Results
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£73.50Harry Potter and the Deathly Hallows, Part 1, Selections from (Concert Band - Score and Parts) - Desplat, Alexandre - Story, Michael
From the first installation, Selections from Harry Potter and the Deathly Hallows - Part 1, Michael Story's arrangement contains seven of the most memorable tunes, including "Hedwig's Theme," "Obliviate," Dobby," "Lovegood," "Ministry of Magic," "Farewell to Dobby" and "The Elder Wand." Energising Alexandre Desplat's endearing film score, this young band medley will bring all the excitement right to your rehearsal and performance.Duration: 5.00
Estimated dispatch 7-14 working days
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£76.95World of Warcraft, Suite from (Concert Band - Score and Parts) - Brower & Hayes - Wagner, Douglas E.
Blizzard Entertainment's wildly successful online role-playing game, World of Warcraft (WoW), currently involves well over eleven million monthly subscribers, making it the most often played online game in its genre. A phenomenally rich symphonic score accompanies dazzling graphics and spectacular true-to-life animations. Four of the musical highlights from the dramatic soundtrack are presented in this first-time medley for concert band, including "World of Warcraft, Main Title [March - Silvermoon 2, Pt. 1]," "Invincible," and "Lion's Pride."Duration: 5.00
Estimated dispatch 7-14 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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£110.00Lyric Dances (Concert Band - Score and Parts) - Lane, Philip - Noble, Paul
Lyric Dances is one of Philip Lane's more recent compositions (2008). Since the movements relate so directly to each other, and are not practically stand-alone movements, the composer suggested that they be offered as a unit. Lyric Dances encompasses a variety of moods: inquisitive, somber, joyful, dramatic, to frivolous. The original score was written for small orchestra; the band version therefore has considerable doubling of parts, yet remaining true to the composer's colourful orchestration. Small to large bands should be very successful with this piece, and it is sure to have both educational value and audience appeal.
Estimated dispatch 7-14 working days
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£110.00March for A History of the English-Speaking Peoples (Concert Band - Score and Parts) - Walton, William - Noble, Paul
In 1959, William Walton was commissioned to compose music for the opening and closing credits of a television series based on Winston Churchill's History of the English-speaking Peoples. The resulting work, March for the History of the English-Speaking Peoples, was recorded by the London Symphony Orchestra in May of that year and later published by Oxford University Press. However, the television project never materialised, and consequently Walton's score, which might have become one of his more familiar among popular audiences through television exposure, was all but forgotten. With the moderate surge in popularity that Walton's music enjoyed in the last decade of the twentieth century, this and other little-known pieces have become available for consideration. Concert Bands will enjoy the majesty and drama of this piece, very appropriate for concerts, ceremonies, and graduations.
Estimated dispatch 7-14 working days
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£140.00Prelude and Fugue (The Spitfire) (Concert Band - Score and Parts) - Walton, William - Noble, Paul
The Prelude and Fugue (The Spitfire) by William Walton, written to accompany the film, The First of the Few, was the film story of the designer of the Spitfire fighter aircraft, R. J. Mitchell. This work was lifted, almost bodily out of the film score: exceptionally (for film music) it needed hardly any modification to turn it into a first-rate concert piece. The prelude, called by Stephen Lloyd one of Walton's finest marches, is the music heard over the opening credit titles in the movie. A central lyrical solo depicts the exhaustion and dying by illness of the aircraft's designer R. J. Mitchell. The fugue is used to describe the making of the Spitfire, and then the patriotic march returns joined with the fugue to mark the completion of the fighter aircraft. The majestic march-like drama of the Prelude is well-suited for graduation and other ceremonial events, and the total piece is a tour de force for contest performance.
Estimated dispatch 7-14 working days
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£145.00The First Shoot (Concert Band - Score and Parts) - Walton, William - Noble, Paul
The First Shoot was written and first performed in 1935 for the ballet Follow the Sun. The original music was lost, but reconstructed for brass band, and later for orchestra by Christopher Palmer. This Concert Band arrangement is based on that orchestra score. It is a charming look back (one can imagine the music that might have accompanied a Charlie Chaplin movie!) Concert bands will experience a worthwhile challenge in bringing this wonderfully tuneful music to their audiences, as well as the broadening of their own musical experience.
Estimated dispatch 7-14 working days
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£76.99Avatar Soundtrack Highlights (Concert Band - Score and Parts) - Horner, James - Bocook, Jay
From the stunning movie blockbuster Avatar, composer James Horner has created an equally impressive musical score. Here are the primary themes in a dynamic and powerful medley for the concert stage.Includes:The Bioluminescence of the NightThe Destruction of HometreeWar
Estimated dispatch 7-14 working days
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£76.99How to Train Your Dragon, Music from (Concert Band - Score and Parts) - Powell, John - O'Loughlin, Sean
The film score for this hit movie features magnificent adventure themes along with hints of Celtic influences. Sean O'Loughlin's expertly scored arrangement will provide a fresh and appealing addition to a pops or light concert setting
Estimated dispatch 7-14 working days
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£72.99Alice in Wonderland (Concert Band - Score and Parts) - Elfman, Danny - Brown, Michael
Thanks to director Tim Burton and actor Johnny Depp, the recent movie Alice in Wonderland shows a new side to this classic tale. Equally distinctive is Danny Elfman's dark and delightful musical score. Michael Brown's well-paced medley features the recurring melody "Alice's Theme" along with other important themes from the film. Sure to please!Duration: 4.30
Estimated dispatch 7-14 working days
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