Results
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£61.95Murder Most Musical (Concert Band - Score and Parts) - Wagner, Douglas E.
Agatha Christie is the undisputed master of murder mysteries. The charismatic opening themes from the television shows included are the "Miss Marple Main Theme" and "Agatha Christie's Priot." Featuring the alto saxophones in the second tune, this ear wig theme duo is perfect for a Halloween concert or any program that would benefit from a bit of mystery. Duration: 2:30
Estimated dispatch 7-14 working days
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£61.95Up on the Housetop - Down in New Orleans (Concert Band - Score and Parts) - Hanby, Benjamin - Kamuf, Michael
Watch out! The Big Guy is hungry, and he wants Jambalaya! This reworking of the famous holiday carol incorporates jazz harmonies and a New Orleans inspired Second Line feel combining to create a fun and memorable holiday selection that your students and audiences will love! Let the good times roll! Duration: 2:45
Estimated dispatch 7-14 working days
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£47.50Vulcan's Forge (Concert Band - Score and Parts) - Roszell, Patrick
Musically designed to portray the Ancient Roman god of fire of metalworking, Vulcan. This piece is accessible to students in the second half of their first year of instruction. The piece also has the option to introduce young woodwind players to trill technique. Duration: 1:45
Estimated dispatch 7-14 working days
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£42.50In Search of Ancient Aliens (Concert Band - Score and Parts) - Saucedo, Richard L.
Hinting at the possibility of visitors from another world coming to earth in ancient times, Richard's musical adventure for second year players evokes feelings of excitement and also mystery. Using dark harmonies, driving rhythms, and a brief lyric section in the middle this is a great teaching tool as well as just plain fun.Duration: 2.30
Estimated dispatch 7-14 working days
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£80.00Clarinet Concerto (The Fallen) (Clarinet Solo with Concert Band - Score and Parts) - Wilson, Jeffery
The three movements are 'Conflict', 'The Fallen' and 'Resolution', themes that are freely interpreted musically. In 'Conflict', the solo clarinet begins with an ascending figure based on octave leaps, while the accompaniment contrasts with marcato quavers and harsh dissonances. The melody features seventh intervals, and while the movement is marked 3/4 the accompaniment is often 6/8. This is more evident in the second theme where the clarinet line moves much more by step. The development takes these ideas and the cadenza comes from yet more conflict between the now calm clarinet and dissonant clashes in the accompaniment. 'The Fallen' is the slow movement and poignantly features notes from 'The Last Post' in the opening and a beautiful working of 'David of the White Rock' later on. The final movement 'Resolution' is a Rondo in 6/8, brighter but with hints of the initial conflict through the sevenths in the meno mosso sections which interrupt the flow. Another long cadenza takes short ideas from the piece before the work comes to a triumphant end with all four E notes across the whole range, echoing the beginning. Wilson set out to write a concerto for a versatile instrument and has found ways to exploit its capabilities while keeping tonal centre. There are frequent altissimo notes within all three movements. Wilson does use the very low notes, most notably in the cadenzas, but much of the work is high, presumably to allow the clarinet to carry over the wind band accompaniment. A good command of all notes right up to A sharp an octave above the stave is needed, plus technique to travel to and from altissimo notes (legato). The piece is around 25 minutes long. Printing is clear and the piano accompaniment comes as a spiral bound volume.
Estimated dispatch 7-14 working days
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£284.99Symphony for Wind Ensemble (Concert Band - Score and Parts) - Stephenson, James M.
