened in order to increase thetension.III. LaputaLaputa is an island that floats in the air; its inhabitants are strange people with slanting heads. The dreamy, special atmosphere is especially well conveyed here.IV. The HouyhnhnmsFinally Gulliver finds himself in the land of theHouyhnhnms, where intelligent and noble horses rule over the primitive, undeveloped people (yahoos). The trumpets in the brilliant opening express the galloping horses; the gallant theme that follows (horns and trombones) symbolises the primitiveyahoos. The whole composition ends with a big finale.I intentionally tried to limit the degree of difficulty of Gullivers Travels. Despite this I think that this work can appeal to many orchestras due to the colourful orchestration (cues areprovided where needed), the simple and clear theme and the highly imaginative breeding ground of a beautiful story around which this composition is built."
Estimated dispatch 7-14 working days
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£66.95Quest of the Magi - Brian Beck
was one of the working titles for John Henry Hopkins Jr.'s famous carol, "We Three Kings." Written in 1857 for a Christmas pageant in New York City, "We Three Kings" tells the tale of the Magis' journey to find a newly born king in a faraway land and the precious gifts they brought with them. This piece focuses more on the journey of "following yonder star." Traveling across many countries in the first century was a perilous task, full of danger, thievery, and possible death, not to mention these men were traveling with some of the most precious and expensive cargo one could possess. This piece chronicles the magi acquiring myrrh, frankincense, and gold for their journey. Each treasure is represented by its own motif and woven into Hopkins' original carol. (2:45)
Estimated dispatch 3-5 working days
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£64.50The Magnificent Seven - Elmer Bernstein / arr. Michael Story
Originally from the epic 1960 western, , and featured in the soundtrack to the 2016 remake of the film, here is one of the greatest movie themes ever written. Elmer Bernstein's iconic two-bar rhythmic motif that accompanies the soaring melody is played at one time or another by all the winds. Saddle up! (2:00) This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£58.50I Got Rhythm
This version of arranged by Michael Story is part of our Belwin FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys. This timeless George and Ira Gershwin jazz classic has been covered by dozens of popular artists. The song remains one of the most recognizable melodies from the 20th century. In a charismatic contemporary arrangement, is accessible to first-year students and will be an upbeat addition to any program. (1:45) This title is available in MakeMusic Cloud. Percussion Accompaniment Track Downloads: . .
Estimated dispatch 3-5 working days
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£76.95Sonatina for Band - Frank Erickson
This piece, one of hundreds of successful original concert band works by Frank Erickson, is a suite of three brief movements. The three movements investigate harmonic structuring, contrasting moods, and styles as the work progresses from a simple opening to a dramatic conclusion. Revered as one of Erickson's most approachable works for developing bands, it remains on contest and festival lists nation-wide. This edition, now with a full score and freshly re-engraved parts, signifies this cherished work's addition to the Belwin Classic Band series. (5:00) This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£48.95More Cowbell - Mark Williams
was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: "slit throat" gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new "rock star" takes another bow at the end of the piece. Have fun, and may your life always have more cowbell! Correlated with , page 27. This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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