Results
-
£109.99
Musica Festiva - Menno Bosgra
This 3-part work begins with a martial and heroic theme where the brass and drums play an important role. A second melodic theme contrasts with the first, although elements of the first theme remain clearly present and they in turn provide a link to the second, calmer movement which is introduced with a splendid solo on the saxophone. You can hear fragments of the first part here too.In the third part, the small drum begins to play the background theme and is followed by a grand group of brass instruments playing a heavy concert march which, after an increase of tempo, gradually ends in a grand finale which refers once again to the initial theme.
Estimated dispatch 7-14 working days
-
£129.99
Aquarium - Johan de Meij
The Suite 'Aquarium' is Johan de Meij's third composition for symphonic band and features six tropical fishes, each of them represented by a motif, and surfacing as such in several guises. The composition consists of three movements of which the second and third merge uninterruptedly into each other. I) Allegretto grazioso (Neon Tetra, Electric Eel and Angelfish) II) Andante / Adagio (Sea Horse and Zebrafish) III) Finale: Allegro giocoso (Guppy & Co.) The Neon Tetra motif functions as a kind of 'Leitmotiv' and descibes the beautifully coloured, frisky fish: A number of variants have been derived from this theme and will also appear in the other movements.The Electric Eel in fact is not represented by a motif, but by a rhythm based on the restless electric pulses made audible in some aquaria. The Angel fish is represented by elegant cluster chords. In the second movement the Sea Horse emerges out of the water vegetation and starts a dialogue with the Zebrafish, which is represented by one melodic phrase in unison, getting more and more threatening by added parallel fifths and octaves. Simultaneously with the Sea Horse motif the Neon Tetra theme emerges, this time in 3/4 time and in Eb minor. The third movement starts with only two instruments (trumpet and xylophone), but as it is often the case with Guppies their number rapidly increases. Piccolo and Alto Saxophone introduce the Guppy Theme followed by several instrumental combinations. Every theme from the first movement 'swims by' once more, after which the principal motif leads us to a brilliant ending.
Estimated dispatch 7-14 working days
-
£176.50
Masquerade - Philip Sparke
MASQUERADE was commissioned by Stadtmusik Willisau from Switzerland (Reto Gdel, conductor) to celebrate their 175th anniversary in 2003 and first performed by them in November that year. 1. OvertureThe first movement opens with a fanfare-like figure, featuring the brass, before the main them is introduced over staccato chords. After a short, syncopated interlude a legato theme is introduced in the tenor register and material is developed until the music slows temporarily. The opening theme returns and the 'tenor' tune is taken up by the whole band until the opening fanfare returns to close the movement. 2. ElegyThe slow movement opens intensely with a bare two-part theme, whichleads to a passionate chorale-style melody. A second theme is introduced and leads to a climax, a return of the chorale theme and a pianissimo repeat which again leads to a full-band climax. The two-part theme returns quietly to create a peaceful close. 3 InterludeA short movement which changes the mood to introduce:- 4 FinaleThree violent chords preface a lively syncopated opening theme. The trumpets introduce a second idea, which is treated fugally, and this in turn leads to the main melodic idea of the movement, over staccato chords. A contrasting subject is then introduced in the middle of the band, followed by echoes of the first movement fanfare. The opening theme returns and material is revisited until the opening fanfare returns in full to end the work triumphantly.
Estimated dispatch 7-14 working days
-
£168.50
Manhattan - Philip Sparke
Version for Concert BandManhattan was commissioned by the United States Army Band for their solo cornet player Woodrow English and first performed by them in Carnegie Hall, New York, in November 2003. The two-movement work demonstrates both the lyrical and technical abilities of this outstanding player. The 'theme' is a weekend in New York and the opening bluesy movement, Saturday Serenade, describes the city on a Saturday night. While writing the second movement, Sunday Scherzo, the composer pictured an early morning jog in Central Park. This vivaciously rhythmic second movement ends with an even quicker coda bringing the work to a brilliant close. Eachmovement can also be played individually when a shorter solo is required.
Estimated dispatch 7-14 working days
-
£91.99
Exultation - Philip Sparke
Exultation is a short and energetic concert opener that is similar to a palindrome. A fanfare opens the work, juxtaposing 3/4 and 6/8, reminiscent of Latin-American music.The main theme is first heard on the euphonium, horns and saxophones which is very bluesy. The contrasting second theme is short and spikey and played by the bass instruments of the band. A lyric melody emerges as the rest of the orchestra joins in.The second theme reappears which leads back to the 'blues' melody, which leads back to the opening fanfare. Palindromic!
