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£183.99
Finale - Giuseppe Giordani
It has been said, and wisely so, that if you wish to find TRULY dramatic music, look to opera. This is an essentially complete transcription of Act IV of Umberto Giordano's tragic opera ANDREA CHENIER. One night before French poet Andrea Chenier's impending execution, his lover Madeleine comes to the prison at St. Lazare and, wishing to die rather than live without him, through bribery manages to exchange places with a young woman who is, like Chenier, scheduled to mount the scaffold the following day. James Curnow fully utilizes his considerable orchestration skill with this immensely powerful transcription. Well performed, the ending is absolutely awe-inspiring. If yourgroup has the skill to play at this level you definitely MUST explore this significant transcription.
Estimated dispatch 7-14 working days
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£104.99
L'Amico Fritz - Pietro Mascagni
When you say Mascagni you immediately think of Cavalleria rusticana. This work brought Mascagni overnight fame after his wife - without him knowing - entered the score in a composition contest and it won first prize. Cavalleria rusticana became an incredible success, overshadowing the premiere of his next opera, L'Amico Fritz. L'Amico Fritz can still be considered a successful opera, with its highlights being the 'Cherry Duet' and this intermezzo, arranged by the Japanese Kimura.
Estimated dispatch 7-14 working days
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£137.99
Three Onegin Dances - Pyotr Ilyich Tchaikovsky
Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but "lyric scenes". The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.
Estimated dispatch 7-14 working days
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£84.99Cavatina - Charles Gounod
Goethe's Faust has already been set to music by various renowned musicians, such as Berlioz, Busoni and Spohr, and indeed Charles Gounod, who built his eponymous opera around the tale. Gounod's Faust is primarily known for its lovely melodies and its beautifully expressive vocal parts and subtle orchestrations. One of the high points of this opera is doubtless this impressive Cavatina ("Salut, demeure chaste et pure"). Wil van der Beek has arranged the Cavatina with the euphonium as solo instrument.
Estimated dispatch 7-14 working days
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£132.50O Helga natt - Adolphe Charles Adam
O Holy Night is a very well-known Christmas carol. The origin of the carol is French beginning with the words: "Minuit! Chrtiens, c'est l'heure solennelle". It is about the birth of Jesus and was written in 1843 by a wine merchant and poet by the name of Placide Cappeau (1808 77). He turned to the composer Adolphe Adam (1803 56) and asked him to write a suitable melody. The result was brilliant and the carol was premiered in Cappeau's home town Roquemaure in 1847 by the opera singer Emily Laurey. Based on Cappeau's French text, the English version was written in 1855 by an American Unitarian (Calvinist) minister by the name of John Sullivan Dwight (1813 93). Adolphe Adamwas the son of the pianist and composer Louis Adam (1758 1848), who did not want his son to follow in his foot-steps as a musician. However, Adolphe wanted otherwise, and already at the age of 17 he was accepted to study at the music conservatoire in Paris. He was a student under Franois Adrien Bo eldieu and composed several comical operas that became successful. After the July-revolution 1830 Adam moved to London. He worked for a couple of years before returning to Paris, where he founded a new opera house in 1847, the Th tre national. After the revolution in 1848 it had to close and Adam was ruined, why he had to go back to composing. In 1856 he concluded the ballet Le Corsaire, which together with the ballet Giselle are his most performed works today.
Estimated dispatch 7-14 working days
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£207.00Das Liebesverbot - Richard Wagner
This young, comic opera, composed in 1835 on one of Wagner's own libretti, based on a play by Shakespeare, was unsuccessful at the Magdeburg theatre in 1836 and even the composer considered it a "sin of youth". After attempting in vain to have his first opera, "Le Fate", performed in Germany, Richard Wagner decided that his lack of success was due to the overwhelming competition of Italo-French music. He listened to Bellini, and became aware of the objective reasons for the great success of this music, comparing the warmth of life of Italian music to the frozen and meticulous German style. Hence he composed " Das Liebesverbot " with the sole aim of giving intense pleasure tothe public, without worrying about succumbing to the clichs of French and Italian music. That is why, when we listen to this music without knowing the name of the composer, we find ourselves in an embarrassing situation. We could easily attribute the work to some French composer, Meyerbeer, or Auber, for instance, but then the melodic ease and constructive linearity would bring Rossini to mind. By paying closer attention, however, we notice a boldness, an aggressiveness and a wealth of ideas that, together with clever orchestration, reveal the touch of the great German musician. " Das Liebesverbot " deserves to be performed more often, and we feel sure that the transcription for band will be an excellent vehicle of diffusion for this symphony.
Estimated dispatch 7-14 working days
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£59.99
Der Zaubermarsch - Rob Ares
On 30th September 1791, a few months before his death, the opera "Die Zauberflote" (The Magic Flute) by Wolfgang Amadeus Mozart was given its first performance. It was remarkable that despite his ill health and his disastrous financial situation he was able to compose a work of such comic genius. Mozart composed the overture in the two days before the premier of the opera and it is on this overture that this transcription is based. To perform the work 'a la Mozart' only the timpani part should be used, the additional percussion parts have been added by the arranger and are therefore optional.Mozart 40th SymphonyThe Austrian composer Wolfgang Amadeus Mozart lived atragically short life of thirty-five years. Towards the end of his life in the summer of 1788, he wrote three symphonies in the span of a little over six weeks. His Symphony No.40 in G Minor was one of those great works. This setting of the first movement from that Symphony provides ample demonstration of the composer's grace, inventiveness and pervasive sense of humour, which can be found throughout his music.
Estimated dispatch 7-14 working days
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£172.50La Fanciulla del West - Giacomo Puccini
Following the success of Madame Butterfly, Giacomo Puccini (1858-1924) composed the opera La Fanciulla del West, a dramatic love story based on the Wild-Western play, The Girl of the Golden West. This arrangement for concert band by Johan de Meij is a fantastic symphonic suite of music from the opera.
Estimated dispatch 7-14 working days
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£104.99
Nocturne - Pyotr Ilyich Tchaikovsky
Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but "lyric scenes". The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.
Estimated dispatch 7-14 working days
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£84.99Toccata - Claudio Monteverdi
Claudio Monteverdi composed this toccata as an instrumental introduction for the opera L'Orfeo (1607). According to the composer, this introduction should be played three times before the rising of the curtain. This is actually the first overture in the history of opera.)The story of Orfeo, who enchanted nature with his music, is tragic, as he loses his beloved Eurydice and decides to retrieve her from the underworld. On their return journey, one glance back at her is fatal: he loses her for the second time.)This arrangement for wind band is very suitable as a concert opener. The toccata is played three times just like the original. The first time it is played by a quintetconsisting of two trumpets and three trombones.)Various ways of performing this toccata are possible. The tension builds up more intensely if the quintet starts off stage. Eventually, these five players join the band, after which the tutti version follows two times. You can also have the brass play from the gallery during the second or third time for a double choir effect.
Estimated dispatch 7-14 working days
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