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£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
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£71.50Warriors Of Sparta - Robert E. Foster Jr.
Experience the exploits of the great Spartan warriors through this bold musical portrayal. Beginning with a call to battle, the music builds as the proud army grows and drama builds. A final triumphant celebration of victory highlights the powerful conclusion. Young players will enjoy performing and audiences wont forget Warriors of Sparta.
Estimated dispatch 7-14 working days
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£121.00After Rain - Jack Hughes
We are proud to present this compelling work that won the NBA/Merrill Jones Composition Contest for Young Composers. The composer was still in high school when he wrote this sensitive work of substance for winds and percussion; it displays a keen sense of color and creativity as well as a high level of artistry. The clear and evocative writing is reflective of the composers talent and imagination.
Estimated dispatch 7-14 working days
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£82.50Spirit of Olympus - Gary P. Gilroy
Spirit of Olympus was commissioned by director Elaine Wersky and the Olympus Music Program on the occasion of the 20th anniversary of Olympus Junior High School. It was asked that the celebratory work also also provide a middle section that could serve the school as an alma mater for the school. The true spirit of the student body is reflected in the great opening fanfare in the high brass with strong support from the percussion section. The alma mater is first presented by the full woodwind choir supported with glistening metallic percussion as accompaniment. A lush, full band treatment follows, emphasizing the majestic import of the meaningful melody. An energetic finale brings the work to a fittingly proud and regal close.
Estimated dispatch 7-14 working days
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£104.50Cavalry Scouts - Julius Fucik
Julius Fucik was born in Prague, Bohemia in 1872 and died in Berlin, Prussia in 1913. A bassoonist and composer, he later became the most renowned bandmaster on the Continent. This masterful march creates a vivid display of musical imagery as it begins in 6/8 time depicting the majestic galloping rhythm of horses associated with the cavalry. The march then continues in alla breve meter featuring bold and profound counterlines in the baritone voices and gallant regimental trumpeting. A real march gem that shines with proud ceremonial splendor.
Estimated dispatch 7-14 working days
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£54.99First Christmas Fanfare - Robert E. Foster Jr.
Beginners will be able to perform this holiday setting at their very first concert. Based on the popular carol Angels We Have Heard on High, it makes a great concert opener for elementary bands. Repeated eighth-note rhythms and full scoring will make this energetic setting easy to rehearse and perform and will have young players feeling and sounding confident and proud.
Estimated dispatch 7-14 working days
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£87.50Songs of Old Kentucky - Brant Karrick
The Kentucky mountaineers have preserved a proud heritage of traditional ballads and other old Scottish and English folk songs brought to America by their ancestors. Borrowing from this wonderful genre of folk songs, this outstanding setting of "John Riley," "The Lonesome Scenes of Winter," "Sourwood Mountain," "Frog Went-a-Courting," and "Loving Hannah" is destined to become a band classic. Skillfully scored and imaginative in setting, Songs of Old Kentucky provides a charming vehicle for expressive playing. A delightful addition to your next concert! (6:00) This title is available in SmartMusic.
Estimated dispatch 7-14 working days
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£102.99
Attila - Olivier Boreau
Around 400 AD, Atilla and the Huns together with some other Germanic tribes had gathered at the borders of Western Europe to drive away the Romans. The geographic displacement of people that resulted from this movement determined the layout of Europe as we know it today. With this spectacular piece, we are proud to present to you for the first time French composer Olivier Boreau, who was the winner at a major composition competition with this work.
Estimated dispatch 7-14 working days
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£94.99Biberussa - Bert Appermont
'Biberussa', the old name of the small town of Beverst in Belgium, is a combination of the words 'biber' and 'ussa', meaning beaver and river. This concert march was composed for the 100th anniversary of the Koninklijke Harmonie (Royal Concert Band) 'Ons Verlangen' from Beverst, a place where the composer had his first musical training. After the opening passage, a proud, heroic theme is heard. As a contrast, it is followed by a simple chorale melody and both themes then appear simultaneously in a grand tutti passage. This is followed by a cantabile trio with a majestic reprise of the main theme bringing the work to a close.
Estimated dispatch 7-14 working days
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£102.99
The Beauty of Belisia - Bert Appermont
Belisia is the old Merovingian name of the Belgian town of Bilzen who commissioned this composition. It is also the composer's place of birth. The work has two main themes. The melancholic theme in a minor key refers to the many ravages the town hassuffered through the years and the second theme, stately and heroic, represents the inner strength and courage of the proud inhabitants of this town.
Estimated dispatch 7-14 working days
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