Results
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£11.95Peace On Earth (Concert Band - Score Only) - Arbeau, Thoinot - Brand, Michael
Brand, Michael's unique setting of this French carol will grab your attention from the opening saxophone duet through the lush harmonies of the full ensembles to the sparse yet effective percussion scoring
Estimated dispatch 7-14 working days
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£239.99Clarinet Concerto (Concert Band - Score and Parts) - Yagisawa, Satoshi
The Clarinet Concerto is the highpoint of Satoshi Yagisawa's 'Concerto Series', which also includes Suite Concertante for Piano and Wind Orchestra, Trumpet Concerto, Trombone Concerto and Saxophone Concertino, as well as Concertino for Solo Percussion and Wind Orchestra. Yagisawa's characteristic theme in the second movement enjoys great popularity and is therefore often performed separately as Intermezzo.Duration: 17:00
Estimated dispatch 7-14 working days
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£134.99Dogon (Concert Band - Score and Parts) - Houben, Kevin
Dogon whisks the audience off on a journey to the steep slopes of the Dogon Valley. Majestic brass sounds sketch the exotic culture of the Malian Dogon people. The Dogon see the valley as both a threat and a promise for the future. This is represented in dark and mysterious chords. Now three soloists (horn, trumpet and soprano saxophone) bring the work to a dazzling conclusion, reminiscent of the colourful masked dances of the Dogon.Duration: 9:30
Estimated dispatch 7-14 working days
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£180.00Summer (Concert Band - Score and Parts) - De Meij, Johan
Summer is the second in a series of symphonic poems, inspired by the seasons and the folk music of Scandinavia. In Spring, the composer made use of two Swedish folk tunes, whereas Summer focuses on Finnish folk music. The work opens with an impression of the pastoral landscape of Ostrobothnia, an elongated area on the west coast of Finland. As in Spring, the music continues with a polka, based on the opening bars of Suomis Sang (Song of Finland). After a brief horn interlude, a saxophone quartet plays from behind the stage Ant han dansa med mej (Ant was dancing with me), while the orchestra starts up an ostinato bass line that marks the transition to the finale. A gradual build-up to the 'Sun Theme' from Spring results in a radiant conclusion, with a short quotation from the first Symphony of Jean Sibelius, Finland's musical icon.Duration: 11:30
Estimated dispatch 7-14 working days
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£89.99Ave Maria (Flexible Solo with Concert Band - Score and Parts) - Waignein, Andre
Ave Maria, an excerpt from the Missa Solemnis, was written by Andr Waignein at the request of the Aosta Valley Regional Council, in Italy. Missa Solemnis contains all the musical parts that are used to accompany liturgical rites. However, the composer was keen to include an Ave Maria in memory of his mother, who was a very religious person and especially revered the Virgin Mary.This Ave Maria reveals a shimmering melody with very discreet orchestral support that allows the vocal or instrumental soloist to express their emotions through exceedingly generous musical phrases. Waignein has made this work for solo soprano or tenor and band, but it's also a very beautiful piece for several solo instruments such as flute, oboe, Bb clarinet, alto saxophone or trumpet.The composer naturally dedicated this Ave Maria to his mother.This moving piece will undoubtedly captivate your audience.Duration: 4:45
Estimated dispatch 7-14 working days
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£134.99Mountain Lake (Concert Band - Score and Parts) - Pallhuber, Hermann
Fantasy on a Wild and Romantic Alpine LandscapeWho among us hasn't experienced the great power that lies in the tranquillity and beauty of the mountains: wide meadows, rugged cliffs, wild, romantic gorges, thundering waterfalls and idyllic mountain lakes? Mountain Lake emphasizes particular aspects of this landscape: the calm, the majesty and depth of the water and all the dreamlike secrets of a mountain lake. Gentle melodies and mysterious sounds lead us to a powerful, peaceful mountain lake that shimmers in splendour the morning light. Its water glitters and sparkles, and you can hear the movement of the waves on the wind. A majestic chorale rises up from the depths of the lake and brings up unexpectedly seductive secrets to bear. The solo passages in saxophone, flute and trumpet are like water creatures dancing in pulsating rhythms that transport us to an alpine dream world. As if from afar, like a hymn to the beauty of the lake the chorale melody returns again and again with driving energy before it leads us back to the endless peace of the mountains and dissipates into silence.Duration: 8:00
Estimated dispatch 7-14 working days
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£66.95I Was Born for This (Vocal or Instrumental Solo with Concert Band - Score and Parts) - Wintory, Austin - Barrett, Roland
Originally composed by Austin Wintory for the video game Journey, for solo voice with accompaniment, this arrangement also permits the solo to be performed by trumpet, or alto saxophone.Duration: 4:15
Estimated dispatch 7-14 working days
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£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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