Estimated dispatch 7-14 working days
-
£67.99
Dances Fantastique - David Shaffer
This exciting work for concert band is a set of three delightful dances. Opening with a bold fanfare statement, the first dance reveals the melodic material that is the basis for all three movements. The title of this movement, Double Dance, is derived from the second statement of the melody, appearing in doubled rhythmic values. The second movement, Round Dance, the melody is written as a three part round. You could not have a Round Dance without a Square Dance, which is the title of final movement. Lots of fun percussion instruments add interesting timbres throughout. This interesting and clever composition is perfect for contest and festival.
Estimated dispatch 7-14 working days
-
£289.99
Divertimento - Oliver Waespi
This grand work contains four contrasting movements. The first movement, Prelude, takes the form of an overture: it raises the curtains and marks the beginning of the piece. The brilliant motifs of the opening are contrasted by a calmer and more lyrical central section, after which the triumphant opening returns for the movement's end. The second movement, Meditation, explores the intimate sounds of the oboe, as well as those of the flute and French horn, backed by a rich orchestral accompaniment. The third movement presents a more upbeat Procession, but not a Procession of the Nobles, as written by Rimsky-Korsakov. Quite the opposite, Procession resembles a "second line"procession from New Orleans, whose up-beat rhythms invite everyone to dance in the streets rather than the measured pacing of a march. Divertimento ends with a Hoedown, the tradition American folk dance idiom, when the band has the opportunity for both vivacity and virtuosity and may play as fast as it can. It is important to play all four movements with precision, clarity and, most importantly, enthusiasm.
Estimated dispatch 7-14 working days
-
£109.99
The Bermuda Mystery - Wouter Lenaerts
The rather static character of the first part is built up of only 1 bar, which consists of a sequence of two extended triads above a pedal note (B-flat). The main motive, derived from these triads, is introduced by the horns giving a threatening initial atmosphere. This is abruptly taken over by the clarinet and the oboe, after which violence erupts.In contrast to the mysterious character of the first section, the second part shows a more resigned atmosphere with long drawn out phrases. These are constantly interupted by references to the initial material and develop into a dramatic climax. The main motif reappears for a final time on the trumpet, which, under theinfluence of the second theme, takes on a more resigned character as it gradually fades into silence.
Estimated dispatch 7-14 working days
-
£109.99
Dublimania - Menno Bosgra
This new work is based on Irish folk music.In the first part, the main theme is presented as a ballad, starting with the piccolo (as replacement for the flute which is widely used in Ireland), moving on the wood section to end with the entire orchestra.It then changes to a kind of rock style theme: powerful, rhythmic accompaniment with effects in dampers, a pedal point and the use of the spoons which is typical of Irish music (Irish pub), high-range bongo drum (replacement for the Bodhran), etc.In this second part I introduced a second theme as a counterbalance, played by several groups, which has clearly a more legato character and therefore sounds more melodious.The climaxof the work starts in the low-range brass section with its marcato theme that is developed with a great deal of rhythmicity in the accompaniment, clusters, etc. into a percussion solo interspersed by the orchestra in five-eight time with frequent parallel movement in chords (folk music style).Towards the end, theme 2 recurs twice: first as heard earlier with an extra counter melody and accompaniment pattern, then in a canonical form, in which the theme is played by three groups. The conclusion is a repeat of the middle section in five-eight time.I have tried to use many of the colours of a wind orchestra by having the wood sections and brass section play alone and making extensive use of dampers. Percussion also has a prominent role throughout the work.
Estimated dispatch 7-14 working days
-
£89.99
Yellowstone Choral - Filip Ceunen
Yellowstone Choral was inspired by the marvellous landscapes of the Yellowstone National Park in the United States. The choral comprises three choral phrases that alternate throughout the work. The beginning is lightly orchestrated, with an oboe solo, but more instruments gradually join in before the second phrase of the choral is introduced. The third phrase does not appear so quickly and when it does it is introduced by horns and trombones before building up to the climax of the choral, where the trumpet takes the upper hand. After this the choral gradually fades away, with the first and second phrases appearing just a few more times. The choral ends as it began,with a slowly ebbing orchestration.
Estimated dispatch 7-14 working days