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  • £74.99

    Scenes of Russia - Johan Nijs

    This delightful concert work takes you on a journey to two of Russia's most famous cities. In the first movement, Moscow, you are treated to world famous sights such as Red Square, the Kremlin, and the famous water organ in GorkyPark. In the second movement you visit the ancient city of St. Petersburg, which has acted as an inspiration for many artists and composers, including Tchaikovsky, Dostoyevsky and Pushkin. Add the sparkle of a little Russianspirit to any concert with this descriptive composition. Dur: 5:00 (Grade 2)

    Estimated dispatch 7-14 working days
  • £102.99

    Jazz Suite No. 2 - March - Dimitri Shostakovich

    In 1938 Shostakovich composed his Second Jazz Suite at the request of the recently founded State Orchestra for Jazz conducted by Victor Knushevitsky. This suite was originally scored for a complete symphony orchestra to which four saxophones, an accordion and a guitar had been added. The Jazz Suite no. 1 in three movements, composed in 1934, had been written for a smaller ensemble. The title 'Jazz Suite' is rather misleading, as the composer definitely uses the style of light music. Back in 1928, the twenty-two-year-old Shostakovich had already composed some light music. A bet among friends to make an orchestration of the popular song 'Tea for Two' in less then one hour time, causedhim to compose 'Tahiti Trot'. Shostakovich easily won the bet as he completed the original and witty arrangement within only forty minutes!

    Estimated dispatch 7-14 working days

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  • £99.99

    Jazz Suite No. 2 - Dance II - Dimitri Shostakovich

    In 1938 Shostakovich composed his Second Jazz Suite at the request of the recently founded State Orchestra for Jazz conducted by Victor Knushevitsky. This suite was originally scored for a complete symphony orchestra to which four saxophones, an accordion and a guitar had been added. The Jazz Suite no. 1 in three movements, composed in 1934, had been written for a smaller ensemble. The title 'Jazz Suite' is rather misleading, as the composer definitely uses the style of light music. Back in 1928, the twenty-two-year-old Shostakovich had already composed some light music. A bet among friends to make an orchestration of the popular song 'Tea for Two' in less then one hour time, causedhim to compose 'Tahiti Trot'. Shostakovich easily won the bet as he completed the original and witty arrangement within only forty minutes!

    Estimated dispatch 7-14 working days

     PDF View Music

  • £99.99

    Jazz Suite No. 2 - Finale - Dimitri Shostakovich

    In 1938 Shostakovich composed his Second Jazz Suite at the request of the recently founded State Orchestra for Jazz conducted by Victor Knushevitsky. This suite was originally scored for a complete symphony orchestra to which four saxophones, an accordion and a guitar had been added. The Jazz Suite no. 1 in three movements, composed in 1934, had been written for a smaller ensemble. The title 'Jazz Suite' is rather misleading, as the composer definitely uses the style of light music. Back in 1928, the twenty-two-year-old Shostakovich had already composed some light music. A bet among friends to make an orchestration of the popular song 'Tea for Two' in less then one hour time, causedhim to compose 'Tahiti Trot'. Shostakovich easily won the bet as he completed the original and witty arrangement within only forty minutes!

    Estimated dispatch 7-14 working days

     PDF View Music

  • £87.99

    Celebrations - Ed Huckeby

    There are composers about whom nothing or only little is known, who are only known through their works or even through one work only. Luigi Carvelli is one of them: He lived in the second half of the 19th century and died afterthe turn of the century. Carvelli is supposed to have been a hornist in the area of Torino/Milan and played at the world premiere of Verdi's 'Falstaff'. The only extant work is his 'Serenata Napolitana' a delightfully catchy andmelodious little piece, ideal as a little performance piece for lessons or as an encore, as a special treat after a major sonata programme.

    Estimated dispatch 7-14 working days

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  • £92.99

    Final Covenant - Fisher Tull

    As the title implies, the work expresses the deep religious emotions of the promises made by God to mankind. Two thematic elements are employed: the first, a dramatic proclamation, is introduced by horns and subsequently taken bytrumpets and woodwinds - the second plaintive theme, in the manner of a supplication, is presented by oboes followed by flutes and clarinets. The first theme returns leading to a climactic section by the full ensemble. Adevelopment section focuses on fragments from the principal theme culminating in a brief brass fanfare based on the earlier accompanying motives. The recapitulation of the principal theme brings the work to a quiet and peacefulclose. (8:00)

    Estimated dispatch 7-14 working days
  • £97.50

    American Folk Fantasy

    American Folk Fantasy is a medley in overture style, which includes three well-known American folk songs. The first section utilizes 'Round Her Neck She Wears a Yellow Ribbon in an up-beat, march-like rendition. The second tune,All the Pretty Little Horses (Hushabye), provides a lyrical touch to the middle section. What follows is a stirring setting of the famous Shaker melody, Simple Gifts, which ultimately rushes to a grandiose conclusion. (4:45)

    Estimated dispatch 7-14 working days
  • £121.50

    Sketches On a Tudor Psalm - Fisher Tull

    Based on a 16th century setting of the Second Psalm by Thomas Tallis.

    Estimated dispatch 7-14 working days
  • £89.50

    Medieval Suite No 2 - Ron Nelson

    Homage to Perotin springs from his Viderunt - with its driving rhythmic intesnity, repetition, and pedal points. The opening section features dissonances in alternation with brass fanfare-like passages. A second theme played byunison brass is written in the Aeolian mode. (4:25)

    Estimated dispatch 7-14 working days
  • £83.00

    Letter From Home - Aaron Copland

    Letter from Home was commissioned as a patriotic work in 1944 by Paul Whiteman and his Radio Hall of Fame Orchestra. Composed toward the end of the Second World War, this music suggests the emotions of a soldier reading a letter from home. The music has been described as Copland's 'most sentimental' and reflects his own homesickness while visiting Mexico. This sensitive transcription by Brian Belski has produced another wonderful wind band setting from America's most iconic composer." Craig Kirchoff (Windependence Series Editor)

    Estimated dispatch 7-14 working days