The symphony is in four movements. The first movement starts a single triangle note, followed by a guitar strum. The movement anxiously attempts to churn into action, only to be stifled repeatedly by the single triangle note. Finally, with the guitar as inspiration, the main theme gets under way, revealing an almost Spanish, or even Eastern European flavor. Ideas and themes get reworked, developed, repeated and augmented throughout the movement, before finally closing out just as it began, but in reverse: this time guitar followed by triangle. The second movement steals from an angular and shrieking motif of the first, but is presented in opposite fashion: with the warm blend of the low brass. Hints of iconic military symbolism are interspersed throughout this movement, as homage to the commissioning ensemble. The main theme is inverted and awarded to a solo trumpet midway before giving way to a brass fanfare, though not done loudly, but here muted, from afar. The low brass return at the end, fading away to nothing as the bell tolls. The third movement is merely a short interlude - a break, in almost Gershwin-like fashion - from the seriousness of the movements that precede and follow. Lastly, the fourth movement is a wild one: with mixed meters and plentiful percussion penned to propel the movement throughout. The movements' themes are all reworkings of material presented earlier. Duration: 25.00
Estimated dispatch 7-14 working days
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£42.50Comic Dance (Concert Band - Score and Parts) - Oare, Michael
In 17th-century London, it was common for stage productions to have short dances performed between acts. This tuneful dance for second year players is written with a sense of whimsy typical of that time, and includes fun parts for all sections of the band. Duration: 1:55
Estimated dispatch 7-14 working days
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£78.00A Trombone Family Reunion (Trombone Trio with Concert Band - Score and Parts) - Fillmore, Henry - Glover, Andrew
Between 1908 and 1929, Henry Fillmore composed a series of fifteen novelty pieces featuring the trombone section with band. These became collectively known as "The Trombone Family," with names and subtitles connecting them in sort of a musical genealogy. The three most popular family members, "Lassus Trombone," "Miss Trombone," and "Shoutin' Liza Trombone" join together in a whimsical way for "A Trombone Family Reunion," along with some "shirttail relatives" depicted by famous trombone excerpts from the symphonic repertoire. Included are quotations from "Blue Bells Of Scotland," "Symphony No. 4" by Tchaikovsky, "Tannhauser Overture," "Second Hungarian Rhapsody," "Prelude to Act III of Lohengrin," "Hallelujah Chorus," "Ride of the Valkyries," "Turkey In The Straw," and a few other surprises. Great fun! Duration: 3.30
Estimated dispatch 7-14 working days
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£27.95Light Music (Concert Band - Score only) - Wiffin, Rob
The title Light Music alludes to different things. Most of the music in the suite is light in nature, and is in the inherently British tradition of 'light music' - original pieces which are often descriptive but essentially melodic. In another sense the music depicts various aspects of light itself. The title itself is a trick of the light!The first movement, Lightscape, portrays shifting patterns and types of light, highlighting some details and obscuring others. It is sometimes vibrant, dancing and full of movement, and sometimes tranquil.The second movement, At the going down of the sun, considers the light of the sun as it sets. Because of the nature of his career, the composer has written a fair amount of ceremonial music and this movement is close to that genre once again. There is, in the title, a reference to the familiar Remembrance line 'At the going down of the sun and in the morning we will remember them' from the poem For the Fallen by Robert Laurence Binyon (1869-1943) written in September 1914, a few weeks after the outbreak of the First World War. While the music is not a setting of these words - or in any way referential - there is an echo of the words 'We will remember them'.The suite finishes with Set Alight which starts off with a few combustible bars as the flame catches and then the fire is under way.Duration: 11.30
Estimated dispatch 7-14 working days
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£137.95
Light Music (Concert Band - Score and Parts) - Wiffin, Rob
The title Light Music alludes to different things. Most of the music in the suite is light in nature, and is in the inherently British tradition of 'light music' - original pieces which are often descriptive but essentially melodic. In another sense the music depicts various aspects of light itself. The title itself is a trick of the light!The first movement, Lightscape, portrays shifting patterns and types of light, highlighting some details and obscuring others. It is sometimes vibrant, dancing and full of movement, and sometimes tranquil.The second movement, At the going down of the sun, considers the light of the sun as it sets. Because of the nature of his career, the composer has written a fair amount of ceremonial music and this movement is close to that genre once again. There is, in the title, a reference to the familiar Remembrance line 'At the going down of the sun and in the morning we will remember them' from the poem For the Fallen by Robert Laurence Binyon (1869-1943) written in September 1914, a few weeks after the outbreak of the First World War. While the music is not a setting of these words - or in any way referential - there is an echo of the words 'We will remember them'.The suite finishes with Set Alight which starts off with a few combustible bars as the flame catches and then the fire is under way.Duration: 11.30
Estimated dispatch 7-14 working days
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