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£61.95CONCERTINO (Opus 26) (Clarinet/Concert Band) - Weber, Carl Maria Von - Frank, Marcel
Concert Band American Grade 3/Clarinet Solo American Grade 5. Duration 9:00. Also available with piano accompaniment.
Estimated dispatch 7-14 working days
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£39.99Love Divine (Concert Band - Score and Parts) - Goodall, Howard - Wheeler, Alastair
One of Howard Goodall's most popular choral settings, Love Divine has been skilfully arranged for wind band by Alastair Wheeler, with the approval of the composer. This version is based on the setting with piano and strings and can be performed as a self-standing concert work or as an accompaniment for performance by a large choir. Duration: 8 minutes.
Estimated dispatch 7-14 working days
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£68.99
Mountain March (Concert Band - Score and Parts)
A fanfare introduces This festive march is introduced by a lively fanfare which leads into the first, playful, melodic line which features a regular dynamic alternation and a light syncopated rhythm. After the traditional bass solo, the first theme returns. The initial theme, performed by piano and cantabile trio, later sounds in a jubilant forte with various figurations in the higher woodwinds. The fine work Mountain March is suitable as a street march, but will also gain much appreciation on the concert platform. 04:00
Estimated dispatch 7-14 working days
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£174.99
Premier Concerto (Concert Band - Score and Parts)
Paul Gilson's Premier Concerto from 1902 is one of the first compositions for saxophone. The Belgian composer used all the typical characteristics of the instrument, such as its powerful tone, suppleness, virtuosity and warm sound. Tom de Haes has created a reconstruction based on the partly missing original version for concert band, the piano score and the version for symphony orchestra. 16:25
Estimated dispatch 7-14 working days
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£44.95TRAUMEREI (Simply Classics Concert Band) - Schumann, Robert - Turnbull, Kit
Traumerei (or Reverie) is the seventh movement from Schumann's Kinderszenen (Scenes from Childhood). The suite was written for piano in 1838 as a musical recollection of his childhood. Originally containing 30 movements the final published edition contained just 13. The movement is just right for that quiet spot in any concert programme. American Grade 2. Duration 2:26
Estimated dispatch 7-14 working days
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£18.95TWO-PART INVENTION (Euphonium Duet/Concert Band) (Prestige Concert Band Extra Score) - Sparke, Philip
Extra Score. for Bob and Nick Childs. Duration: 5:30 Euphonium BC & TC parts included. American Grade 6 (Soloists)/4 (Band) Euphonium Duet & Piano Accompaniment and Euphonium Duet & Brass Band editions is also available.
Estimated dispatch 7-14 working days
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£94.95
TWO-PART INVENTION (Euphonium Duet/Concert Band) (Prestige Concert Band Set) - Sparke, Philip
Score and Parts. for Bob and Nick Childs. Duration: 5:30 Euphonium BC & TC parts included. American Grade 6 (Soloists)/4 (Band) Euphonium Duet & Piano Accompaniment and Euphonium Duet & Brass Band editions is also available.
Estimated dispatch 7-14 working days
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£19.95The Entertainer (Concert Band - Score and Parts) - Joplin, Scott - Briggs Watson, Bryan
This popular piano rag, written by Scott Joplin and used in the film The Sting, has been arranged for Concert Band. March Card size parts
Estimated dispatch 7-14 working days
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£132.00Journey in the Dark (from Symphony No.1: The Lord of the Rings) (Concert Band - Score and Parts) - De Meij, Johan
Revised 2023 editionJohan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. The fourth movement describes the laborious journey of the Fellowship of the Ring, headed by the wizard Gandalf, through the dark tunnels of the Mines of Moria. The slow walking cadenza and the fear are clearly audible in the monotonous rhythm of the low brass, piano and percussion. After a wild pursuit by hostile creatures, the Orks, Gandalf is engaged in battle witha horrible monster, the Balrog, and crashes from the subterranean bridge of Khazad-D m in a fathomless abyss. To the melancholy tones of a Marcia funebre, the bewildered Companions trudge on, looking for the only way out of the Mines, the East Gate of Moria.Duration: 9.00
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00
Estimated dispatch 7-14 working days
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