Results
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£149.99Via Claudia - Johan de Meij
With Via Claudia, the band takes the audience with it on a tour of the Alps. The journey begins on a foggy night near Venice and leads in a solemn procession over steep mountain passes up to the summit, where the sun breaks through and aglorious panorama is revealed. Alpine meadows in full bloom, the echo of an alphorn and brilliant fanfares in the brass accompany the onward journey to Augsburg, where the arrival is celebrated with a triumphal anthem!
Estimated dispatch 7-14 working days
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£209.99Dunamis - AndrĂ© Waignein
Major Yvon Ducene wanted a new lush and colourful composition for his Guides military band, with Andr Waignein as its composer. Early in 1979 the composer began his assignement and in October of the same year, the finished full score was on the music stands of this prestigious military band of the Belgian Army.The introduction (Grave) mirrors an atmosphere full of serenity in which the theme, played by the oboes and the English horn is predominant and immediately holds the listener spell-bound. It is taken up again as central element of the slow movement.The Allegro breaks away from the quiet passion of the introduction. Here, the band can really show its capabilities to thefull. Based on a very precise rythm, an idiom of sudden desperation and adversity develops which, fused with a crushing agression, culminates in a kind of eruption, soom calmed down by a Lento : peace and quiet has returned thanks to a melody by the horns and soon taken over by the clarinets. In the meantime, the saxophone - an instrument full of human emotion - express the main spatial dimension in contemporary psyche. Following a harmonic transition the brass-players take up the theme again in forte whilst the basses and the woodwinds interwine in technical arabesques.The movings of the mind and the heart get an audible and almost touchable shape in the ensuing Allegro, a movement characterized by a rhythmic dialogue in which the whole orchestra participates and where the exposition contains a wealth of sound and technical contrasts. The Lento finally uses the central theme of the slow movement again, with some occasional references to the two allegros. The last page is of unprecedented grandeur. All the instruments display their most beautiful sound which were named by Jacques Ferschotte, when speaking about Honneger, "harmonies d'intensits" harmonies of the unmeasurable.
Estimated dispatch 7-14 working days
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£209.99
Suite - Boudewijn Cox
Suite for symphonic wind band is a rich orchestral piece that taxes the musicians to the utmost. The first part starts with a lyric melody in the French horn section, to be taken over by the full orchestra, ending in a kind of "anarchistic entrada". The second part starts with a transparently orchestrated polyphonic web, slowly passing into a richly arranged wave like movement that stops suddenly, leading to the third part's "attaca" start. This third part is a fragile "adagio con tenerezza". The finale is extremely virtuous and feriocious. It is a musical expression of anger, fear and despair.
Estimated dispatch 7-14 working days
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£141.99Jalan-Jalan - Shin'ya Takahashi
Jalan-jalan was inspired by the music of Bali, Indonesia based upon its unique melodies, modes and rhythms. As part of the independent archipelago "Ryukyu", Okinawa (southernmost Japan) had an active exchange with Bali that included cultural and musical influences. Jalan-jalan means "walkabout" or "walking journey" in Indonesian. It describes a walk in the so-called Isle of the Gods, encountering Bali's beautiful scenery and daily life. Its four themes include "Dawn," "Morning Market," "Beach in Early Afternoon" and "Kecak Dance (a form of Balinese dance and music drama, performed primarily by men) in Torchlight."An imposing pesante introduction will properly establish this song's mood. Boldly balance winds and percussion to the prominent timpani solo. At Allegro Vivo, observe the lighter abbreviated scoring and balance melody/countermelody at E. Melodies are elongated at the Grazioso, and tenor/bass rhythm figures need enough separation to be felt. The urgent-feeling Presto must initially be reserved except for the percussive "slaps"; same thing again at O. The daunting rhythmic figure at Q is actually a chattering effect-combine the two elements to teach continuity and placement. Don't "over blow" the ending, but continue to emphasize unique rhythmic elements.(Shin'ya Takahashi)
Estimated dispatch 7-14 working days
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£106.95Highland Celebration - Alan Lee Silva
Written with the lilt and flavor of the Scottish Highlands, this original Alan Lee Silva piece is a joyous new addition to the concert band repertoire. The pulsing 6/8 rhythms are contrasted by momentary feelings of 3/4, as the melody floats over punctuated harmonies. This piece contains contrast, with a slower middle section featuring a divine flute melody, accompanied by the sound of "bagpipe" drones in the other voices. This grand Scottishstyle melody develops to a climax before the wistful return of the main theme, and an up-tempo coda completes the piece.
Estimated dispatch 7-14 working days
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£140.50
Wedding Dances - Daron Aric Hagen
A concert version of the dance music from the second act of the sensational opera for voices and wind ensemble by Daron Aric Hagen (see Overture above), this varied and colorful piece will be a brilliant addition to the program of a Grade for band. The music dramatically reflects the growing conflicts of the story (based on Othello) and climaxes with a powerful setting of the big tune associated with the idea of "crossing over" from Mexico to the U.S., and from Life to Death. This piece is a major addition to the serious band repertoire and has been added to the Texas UIL Prescribed Music List. Duration: 7'
Estimated dispatch 7-14 working days
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£84.99
Elegy - Melvin L. Shelton
A touching and intense memoriam piece, the mechanics are on the easy side of Grade 4, but the demand for tone quality and control in tenuto passages and long slurred phrases calls for the best of musicianship from any group. The "Adagio e Rubato" tempo indication invites the kind of wonderfully expressive ensemble playing that should probably make up a larger part of band literature than it does today. Over a quiet unifying heartbeat from the timpani, the band explores the emotions felt after a tragic personal loss. A soaring F Horn solo (cued in Trumpet. and Alto Saxophone) leads poignantly toward a gentle Orchestra Bells and Wind Chime ending.
Estimated dispatch 7-14 working days
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£204.99
Credentium - Jan Van der Roost
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.
Estimated dispatch 7-14 working days
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£50.50
Kilauea - Brian Balmages
Simple aleatoric passages help recreate the effect of an erupting volcano in this powerful yet extremely playable composition. Using bass drum to suggest the groaning of the volcano, the lyrical opening foreshadows the wildness of the eruption, and in transition, students play any notes and rhythms desired. As the lava begins to flow, a cacophonous ostinato appears over a menacing theme in the trumpets and low voices. In addition to the regular part, an optional advanced snare drum part is included for accomplished percussionists. The combination of styles along with exciting new sounds for young band make this a must for your next concert! (2:40)
Estimated dispatch 7-14 working days
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£94.99O Christmas Tree
The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These 'living' trees, said to be the work of benign spirits, were brought into people's houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church inthe course of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschtz from Leipzig was the first person to notate the song 'O Tannenbaum', the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.
Estimated dispatch 7-14 working days
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