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£72.95
Lonestar - Carl Strommen
This lovely original ballad for band is so tuneful that you'll think that it is based upon a folk song. This is the magic of the pieces of Carl Strommen. He has a way of writing memorable melodies and lush harmonies that just sound so right. Lonestar has the sound of an American cowboy song, and it will stretch the musicianship of your young students. We are proud to have this wonderful new piece from Carl Strommen in the Carl Fischer catalog.
Estimated dispatch 7-14 working days
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£102.99Albastum - Stijn Roels
Albastum is a proud, stately concert march written in classic A-B-A form. It opens with a festive fanfare in the brass section, followed by a lively, bright theme, symbolising the joy of playing music together at each weekly rehearsal. Following a melodious trio, a counter theme develops and the march comes to an exciting close with a reprise of the original theme.
Estimated dispatch 7-14 working days
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£104.99South Pacific - Oscar Hammerstein II
Hal Leonard is proud to offer this unique edition for band of one of Broadway's most treasured shows. Carefully adapted from Robert Russell Bennett's orchestral version, this is a must for all mature bands' libraries. Includes: Bali Ha'i, Bloody Mary, A Cock-Eyed Optimist, Dite-Moi (Tell Me Why), Happy Talk, Honey Bun, I'm Gonna Wash That Man Right Out Of My Hair, Some Enchanted Evening, There Is Nothin' Like a Dame, This Nearly Was Mine, A Wonderful Guy, Younger Than Springtime.
Estimated dispatch 7-14 working days
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£57.50Voyage Through the Night - Douglas Akey
Hal Leonard is proud to welcome the talents of Douglas Akey with this wonderful contribution to the concert band repertoire. Commissioned by the Indiana Bandmasters Association, this descriptive work is built around two contrasting themes. The first is a haunting slow melody which reoccurs later in a more developed and expanded form. The fast section uses a strong theme with a creative harmonic structure along with occasional mixed meters. With Doug's skillful orchestration and colorful percussion writing this piece is an excellent choice for festivals or contests.
Estimated dispatch 7-14 working days
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£72.99Slavonic Folk Suite - Alfred Reed
We are proud to present this masterful two-movement suite by the renowned composer, Alfred Reed. Based on themes treated in his widely acclaimed Russian Christmas Music, this is young band programming at its best.
Estimated dispatch 7-14 working days
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£89.99Cheetah - Karel Husa
We are proud to offer this most recent work for band from one of the legendary composers of our time. Pulitzer Prize winner Karel Husa has created an impressive musical study of the fascinating cheetah. Through a variety of dramatic textures and skilled techniques, the music evokes the colors, movements, power, and speed of this magnificent wild animal. Dur. 5:40 (Grade 5)
Estimated dispatch 7-14 working days
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£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
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£71.50Warriors Of Sparta - Robert E. Foster Jr.
Experience the exploits of the great Spartan warriors through this bold musical portrayal. Beginning with a call to battle, the music builds as the proud army grows and drama builds. A final triumphant celebration of victory highlights the powerful conclusion. Young players will enjoy performing and audiences wont forget Warriors of Sparta.
Estimated dispatch 7-14 working days
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£121.00After Rain - Jack Hughes
We are proud to present this compelling work that won the NBA/Merrill Jones Composition Contest for Young Composers. The composer was still in high school when he wrote this sensitive work of substance for winds and percussion; it displays a keen sense of color and creativity as well as a high level of artistry. The clear and evocative writing is reflective of the composers talent and imagination.
Estimated dispatch 7-14 working days
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£82.50Spirit of Olympus - Gary P. Gilroy
Spirit of Olympus was commissioned by director Elaine Wersky and the Olympus Music Program on the occasion of the 20th anniversary of Olympus Junior High School. It was asked that the celebratory work also also provide a middle section that could serve the school as an alma mater for the school. The true spirit of the student body is reflected in the great opening fanfare in the high brass with strong support from the percussion section. The alma mater is first presented by the full woodwind choir supported with glistening metallic percussion as accompaniment. A lush, full band treatment follows, emphasizing the majestic import of the meaningful melody. An energetic finale brings the work to a fittingly proud and regal close.
Estimated dispatch 7-14 working days
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