Results
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£44.95TRAUMEREI (Simply Classics Concert Band) - Schumann, Robert - Turnbull, Kit
Traumerei (or Reverie) is the seventh movement from Schumann's Kinderszenen (Scenes from Childhood). The suite was written for piano in 1838 as a musical recollection of his childhood. Originally containing 30 movements the final published edition contained just 13. The movement is just right for that quiet spot in any concert programme. American Grade 2. Duration 2:26
Estimated dispatch 7-14 working days
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£18.95TWO-PART INVENTION (Euphonium Duet/Concert Band) (Prestige Concert Band Extra Score) - Sparke, Philip
Extra Score. for Bob and Nick Childs. Duration: 5:30 Euphonium BC & TC parts included. American Grade 6 (Soloists)/4 (Band) Euphonium Duet & Piano Accompaniment and Euphonium Duet & Brass Band editions is also available.
Estimated dispatch 7-14 working days
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£94.95
TWO-PART INVENTION (Euphonium Duet/Concert Band) (Prestige Concert Band Set) - Sparke, Philip
Score and Parts. for Bob and Nick Childs. Duration: 5:30 Euphonium BC & TC parts included. American Grade 6 (Soloists)/4 (Band) Euphonium Duet & Piano Accompaniment and Euphonium Duet & Brass Band editions is also available.
Estimated dispatch 7-14 working days
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£19.95The Entertainer (Concert Band - Score and Parts) - Joplin, Scott - Briggs Watson, Bryan
This popular piano rag, written by Scott Joplin and used in the film The Sting, has been arranged for Concert Band. March Card size parts
Estimated dispatch 7-14 working days
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£65.54Caprice (Euphonium Solo with Concert Band) Andrew Batterham
VIEW SCORE PDF Caprice was written for Matthew van Emmerik, to showcase his virtuosity in an engaging piece of concert music. The work is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo, a collection of 24 caprices for solo violin. This theme has been the inspiration for similar works by many composers since it was first published, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber. In this work, the famous theme is treated to a more contemporary approach. The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the band. It is couched in an organic scale reminiscent of the Phrygian mode. The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument. The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the last, until the work concludes with a whirlwind dance at breakneck speed. Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will. This arrangement was made possible through Matt's instigation and generosity. To view a video of Matthew van Emmerik performing the version with brass band please visit www.youtube.com/watch?v=D0hsvux_a5o To view a video of Fletcher Mitchell performing the version with piano please visit www.youtube.com/watch?v=NOZ6KRldDVo Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Instrumentation: Euphonium Soloist Piccolo Flute 1-2 Oboe Bassoon Clarinet in Eb Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba String Bass Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£76.99Billy Joel in Concert
With a catalog spanning 50 years and more than 150 million albums sold, Billy Joel's music lives in the Pantheon of rock and roll. This amazing medley for concert band showcases some of his most iconic hits that will be loved by everyone from the grandparents to musicians. Features It's Still Rock and Roll to Me, Just the Way You Are, Piano Man, Uptown Girl, and You May Be Right.
Estimated dispatch 7-14 working days
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£17.99Florentiner Marsch (Concert Band) Op.214
This lively arrangement for Concert Band by Bruno Hartmann includes all the parts and a Piano reduction. This is a pre-WW1 arrangement for the following instrumentation:Piccolo in CFlute inCClarinet 1 in Bb x 2Clarinet 2 in Bb x 2Clarinet 3 in Bb x 2Clarinet in EbOboe 1Oboe 2Bassoon 1Bassoon 2Cornet 1 in Bb x 2Cornet 2 in Bb x2Tenor Horn 1 in Bb x 2Tenor Horn 2&3 in BbHorn 1 & 2 in EbHorn 3 & 4 in EbTrumpet 1 in Bb x 2Trumpet 2 in BbTrumpet 3 in EbTrumpet 4inEbEuphoniumTrombones 1 & 2Bass tromboneBasso 1 x 2Basso 2 x 2Drums TriangleSmall drums GlockenspielSoprano SaxAlto Sax 1Alto Sax2Tenor SaxBaritone SaxTreble clef baritone/euphoniumTreble clef trombone 1 & 2 x 2Treble clef Bass trombone 3Treble clef Bass in EbTreble clef bass in BbFltein desPiston in EbTrumpet 3Bass trumpet
Estimated dispatch 7-14 working days
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£76.99Andrew Lloyd Webber: A Concert Celebration - Andrew Lloyd Webber
A score and parts for Concert Band to accompany this choral showpiece featuring the greatest melodies and songs of Andrew Lloyd Webber, arranged as a celebratory medley. Songs including The Phantom Of The Opera and Don't Cry For Me Argentina have been specially assembled into this choral spectacular that will be the centrepiece of any performance. All arrangements include a full Piano accompaniment and parts are also available for Strings (Catalogue No.HL08721948).Choral arrangements are available for SATB chorus (Catalogue No.AM930370), SAB chorus (Catalogue No.AM930853) and 2-Part Choir (Catalogue No.AM930864).
Estimated dispatch 7-14 working days
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£132.00Journey in the Dark (from Symphony No.1: The Lord of the Rings) (Concert Band - Score and Parts) - De Meij, Johan
Revised 2023 editionJohan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book. The fourth movement describes the laborious journey of the Fellowship of the Ring, headed by the wizard Gandalf, through the dark tunnels of the Mines of Moria. The slow walking cadenza and the fear are clearly audible in the monotonous rhythm of the low brass, piano and percussion. After a wild pursuit by hostile creatures, the Orks, Gandalf is engaged in battle witha horrible monster, the Balrog, and crashes from the subterranean bridge of Khazad-D m in a fathomless abyss. To the melancholy tones of a Marcia funebre, the bewildered Companions trudge on, looking for the only way out of the Mines, the East Gate of Moria.Duration: 9.00
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00
Estimated dispatch 7-14 working days
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