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  • £150.00

    Froissart (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul

    Froissart, Op. 19, is a concert overture by Edward Elgar, inspired by the 14th-century Chronicles of Jean Froissart. Elgar was first attracted to the Chronicles after finding mention of them in Walter Scott's Old Mortality. Jean Froissart (c. 1337 - c.1405), often referred to in English as John Froissart, was a medieval French chronicle writer. For centuries, Froissart's Chronicles have been recognized as the chief expression of the chivalric revival of the 14th century Kingdom of England and France. The motto written by Elgar on the manuscript score is a quotation from an 1817 poem by Keats: 'When Chivalry lifted up her lance on high.' Froissart is not a programmatic work: unlike the later Falstaff or even Cockaigne it does not tell a detailed story; it evokes a mood and manner in broad terms. The drama of the dynamics enhances the haunting melodies that identify Elgar's compositions.

    Estimated dispatch 7-14 working days

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  • £130.00

    Spark of Creation (Concert Band - Score and Parts) - Newton, Bryce

    Depicting the creative work of American inventor Charles F. Kettering, Bryce Newton's Spark of Creation portrays the relentlessly inventive nature of Kettering's mind. After a bold and driving introduction, the piece gives way to a lush chorale, symbolic of the success and extreme merit of Kettering's contributions to our modern society. Spark of Creation merges history, music and the curiosity of the human mind into a setting that your students and audiences will thoroughly enjoy. An outstanding selection for festivals and contests! Duration: 4.30

    Estimated dispatch 7-14 working days

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  • £150.00

    Cockaigne Overture (In London Town) (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul

    Cockaigne Overture was composed when Edward Elgar received a commission from the Royal Philharmonic Society, and he reported that the new piece was "cheerful and Londony, 'stout and steaky'...honest, healthy, humorous and strong, but not vulgar." The first performance was in the Queen's Hall, London, on 20 June 1901, conducted by the composer. He dedicated the work to his "many friends, the members of British orchestras." The music was an immediate success and became one of Elgar's most popular works. In its 15 minutes or so, the overture gives a lively and colourful musical portrait of Edwardian London. 'Cockaigne' was a term used by moralists at that time as a metaphor for gluttony and drunkenness, while Britain adopted the name humorously for London, and from it we get the Cockney. Cockaigne or Cockayne /ka' kein/, the word origin tracing back to the 13th century, is a land of plenty in medieval myth, an imaginary place of extreme luxury and ease where physical comforts and pleasures are always immediately at hand and where the harshness of medieval peasant life does not exist. The work presents various aspects of turn-of-the-century London and Londoners. It begins with a quiet but bustling theme which leads into an unbroken sequence of snapshots: the cockneys, the church bells, the romantic couples, a slightly ragged brass band (perhaps the Salvation Army) and a contrastingly grand and imperious military band. The broad theme representing Londoners has been stated as the first occurrence of Elgar's trademark direction, 'nobilmente.' The work ends in a characteristically Elgarian blaze of sound, including an optional full organ.

    Estimated dispatch 7-14 working days

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  • £75.00

    I Believe in Springtime (Trumpet Solo (or Childrens Choir) with Concert Band - Score and Parts) - Rutter, John - Noble, Paul

    I Believe in Springtime is a celebration of life, with text and music by John Rutter. The original scoring was for children's choir, optional SATB chorus, and small orchestra. This arrangement maintains the original elements, with children's choir, optional SATB chorus, and band. In the absence of the children's choir, the arrangement is scored for solo trumpet, with the SATB parts performed by various sections of the band. Either way, the simple beauty of the melody gives this piece an air of refreshment to the meaning and beauty of life.

    Estimated dispatch 7-14 working days

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  • £45.00

    Dress Blues (Concert Band - Score and Parts) - Hammonds, Mike

    Dress Blues is a tribute to the ceremonial aspects of the U.S. Armed Forces, captured with the pageantry of the U.S. Army's 3rd Infantry Division sentinels tasked with guarding the Tomb of the Unknown at Arlington National Cemetery. Dress blue uniforms capture the essence of service as defined by the words Duty, Honor, Country. Everyone will enjoy this powerful work! Duration: 1.45

    Estimated dispatch 7-14 working days

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  • £55.00

    Speak Up (Concert Band - Score and Parts) - Hoefle, Heather

    Connect your band with the music of today's youth. "Speak Up" is a young band piece in a hip-hop style and feel. Your musicians will love the groove and the featured soli sections. Based on a Bb blues scale, this piece for the beginning band will help solidify the concert Db firmly into your student's musical vocabulary. Heather Hoefle's educational and musical artistry are clearly evident throughout. Your band and audience are going to love this! Duration: 2.15

    Estimated dispatch 7-14 working days

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  • £80.00

    Infernal Galop (Can Can from Orpheus in the Underworld) (Concert Band - Score and Parts) - Offenbach, Jacques - VanDoren, Evan

    Jacques Offenbach's "Infernal Galop", or "Can-Can" as it is more often called, has been reimagined throughout history. From classical composers such as Saint-Saens, to more modern uses in movies, television, and even video games, the timeless appeal of Offenbach's melody is without question. Evan VanDoren's arrangement for concert band is a perfect addition to any concert. Particularly effective as a closing selection or encore, this recognizable flourish will have your audience on their feet. Highly recommended! Duration: 2.15

    Estimated dispatch 7-14 working days

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  • £44.95

    Eine Kleine Klarinette Musik (Clarinet Solo with Concert Band - Score and Parts) - Wiffin, Rob

    A solo for solo clarinet and band featuring the well-known tune from Mozart's Eine kleine Nachtmusik. I have always thought that Woody Herman's Golden Wedding is a great showpiece for clarinet. He takes a tune entitled La Cinquantaine by the French Romantic composer Jean Gabriel-Marie (1852 - 1928) and sets it as a big band swing piece complete with Krupa Toms. In seeking to emulate it I suddenly realised that the Rondo from Mozart's Eine Kleine Nachtmusik K.525 had very much the same character if I presented it in a minor key. It was then really just a matter of organizing the various sections, setting them in a swing manner and adding a cadenza-like passage. There is, of course, a strong connection between Mozart and the clarinet. It was fun to write and will hopefully be a fun solo vehicle for clarinettists. - Rob Wiffin. Duration: 3.30

    Estimated dispatch 7-14 working days

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  • £84.00

    Conversations (Concert Band - Score and Parts) - Wilson, Chandler L.

    In the American Declaration of Independence, Thomas Jefferson wrote, "If there's something wrong, those who have the ability to take action have the responsibility to take action..." Chandler Wilson's "Conversations" is based on the idea of conversations that are needed for society to progressively move forward, most profoundly in the areas of racial issues and equality. The music eloquently expresses the importance of considering and respecting the points of view of other's. A musical work which is truly thought-provoking. Duration: 6.00

    Estimated dispatch 7-14 working days

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  • £164.99

    St Paul's Suite (Concert Band - Score and Parts) - Holst, Gustav - Sparke, Philip

    Between 1905 and 1934, Gustav Holst was Director of Music at St Paul's Girls School in Brook Green, London. St Paul's Suite, written for the school's string orchestra, was premiered there in 1913 and consists of four movements: an energetic Jig in 6/8 and 9/8, Ostinato, based on a simple 4-note theme, Intermezzo, an energetic and rhythmic dance and Finale, adapted from the Second Suite in F in which Holst brilliantly combines The Dargason and The English Dancing Master, with the traditional melody, Greensleeves. Duration: 13.00

    Estimated dispatch 7-14 working days

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