Results
-
£98.99
Whitewater Festival - David Shaffer
An uptempo introduction leads to the main theme which is presented by a solo Trumpet. The theme is restated in several different forms including an Alto Saxophone solo. Written in overture form, the middle section will show off your band's ability to play expressively. With a broad melody in the trumpets, this slow section moves to a dramatic finale.
Estimated dispatch 7-14 working days
-
£54.99
Sea Breeze - Ralph Gingery
Written to feature either solo trumpet or solo alto sax, this enchanting Latin-styled piece is sure to captivate your audience! Very effective.
Estimated dispatch 7-14 working days
-
£104.50
Variations On A Mighty Fortress - Darren W. Jenkins
A truly powerful setting that is worthy of this famous hymn that uses an impressive set of three variations. It opens with a slow, legato presentation of the melody stated by solo trumpet followed by the first lively variation, driven by a strong rhythmic accompaniment. The second variation features an alto saxophone solo that builds and alternates between woodwind and brass choirs before closing with a majestic fanfare and the full ensemble driving to a jubilant conclusion. Extremely uplifting!
Estimated dispatch 7-14 working days
-
£104.50
Ancient Apparitions - John Prescott
Travel back to the time of the oldest human civilizations, whose very existence seem to us today as ghosts of a long-dead past. A solo flute and solo trumpet provide musical invitations for listeners to transport themselves to these ancient times while the band answers with antiphonal response. This work continues to gain momentum as ghostly apparitions from ancient times swirl in and out of sight like spinning wisps of mist. The specters - and the music - gain strength and substance as they approach the unyielding vortex of an exciting conclusion.
Estimated dispatch 7-14 working days
-
£75.00
The Winds Of Power - Nigel Hess
Unlike Nigel Hess's other works for wind band, The Winds of Power is not a programmatic work. After a dark and menacing opening a solo trumpet introduces a theme which will eventually become the centre of a piece and is soon heard tutti in a lyrical form. This is interrupted by a return to the opening mood, with only a brief respite in the form of a chorale for clarinet choir and harp. The theme tries to return once more in a rousing, somewhat cinematic version, but again the sense of foreboding overtakes it. An unsettling march-like section follows before the theme returns in its most lyrical and gentle guise, introduced by solos in the woodwind section. Eventually, a maestoso statement which erupts into a presto coda, ends the journey in a triumphant, more optimistic blaze of sound.
In stock: Estimated delivery 1-3 days
-
£53.95
Seawind (Concert Band - Score and Parts) - Hodges, Steve
A relaxing day at the beach is the setting for this expressive piece. A solo trumpet presents the morning melody, the rest of the band picks up the activity level in the afternoon with a strong modulation, leading to peaceful conclusion at day's end. Duration: 2:15
Estimated dispatch 7-14 working days
-
£284.99
Symphony for Wind Ensemble (Concert Band - Score and Parts) - Stephenson, James M.
The symphony is in four movements. The first movement starts a single triangle note, followed by a guitar strum. The movement anxiously attempts to churn into action, only to be stifled repeatedly by the single triangle note. Finally, with the guitar as inspiration, the main theme gets under way, revealing an almost Spanish, or even Eastern European flavor. Ideas and themes get reworked, developed, repeated and augmented throughout the movement, before finally closing out just as it began, but in reverse: this time guitar followed by triangle. The second movement steals from an angular and shrieking motif of the first, but is presented in opposite fashion: with the warm blend of the low brass. Hints of iconic military symbolism are interspersed throughout this movement, as homage to the commissioning ensemble. The main theme is inverted and awarded to a solo trumpet midway before giving way to a brass fanfare, though not done loudly, but here muted, from afar. The low brass return at the end, fading away to nothing as the bell tolls. The third movement is merely a short interlude - a break, in almost Gershwin-like fashion - from the seriousness of the movements that precede and follow. Lastly, the fourth movement is a wild one: with mixed meters and plentiful percussion penned to propel the movement throughout. The movements' themes are all reworkings of material presented earlier. Duration: 25.00
Estimated dispatch 7-14 working days
-
£100.00
Agnus Dei (from Mass of the Children) (Concert Band with opt. Choir - Score and Parts) - Rutter, John - Noble, Paul
The William Blake (1757-1827) poem, The Lamb, featured in this movement, is a poignant message relating to the precious lives of our children. In the setting for band alone, the children's choir part is set for solo trumpet, and the darker beginning (Agnus Dei, miserere nobis) is further enhanced by muted brass and the pulsating heart-beat of the bass drum, felt, but rarely heard.
Estimated dispatch 7-14 working days
-
£100.00
Finale (from Mass of the Children) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Mass of the Children represents something new in the composer's work insofar as it was conceived with an integral role for a children's choir alongside an adult mixed choir, two soloists, and orchestra (now band). The role of the children's choir is to add a further dimension to the traditional Latin Mass sung by the adult choir, sometimes commenting, sometimes amplifying the meaning and mood. His musical understanding, sense of melody, harmony and orchestration are oftentimes fully capable of telling the story even without the text. In the setting for band alone, the children's choir part is generally set for solo trumpet.
Estimated dispatch 7-14 working days
-
£100.00
Gloria (from Mass of the Children) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Mass of the Children represents something new in the composer's work insofar as it was conceived with an integral role for a children's choir alongside an adult mixed choir, two soloists, and orchestra (now band). The role of the children's choir is to add a further dimension to the traditional Latin Mass sung by the adult choir, sometimes commenting, sometimes amplifying the meaning and mood. His musical understanding, sense of melody, harmony and orchestration are oftentimes fully capable of telling the story even without the text. In the setting for band alone, the children's choir part is generally set for solo trumpet.
Estimated dispatch 7-14 working days