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  • £80.95

    Black Horse Troop - John Philip Sousa / ed. Frederick Fennell

    Sousa, who was a horseman himself, completed this wonderful work late in 1925. The march exemplifies the regimental rhythms heard with horse and rider and the Fennell arrangement preserves Sousa's original intent, specifically explaining articulations and musical nuances. has been re-engraved with a full score for the first time. (3:31) This title is available in MakeMusic Cloud.

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  • £64.50

    El Capitan - John Philip Sousa / arr. Jack Bullock

    When one thinks of "marches," one almost automatically thinks of John Philip Sousa. Perhaps the greatest march writer of all time, he composed literally hundreds of these works. El Capitan ranks high in his list of classics. The first several strains are written in six-eight, and the last strains in two-four, giving a unique change of character. This scoring has reduced the technical difficulties while keeping the integrity of this well-known work. (2:21)

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  • £66.95

    Golden Jubilee - John Philip Sousa / ed. Frederick Fennell

    Written in 1928 to commemorate 50 years as a conductor, this often-forgotten Sousa march is joyous and uplifting. In duple time, this quick-step is a welcome addition to any traditional band concert, inside or out. Clearly edited with all original nuances marked. (3:33)

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  • £62.95

    The Liberty Bell - John Philip Sousa / arr. Michael Story

    You can hear the bell in this clearly edited arrangement of the familiar Sousa march. Ample doublings of all the traditional lines ensure a grandiose performance. A solid programming choice for all occasions. (3:42)

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  • £80.95

    George Washington Bicentennial March - John Philip Sousa / ed. Frederick Fennell

    Commissioned for the occasion of George Washington's bicentennial celebration in 1932, this march was premiered by the combined military bands in Washington, D.C., conducted by Sousa himself. Now with freshly engraved parts and a brand new full score! (3:51)

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  • £92.50

    The Gliding Girl - John Philip Sousa / arr. Loras John Schissel

    John Philip Sousa wrote music in a variety of styles and was particularly adept at dance music, which, of course, was the original purpose of the march. The Gliding Girl is a tango, and its relaxed tempo and style will provide an effective contrast to his standard marches.

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  • £53.95

    Hands Across the Sea - John Philip Sousa / arr. Jerry Brubaker

    Jerry Brubaker has prepared this dynamic Sousa march for developing bands. The energy is retained while the rhythms, notes and articulations have been simplified for young players. As the title implies, was originally composed to express eternal friendship through music to our allies abroad. (3:00) This title is available in MakeMusic Cloud.

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  • £62.95

    Ancient and Honorable Artillery - John Philip Sousa / arr. Loras John Schissel

    Our Heritage of the Concert Band series expands with another of the beloved March King's expert works. Carefully edited for historic correctness and playability by the modern concert band by Sousa expert Loras John Schissel, this march shows the band at its rousing best.

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  • £58.50

    Corcoran Cadets - John Philip Sousa / arr. Frederick Fennell

    Sousa's second decade of writing marches began with The Corcoran Cadets (1890). The piece is an eighth-note march designed more for sit-down playing, rather than for the field. It seems as though Sousa set out to compose a march that would be produced with minimum resources, yet be rhythmically neat, textrurally clean, harmonically and melodically satisfying, and stylistically unique by his own standards. It was the first march performed by The Eastman Wind Ensemble, led by Frederick Fennell, closing their first NBC broadcast in 1953.

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  • £73.50

    The Minnesota March - John Philip Sousa / ed. Frederick Fennell

    Commissioned by the football coach of the University of Minnesota, "The Minnesota March" was completed in 1927. Being impressed by the number of Indian names found in Minnesota, Sousa used a number of Indian themes in this wonderful march. With a full score! (3:30)

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