Results
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£44.95La Chica Sin Nombre (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob
A vibrant, rhythmic solo for trombone and band. La Chica sin Nombre was written in March 2020 at the request of Brett Baker. He wanted something in Latin style so I chose to go for a Mambo-type dance piece. This obviously works best with band accompaniment where I would always ask for Conga drums and Mambo Bell/Timbales rather than drum kit. The piece needs to be played with an appropriate feel for Latin music. It should sound light and easy to play but has a few tricky moments! Duration: 4.15
Estimated dispatch 7-14 working days
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£139.99Breeze in the Forest (Flute Solo with Concert Band - Score and Parts) - Yagisawa, Satoshi
Breeze in the Forest was commissioned for the concert to celebrate the 60th birthday of Professor Haruyuki Nakatsukasa of Osaka Kyoiku University. "Kanreki" is a special term used to celebrate reaching the age of 60 in Japan. The composer was inspired by some of Professor Nakatsukasa's admirable characteristics upon composing this work: he speaks softly and at the same level as his students; he is fashionable, stylish and refined. The band accompaniment is at a moderate level of difficulty, allowing the solo flautist to choose this work for many an occasion.Duration: 7.00
Estimated dispatch 7-14 working days
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£150.00A Child's Garden of Verses (Soprano Solo with Concert Band - Score and Parts) - Jager, Robert - Noble, Paul
A Child's Garden of Verses has a very special meaning for me. Bob Jager, a family friend, was visiting in our home, and my wife, Mitzi Noble, a soprano soloist, was singing to his children. Bob's two young children became so enthralled with the music that Bob wanted to capture that moment. So he composed this piece for Mitzi, and dedicated it to his children, Kathleen and Matthew. The text is from Robert Louis Stevenson's poems: I. Happy Thought; II. The Wind; III. The Land of Counterpane; IV. From a Railway Carriage; V. Escape at Bedtime. Bob writes: The ideal performance instrumentation would be one on a part. If a larger group is used the balance should be kept proportional. In a few places the terms Solo or One are used where the sonority is critical, and this should be strictly followed. Above all, the singer should never feel forced by the ensemble. This work was composed in 1972, and was never published. I am pleased that Bob has allowed me now to publish it under Noble Music Publications, so that it may be available for others to perform and enjoy. Mitzi writes: Although we did not have access at the time, the ideal performance would be with a throat mic so that the soloist is free to move around the stage and sing, as though singing and relating to children sitting on the front row.
Estimated dispatch 7-14 working days
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£72.00Meditation (from Thais) (Flute Solo with Concert Band - Score and Parts) - Massenet, Jules - Glover, Andrew
Excerpted from French composer Jules Massenet's opera "Thais," this beautiful setting of "Meditation" has been arranged for flute solo with concert band. Feature your outstanding flautist or guest artist with this lovely work. The band accompaniment requires a minimal amount of rehearsal and preparation, and provides a great opportunity to showcase your soloist. Stunning! Duration: 4.30
Estimated dispatch 7-14 working days
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£68.00Feuerfest Polka Op.269 (Anvil Solo with Concert Band - Score and Parts) - Strauss, Josef - Longfield, Robert
If you've been looking for an anvil solo with band accompaniment - and even if you haven't - this is it! A delightful Strauss polka provides the background to feature your best percussionist (or your principal, or the mayor, or any other special dignitary or friend of your band) on the anvil! Lots of fun for the band and the audience. Duration: 3.00
Estimated dispatch 7-14 working days
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£119.99Ponte Vecchio (Trumpet, Alto Sax or Euphonium Solo with Concert Band - Score and Parts) - Yagisawa, Satoshi
This work was commissioned by the Osaka Kyoiku University Wind Orchestra. The world premiere took place with trumpet soloist, Osamu Kumashiro and was conducted by the composer, who was inspired by the famous Ponte Vecchio (the old bridge) during a visit to Florence. The solo part can also be performed on euphonium or alto saxophone.
Estimated dispatch 7-14 working days
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£80.00Clair de Lune (from Suite Bergamasque) (Trombone or Alto Saxophone Solo with Concert Band - Score and Parts) - Debussy, Claude - De Meij, Johan
Clair de Lune was originally written for piano, as the 3rd movement of the Suite Bergamasque by French composer Claude Debussy. This arrangement for trombone and wind orchestra was written at the request of Joe Alessi, principal trombone of the New York Philharmonic and internationally renowned soloist. There is an alternative solo part included for alto saxophone.
Estimated dispatch 7-14 working days
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£174.99Fiori (Flute Solo with Concert Band - Score and Parts) - Doss, Thomas
Fiori finds its genesis in a walk through an impressionistic garden. It expresses not only the atmosphere and mood but also tiny and grotesque scenes between the insects. The flute, as a solo instrument, plays a perfect role in this marvellous micro world. It was a challenge for the composer to integrate the sound of the flute through the "fragrance of flowers and exotic plants that fills the air".Duration: 11.45
Estimated dispatch 7-14 working days
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£139.99Pulse (Euphonium Solo with Concert Band - Score and Parts) - Doss, Thomas
Pulse is a solo work for baritone or euphonium and concert band. As the title suggests, this piece is very rhythmic in nature. Pulse represents life and vitality, which also characterises the work. The tempo remains virtually constant throughout the piece. Even during the cadenza, played by the baritone, the pulse of the timpani continues to beat steadily. This work is dedicated to the young soloist Felix Geroldinger of upper Austria.
Estimated dispatch 7-14 working days
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£152.99The Legend of Spirit Island (Euphonium Solo with Concert Band - Score and Parts) - Sparke, Philip
The Legend of Spirit Island was commissioned by the Twin Ports Wind Orchestra, Duluth, Minnesota (Mark Whitlock, conductor), to honour the euphonium player, Dick Carlson. The piece takes its title from a local legend about Spirit Island, which lies in a gap of the St. Louis River called Spirit Lake. The legend tells the story of Chaska, the son of a Dakota Chief, and Wetona, the daughter of Ojibwe Chief Buckado. He was handsome and she was beautiful; it wasn't long before they fell in love. This is a challenging euphonium solo in which the versatile soloist can explore very expressive melodic sequences, as well as energetic, technical sections. Duration: 8.00
Estimated dispatch 7-14 working days
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