Results
-
£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
-
£89.99
Man In Motion - D. Foster
Man in Motion is the title number from the film St. Elmo's Fire from 1985. The song was a huge hit and was even nominated for a Grammy. In the meantime, it's become a world-wide classic, which in this entertaining concert band arrangement will enliven any concert programme.
Estimated dispatch 7-14 working days
-
£76.99All Creatures of our God - Stephen Bulla
As one of the great pillars of church hymnody, the song All Creatures of Our God lives through the centuries. The associated words are attributed to St. Francis of Assisi and they were wed to this melody in a hymnal first published in 1623. The setting adds a contemporary flare to the tune by combining it with up-beat, original material.
Estimated dispatch 7-14 working days
-
£104.99
Nocturne - Pyotr Ilyich Tchaikovsky
Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but "lyric scenes". The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.
Estimated dispatch 7-14 working days
-
£84.99
Ave Verum Corpus - Edward Elgar
Edward Elgar (1857-1934) originally composed this work in 1887, as a Pie Jesu, when he was an organist in the St George's Church in Worcester. Years later, in 1902, he transformed the Pie Jesu into an Ave Verum for soprano and tenor solo, mixed choir and organ. This excellent arrangement was created by Robert van Beringen and skilfully retains the wonderful atmosphere of the original composition.
Estimated dispatch 7-14 working days
-
£105.00New London Pictures - Nigel Hess
New London Pictures represents elements of London in the 21st Century. The Millennium Bridge describes the pedestrian's journey across this wonderful new landmark bridge over the Thames, starting at the imposing Tate Modern, crossing the busy river, and onwards to St. Paul's Cathedral with its bells ringing out over the great city. London Eye is an incredibly large ferris wheel situated on the South Bank of the River Thames. This movement depicts a "flight" on this riverside wheel, at the top of which the anoramic view of London is breath-taking and the exapnse of the music is a suitable depiction of the view. As with all modern cities, London is over-crowded with motor vehicles. London is the first major city in Europe to adopt a Congestion Charge, and this piece (with its stop and go traffic lights) is both racy and comical. Here are Londoners attempting to go about their business in the face of overwhelming odds.....
Estimated dispatch 7-14 working days
-
£79.99Salute to American Jazz
The master of jazz arranging, Sammy Nestico, pays tribute to America's most notable art form with this montage for concert band. Four distinct styles in the history of American jazz are represented with Dizzy Gillespie's Night inTunisia, W. C. Handy's St. Louis Blues, Duke Ellington's It Don't Mean a Thing, and Weather Report's Birdland. Treat your players to some of the greatest music of the jazz era.
Estimated dispatch 7-14 working days
-
£60.99Wilderness Scenes (from The Journal of Discovery) - Michael Sweeney
This work dramatically depicts moods and images from the historic Lewis & Clark Expedition two hundred years ago. As their corps of discovery encountered wilderness, mountains and native peoples, journals were meticulously kept documenting their adventures for all time. Movements include: St. Charles, To the Unknown, Mandan Village, Reflection and The Bitterroots. The score features historical notes and performance options for shorter versions. (8:00)
Estimated dispatch 7-14 working days
-
£60.99The Brandenburg Gate (German March) - Johnnie Vinson
Heralded by a fanfare-like figure for trumpets in the first strain, here is an appealing German-style march solidly scored for young players. Low brass take the lead on the second strain, followed by a contrasting lyrical sectionfeaturing the woodwinds. The full ensemble brings us to a rousing finish in this terrific-sounding march. (This is a nice follow-up to Johnnie's earlier international marches St. Petersburg March, New Forest March and The Crown ofCastile.) Dur: 2:30
Estimated dispatch 7-14 working days
-
£53.50Pachelbel's Christmas
Combining the familiar Canon in D with a multitude of popular Christmas carols, this clever and unique arrangement for beginning bands will be the talk of the concert. See how many tunes you can identify.includes: Canon In D; The First Noel; Go, Tell It On The Mountain; Good King Wenceslas; Hark! The Herald Angels Sing; Jingle Bells; Jolly Old St. Nicholas; Joy To The World; Up On The Housetop; We Wish You A Merry Christmas
Estimated dispatch 7-14 working days
View Music