Results
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£84.99Arlington (Where Giants Lie Sleeping) (Concert Band - Score and Parts) - Murtha, Paul
Composed as a tribute to generations of American servicemen and women buried at Arlington National Cemetery near Washington, D.C., this powerful and emotional work is a fitting addition to any memorial occasion or patriotic concert. Offstage trumpets announce the opening theme followed by reverent strains and a solemn statement of My Country, 'Tis of Thee. The piece develops and builds gradually, reaching a heroic climax with the familiar hymn God of Our Fathers before returning to a quiet and reflective mood as the offstage trumpets return.Duration: 7:30
Estimated dispatch 7-14 working days
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£57.50Powerhouse (Concert Band - Score and Parts) - Scott, Raymond - Murtha, Paul
The zany music of the Raymond Scott Quintette, originally recorded in the late 1930's, was a popular resource for the early Warner Bros. cartoons scored by Carl Stalling. Filled with surprise and humour, any fan of Bugs Bunny will recognise these unforgettable themes!
Estimated dispatch 7-14 working days
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£60.99Chicago, The Best of (Concert Band - Score and Parts) - Murtha, Paul
The early hits by supergroup Chicago were remarkable for their driving rock style combined with a distinctive and integral use of horns. Here's a fast-paced and dynamic medley for young players that includes the familiar tunes Make Me Smile, Saturday in the Park, and 25 or 6 to 4.
Estimated dispatch 7-14 working days
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£26.99Far and Away, Excerpts from (Concert Band - Score only) - Williams, John - Lavender, Paul
Ron Howard's 1992 film Far and Away starred Tom Cruise and Nicole Kidman in a saga of Irish immigration to American in the 1890s. Drawing on the rich tradition of Irish music as inspiration, John Williams uses original themes, but in an Irish style, in creating a sweeping film score that beautifully captures and enhances the moods portrayed in the film. Includes: Blowing Off Steam; County Galway, June 1892; Far and Away (End Credits); The Fighting Donelly's; Joseph and Shannon. Duration: 8.00
Estimated dispatch 7-14 working days
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£204.99
Far and Away, Excerpts from (Concert Band - Score and Parts) - Williams, John - Lavender, Paul
Ron Howard's 1992 film Far and Away starred Tom Cruise and Nicole Kidman in a saga of Irish immigration to American in the 1890s. Drawing on the rich tradition of Irish music as inspiration, John Williams uses original themes, but in an Irish style, in creating a sweeping film score that beautifully captures and enhances the moods portrayed in the film. Includes: Blowing Off Steam; County Galway, June 1892; Far and Away (End Credits); The Fighting Donelly's; Joseph and Shannon. Duration: 8.00
Estimated dispatch 7-14 working days
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£75.00The Beatles Remembered (Concert Band - Score and Parts) - Lennon & McCartney - Bullock, Jack
From the roots of the rock-and-roll era, this energy-packed medley brings back fond memories to those old enough, and introduces these cherished tunes to the youngsters. John, George, Ringo, and Paul! With a variety of styles to embrace the breadth of the Beatles impact on our global musical culture, the titles included are "Do You Want to Know a Secret?," "From Me to You," "I Saw Her Standing There," and "She Loves You." Clear notation, well-defined dynamics, and a groove supplied by the rhythm section in the style of the tasteful Ringo Starr, you're sure to find a warm reception for this highly crafted arrangement.Duration: 5:30
Estimated dispatch 7-14 working days
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£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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