Results
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£248.99Odysseia (Concert Band - Score and Parts) - Aulio, Maxime
Washed up on the Phaeacian shore after a shipwreck, Odysseus is introduced to King Alcinous. As he sits in the palace, he tells the Phaeacians of his wanderings since leaving Troy. Odysseus and his men fi rst landed on the island of the Cicones where they sacked the city of Ismarus. From there, great storms swept them to the land of the hospitable Lotus Eaters. Then they sailed to the land of the Cyclopes. Odysseus and twelve of his men entered the cave of Polyphemus. After the single-eyed giant made handfuls of his men into meals, Odysseus fi nally defeated him. He got him drunk and once he had fallen asleep, he and his men stabbed a glowing spike into the Cyclop's single eye, completely blinding him. They escaped by clinging to the bellies of some sheep. Once aboard, Odysseus taunted the Cyclop by revealing him his true identity. Enraged, Polyphemus hurled rocks at the ship, trying to sink it. After leaving the Cyclopes' island, they arrived at the home of Aeolus, ruler of the winds. Aeolus off ered Odysseus a bag trapping all the strong winds within except one - the one which would take him straight back to Ithaca. As the ship came within sight of Ithaca, the crewmen, curious about the bag, decided to open it. The winds escaped and stirred up a storm. Odysseus and his crew came to the land of the cannibalistic Laestrygonians, who sank all but one of the ships. The survivors went next to Aeaea, the island of the witch-goddess Circe. Odysseus sent out a scouting party but Circe turned them into pigs. With the help of an antidote the god Hermes had given him, Odysseus managed to overpower the goddess and forced her to change his men back to human form. When it was time for Odysseus to leave, Circe told him to sail to the realm of the dead to speak with the spirit of the seer Tiresias. One day's sailing took them to the land of the Cimmerians. There, he performed sacrifi ces to attract the souls of the dead. Tiresias told him what would happen to him next. He then got to talk with his mother, Anticleia, and met the spirits of Agamemnon, Achilles, Patroclus, Antilochus, Ajax and others. He then saw the souls of the damned Tityos, Tantalus, and Sisyphus. Odysseus soon found himself mobbed by souls. He became frightened, ran back to his ship, and sailed away. While back at Aeaea, Circe told him about the dangers he would have to face on his way back home. She advised him to avoid hearing the song of the Sirens; but if he really felt he had to hear, then he should be tied to the mast of the ship, which he did. Odysseus then successfully steered his crew past Charybdis (a violent whirlpool) and Scylla (a multiple-headed monster), but Scylla managed to devour six of his men. Finally, Odysseus and his surviving crew approached the island where the Sun god kept sacred cattle. Odysseus wanted to sail past, but the crewmen persuaded him to let them rest there. Odysseus passed Circe's counsel on to his men. Once he had fallen asleep, his men impiously killed and ate some of the cattle. When the Sun god found out, he asked Zeus to punish them. Shortly after they set sail from the island, Zeus destroyed the ship and all the men died except for Odysseus. After ten days, Odysseus was washed up on the island of the nymph Calypso.
Estimated dispatch 7-14 working days
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£122.50Symphonic Rock (Concert Band - Score and Parts) - Tinner, Gilbert
The Music of Queen and Genesis.Gilbert Tinner combined a number of hits by the well-known British rock group Queen - and a song by Genesis, also a rock formation from England - to form an exciting arrangement with the telling title Symphonic Rock. The instrumentation can indeed be called symphonic, but important instruments from pop music are also present. For instance, an important role is played by the electric guitar, and a synthesizer is used as well. The medley respectively features: Innuendo, A Kind of Magic, Another One Bites the Dust, Radio Gaga, That's All and We Are the Champions.Duration: 8.45
Estimated dispatch 7-14 working days
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£85.00Walking the Dog (Clarinet Solo with Concert Band - Score and Parts) - Gershwin, George - Bourgeois, Derek
Walking The Dog is one of Gershwin's lighter numbers. It is a clarinet showpiece that is just as much fun as the title suggests. Taken from the movie Shall We Dance, staring none other than the great Fred Astaire and Ginger Rogers, Walking The Dog catches George Gershwin at the very height of his powers. Rather than the bustling, complex symphonic scores he was by-now accustomed to knocking out, it's a simple, elegant little stroll, as the title suggests. In fact, in the 1937 film, it accompanies a scene of dog-walking, aboard the luxury deck of an ocean liner. Since its use in the film, though, the song has taken on a life of its own and become a popular showing-off piece for clarinettists everywhere. Interestingly, it's also the only section of score from the whole of Shall We Dance that remains - the rest of the movie's music remains sadly unpublished.Duration: 3.00
Estimated dispatch 7-14 working days
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£173.00Henry V (Concert Band - Score and Parts) - Doyle, Patrick - De Meij, Johan
As the composer of music for well-known movies like Bridget Jones's Diary, Sense and Sensibility and Harry Potter and the Goblet of Fire, Patrick Doyle had already made his name. With the song Non Nobis Domine from the film Henry V, Doyle received the 1989 Ivor Novello Award for Best Film Theme. In close cooperation with the composer, Johan de Meij selected the best material from the Henry V soundtrack for this attractive arrangement, with the unison-sung Non Nobis Domine as a touching finale. Duration: 14.00
Estimated dispatch 7-14 working days
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£271.99Concert Favorites Vol.2 (Large Value Set) - Sweeney, Michael
Score and 36 parts:6 Flute1 Oboe1 Bassoon6 Clarinet1 Bass Clarinet4 Alto Saxophone1 Tenor Saxophone1 Baritone Saxophone6 Trumpet2 F Horn2 Trombone1 Baritone B.C.1 Baritone T.C.1 Tuba2 Percussion1 Keyboard PercussionHere is a follow-up to the popular Concert Favorites, Volume 1 that features even more terrific easy works for beginning bands. Perfect for groups with limited rehearsal time, this collection is also an economical way to provide your players with quality literature.Includes:Amazing GraceAmerican Spirit MarchBandroom BoogieGallant MarchGathering in the GlenHigh AdventureInfinity (Concert March)Latin FireLinus and LucyMusic from The Royal FireworksRock & Roll - Part II (The Hey Song)Scarborough FairStar Trek GenerationsThe Loco-MotionTheme from Ninth SymphonyDifficulty: Beginning level to American Grade 1.5
Estimated dispatch 7-14 working days
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£63.95A Vaughan Williams Christmas (Concert Band - Score and Parts) - Vaughan Williams, Ralph - Wagner, Douglas E.
