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£71.28In Times Of Triumph
Dynamic and vibrant James Swearingen composition for mid-level bands that features spirited "gigue" like melodies which produce a vigorous energy that's guaranteed to be enjoyed by students and audiences everywhere. The bright sections are contrasted by a lush and expressive slower section that's full of the flowing melodic lines which have made this composer's music so popular. Lots of tasty writing for the percussion section will keep them both involved and interested. Includes short solos for flute and trumpet. Dramatic, exciting and perfect for concert or contest performances! VERY HIGHLY RECOMMENDED!
Estimated dispatch 7-14 working days
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£64.35
March of the Roughnecks
This new concert march heralds back to the early days of the oil boom in the early 1900s. Commissioned by the Glenpool High School Band, commemorating one of the early oil field discoveries (the "Glenn Pool") in Oklahoma, this march recollects the undeniable spirit of the early petroleum pioneers and oil field laborers (called "roughnecks"). The roughnecks worked long, hard hours to drill for the "black crude" which helped to define the Tulsa area as the "oil capitol of the world" for many decades. The spirited and energetic style of the march makes it a "must play" for festival competition or concert performance.
Estimated dispatch 7-14 working days
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£59.40
March: Celebration & Glory
This exciting and dynamic new original concert march by James Swearingen is perfect for concert or contest performances. Written in 2/4, the bright "Celebration" segues perfectly the stately "Glory" to creating all of the undeniable appeal that one would expect from this popular composer. Highly spirited and highly recommended!
Estimated dispatch 7-14 working days
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£84.99
Marmalade for Clarinets (Concert Band - Score and Parts)
Marmalade for Clarinets is a breezy solo piece from the pen of Wim Laseroms featuring the clarinet section and concert band. With this fresh and spirited composition the soloists can show off their skills and - together with the band - splendidly entertain the audience! 03:20
Estimated dispatch 7-14 working days
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£59.99
Nun geht es los (Concert Band - Score and Parts)
Nun geht es los, meaning "off we go," is a spirited polka taken from the most recent CD of concert band music released by well known band leader, Michael Klostermann and his musicians. Amongst a marvellous selection of polkas, waltzes and marches, Nun geht es los (Let's get started) stands out as an exceptional piece. Ideal to play as a concert opener!
Estimated dispatch 7-14 working days
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£62.37
Ocean Ridge Rhapsody
This spirited offering is teeming with vitality and color. The festive opening leads to a romantic theme with broad sweeping lines. The energetic ending is a well-crafted blend of rhythmic development and melodic content from the pen of this very popular composer. Highly recommended for contest.
Estimated dispatch 7-14 working days
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£77.22
Of Time And Change
A beautiful introduction on a well-established hymn instantly identifies this musical fantasy as the perfect choice for a concert or festival performance. Spirited themes lead us to the beauty of a highly expressive middle section. In closing, a driving rendition of the hymn gives way to a joyous ending that is both bold and dramatic. This wonderful composition has been carefully orchestrated to make your group sound its absolute best! Very impressive!
Estimated dispatch 7-14 working days
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£67.32
Orpheus - Offenbach, Jacques
This masterful arrangement of Offenbach's famous overture to "Orpheus in the Underworld" is sure to be a crowd-pleaser! All the subtleties of the original are captured, from the spirited opening, the lush lyrical themes, and rousing "Can-Can" for the finale. "Orpheus" will showcase your band, providing a fun change of pace for your next concert. Exciting and enjoyable music!
Estimated dispatch 7-14 working days
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£184.95PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£44.95
PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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