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£75.00English Dance Suite - VI. Pavan (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated dispatch 7-14 working days
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£125.00English Dance Suite - VII. Reel (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated dispatch 7-14 working days
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£36.95Skye Boat Song (Concert Band - Score and Parts) - Wiffin, Rob
The haunting Scottish song arranged for band. The melody to this famous Scottish folk song is traditional and was collected in the 1870s by Anne MacLeod. The words are by Sir Harold Boulton and tell the story of the escape of Bonnie Prince Charlie from Uist to the Isle of Skye Isle after his defeat at the Battle of Culloden in 1746. Duration: 2.08
Estimated dispatch 7-14 working days
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£66.95Scotland! (A Heritage in Song) (Concert Band - Score and Parts) - Bullock, Jack
When one thinks of music from Scotland, thoughts of bagpipes, highland dancing, Celtic singers, and olk songs come to mind. Music has always been an important part of everyday life in Scotland. This arrangement of Scottish songs for concert band includes many favourites that have become standard fare from the country, including "Annie Laurie," "Loch Lomond," "Scotland the Brave," and others. The Scottish song style is unique, wonderful to experience, and is presented here as a tribute to this beautiful and exciting country.
Estimated dispatch 7-14 working days
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£68.99Things That Go Bump in the Night (Concert Band - Score and Parts) - Sparke, Philip
A Scottish Ghost StoryIt is dark and raining. You are on holiday in the Scottish highlands and looking for somewhere to stay for the night when you come across a magnificent Gothic castle. Even though the place looks a bit spooky, you book a room. As you are dropping off to sleep, you are startled by the sudden appearance in your room of a ghostly bagpiper and a loud scream from somewhere down the corridor. You jump out of bed and decide to make a quick exit. All members of your band will love this spooky tale especially as they can add their own ghostly sounds and effects.Duration: 2.00
Estimated dispatch 7-14 working days
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£45.95Marching Through Scotland (Concert Band - Score and Parts) - Ployhar, James D.
Featuring "Loch Lomond," "The Blue Bells of Scotland" and "Annie Laurie," this James Ployhar arrangement of these charismatic Scottish melodies will be perfect on your next concert. Warmly scored, the lush themes flow freely. The inclusion of these familiar, yet often forgotten themes is a superb way to re-introduce traditional Scottish music into your program. Duration: 1.45
Estimated dispatch 7-14 working days
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£44.50Songs of Scotland (Concert Band - Score and Parts) - Williams, Mark
The sounds of the Scottish Highlands come alive in this engaging medley incorporating the Scottish folk songs "Loch Lomond," "The Hundred Pipers," "Annie Laurie" and "Scotland the Brave." Includes great opportunities for playing in 6/8 time and developing tone and expression. A great addition to your next concert or contest program. Duration: 4.00
Estimated dispatch 7-14 working days
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£59.95Freedoms Sword (Concert Band - Score and Parts) - Fraser, Bruce
This work was originally commissioned by Nigel Boddice for the West Lothian Schools Brass Band to play at the European Youth Brass Band Championships in 1997 entitled Devolution to celebrate the setting up of the new Scottish Parliament. It appears in this revised version for Concert Band with the title Freedom's Sword. The opening section recalls days gone by when the Scots and English fought many a battle. The themes are derived from the well-known haunting song Ca' the yowes. The horn calls and off-stage percussion sound of a distant battle and it gradually comes closer. The centre section creates a mood of reconciliation with a dreamy Alto Saxophone solo. The last section now looks ahead with optimism and various bright dance themes appear based onTraditional Scottish reel tunes, one of which is a two-part vocal scat section The piece then heads for its conclusion including a full statement of the main theme.
Estimated dispatch 7-14 working days
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£11.95
Freedoms Sword (Concert Band - Score Only) - Fraser, Bruce
This work was originally commissioned by Nigel Boddice for the West Lothian Schools Brass Band to play at the European Youth Brass Band Championships in 1997 entitled Devolution to celebrate the setting up of the new Scottish Parliament. It appears in this revised version for Concert Band with the title Freedom's Sword. The opening section recalls days gone by when the Scots and English fought many a battle. The themes are derived from the well-known haunting song Ca' the yowes. The horn calls and off-stage percussion sound of a distant battle and it gradually comes closer. The centre section creates a mood of reconciliation with a dreamy Alto Saxophone solo. The last section now looks ahead with optimism and various bright dance themes appear based onTraditional Scottish reel tunes, one of which is a two-part vocal scat section The piece then heads for its conclusion including a full statement of the main theme.
Estimated dispatch 7-14 working days
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£33.95My Ain Folk (Vocal Solo with Concert Band - Score and Parts) - Lemon, Laura Gertrude - Wiffin, Rob
An arrangement of the well-known Scottish song for soprano and band. This highly popular Scottish song (subtitled A Ballad of Home) was in fact composed by a Canadian, Laura Gertrude Lemon (15 October 1866 - 18 August 1924) who lived and worked in England, with words by a Londoner Wilfred Mills (the pen name of William Alfred Braund) who never set foot in Scotland. It was first published in 1905 and has subsequently become a favourite for Scots remembering their homeland when far away from home. This arrangement is for soprano for band and was featured on the RAF Massed Bands Tour 1999 and recorded on Festival of Music 1999 Polyphonic QPRM 133D.Duration: 2.00
Estimated dispatch 7-14 working days
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