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£60.99James Bond, The Best of (Concert Band - Score and Parts) - Murtha, Paul
Featuring some of the best-known spy themes from the silver screen, here is a very playable medley of James Bond soundtrack favourites through the years.Includes:James Bond ThemeGoldfingerLive and Let DieSkyfall
Estimated dispatch 7-14 working days
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£72.99Dear Evan Hansen, Selections from (Concert Band - Score and Parts) - Pasek & Paul - Brown, Michael
Praised by critics and embraced by Broadway lovers, Dear Evan Hansen is a powerful and moving show that touches on the complex issues of social connectivity and suicide. Featuring a contemporary pop/rock score, this terrific medley for band includesFor ForeverWaving Through a WindowYou Will Be Found
Estimated dispatch 7-14 working days
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£57.50Despacito (Young Concert Band - Score and Parts) - Murtha, Paul
Becoming the first YouTube video to hit 4 billion views, Luis Fonsi's "Despacito" also reached the top of the pop charts in over 40 countries. Featuring a blend of Latin pop and urban rhythms, this infectious hit works great in this adaptation for concert band.
Estimated dispatch 7-14 working days
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£100.00Agnus Dei (from Mass of the Children) (Concert Band with opt. Choir - Score and Parts) - Rutter, John - Noble, Paul
The William Blake (1757-1827) poem, The Lamb, featured in this movement, is a poignant message relating to the precious lives of our children. In the setting for band alone, the children's choir part is set for solo trumpet, and the darker beginning (Agnus Dei, miserere nobis) is further enhanced by muted brass and the pulsating heart-beat of the bass drum, felt, but rarely heard.
Estimated dispatch 7-14 working days
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£60.99Star Wars: The Last Jedi, Selections from (Flexible Ensemble - Score and Parts) - Williams, John - Murtha, Paul
Scored with flexible instrumentation options, here is a beautifully adapted medley of the primary themes from Star Wars: The Last Jedi. You'll hear dramatic new material along with well-known melodies of your favourite characters.Includes:FinaleThe Rebellion is Reborn
Estimated dispatch 7-14 working days
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£225.00Birthday Madrigals (Concert Band with opt. Choir - Score and Parts) - Rutter, John - Noble, Paul
Birthday Madrigals was written in 1995 to celebrate the seventy-fifth birthday of the great jazz pianist, George Shearing. This arrangement is written for combined band and choir, but may be performed by band alone. In honour of George Shearing's noted style, a vibes part has been added to this arrangement, as well as an optional piano part. The original setting was a suite of five movements. The arranger has chosen three of the movements, numbers 1, 3 and 5, because of their similarity in style. This is a special opportunity for Concert Bands, or combined Concert Bands and Choirs, to perform in a true jazz medium, featuring a set drummer and string bass along with the full band.
Estimated dispatch 7-14 working days
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£75.00All Things Bright and Beautiful (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
The delicate melody befitting this familiar text gains gentle momentum by a continual movement in instrumental groups, vibraphone and optional harp. A quintessential piece for spring from renowned composer John Rutter. This arrangement for Concert/Wind Band and Chorus follows the original setting for small orchestra and chorus, but is also adapted to be performed by band alone.
Estimated dispatch 7-14 working days
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£140.00Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)
Estimated dispatch 7-14 working days
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£75.00Christmas Night (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Christmas Night is John Rutter's setting of a traditional French Carol, with words by John Rutter. It became the theme of one of his Christmas albums, focusing on the central event of the Christmas story, the birth at Bethlehem, and on the characters in that story: the angels, the shepherds, the wise men, and the mother with her child. This arrangement is written for combined Concert Band and Chorus, but may be performed by Band alone. The arrangement is technically very easy, and is a showpiece of the colours and textures of the families of band instruments.
Estimated dispatch 7-14 working days
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£90.00Come Live with Me (from Birthday Madrigals) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Birthday Madrigals was written in 1995 to celebrate the seventy-fifth birthday of the great jazz pianist, George Shearing. This arrangement is written for combined band and choir, but may be performed by band alone. In honour of George Shearing's noted style, a vibes part has been added to this arrangement, as well as an optional piano part. The original setting was a suite of five movements. The arranger has chosen three of the movements, numbers 1, 3 and 5, because of their similarity in style. This is a special opportunity for Concert Bands, or combined Concert Bands and Choirs, to perform in a true jazz medium, featuring a set drummer and string bass along with the full band.
Estimated dispatch 7-14 working days
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