A giant among composers, Ralph Vaughan Williams has contributed to the literature for concert band music that is standard repertoire throughout the world. Here are works from other genres that were collected, arranged, adapted, and/or harmonized by Vaughan Williams: "Forest Green (O Little Town of Bethlehem)" (from the first edition of the English Hymnal, 1906), "Wassail Song" (the fifth of Five English Folk Songs, 1913), and "Sussex Carol" (the second of Eight English Carols, 1919). These are the works of a master in a stunning setting by Douglas Wagner.Duration: 4:30
Estimated dispatch 7-14 working days
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£59.95Sunrise (Horn solo) (Concert Band - Score and Parts) - Hart, Paul
Sunrise - a song to the sun, music to be warmed by. From its softly stroked opening timpani rhythm, setting the mood for a solo horn to emerge and expand as it makes its tonal journey serenely from East to West, the music is never hurried. A dynamic build to high-noon is followed by a return to the quieter sounds as the end of the day is reached and the soft rhythms of the opening are again heard. Altogether the composer has created a wonderfully evocative framework into which performers and listeners can place their own pictures.
Estimated dispatch 7-14 working days
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£11.95
Sunrise (Horn solo) (Concert Band - Score Only) - Hart, Paul
Sunrise - a song to the sun, music to be warmed by. From its softly stroked opening timpani rhythm, setting the mood for a solo horn to emerge and expand as it makes its tonal journey serenely from East to West, the music is never hurried. A dynamic build to high-noon is followed by a return to the quieter sounds as the end of the day is reached and the soft rhythms of the opening are again heard. Altogether the composer has created a wonderfully evocative framework into which performers and listeners can place their own pictures.
Estimated dispatch 7-14 working days
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£44.95The Kings Go Forth (Concert Band - Score only) - Gregson, Edward
This work was commissioned jointly by the Royal Air Force Music Service and an American Universities Consortium and received its world premiere during the 1996 RAF British Tour. It is scored for large symphonic wind band, with the addition of voices.The work is a sequel to the highly successful The Sword and the Crown which was premiered in 1991 by the mass bands of the RAF (and also was an RAF commission). That work was based on music written for the Royal Shakespeare Company productions of The Plantagenets and Henry IV, parts 1 and 2 (for productions between 1988 and 1991).The Kings go Forth is similarly based on musical material for those productions. It uses different thematic elements and incorporates them into a three-movement suite entitled: The Church; The People; The State.This reflects the fact that in Henry IV Parts 1 and 2, Shakespeare introduces The People as an important element in the dramatic structure. The Church and The State are, of course, both leitmotivs throughout the entire plays. An Agnus Dei is heard at the outset from a solo voice. The ensuing Dies Irae is a fast and, at times, quite violent dance. The two sections which form the basis of the second movement, The People, concentrate on popular elements and reflect to some extent the tavern scenes in the plays. The two ideas presented are a harvest hymn reflecting the country scenes set in Gloucestershire, and a jazzy, 'up-tempo' dance based on the medieval song, Sumer is icumen in. The third movement, The State, deals with the Kings theme in the title of the piece. The juxtaposition of battle music with funeral music for Henry IV and Henry VI leads to a reworking of the leitmotif from the beginning of the work. The final section is Coronation music for Henry V, eventually leading to a triumphant climax. - Edward GregsonDuration: 17.15Recorded on QPRM 125D Festival of Music 1996, Massed Bands of the Royal Air ForceRecorded on QPRM 134D The Kings Go Forth, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£60.99Wyndham Marziale (Concert Band - Score and Parts) - Curnow, Paul
The musical heritage of the United States is rich with folk songs from across the country. We can understand a great deal about society, culture and traditions through these folk songs. The folk tune used in this work has had many lives, from early church singing to pub songs to a marching song.Duration: 2.00
Estimated dispatch 7-14 working days
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