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£71.50Follow The River - James Swearingen
This haunting and distinctive work is based on a novel by celebrated author/historian James Alexander Thom. Melodies in both minor and major tell the 1755 true account of a young woman who, after having escaped from the Shawnee Indians, tries to find her way home. With the Ohio River as her guide, Mary Ingles begins a one thousand mile journey through the wilderness in her valiant attempt to reach that goal. The addition of intriguing percussion parts and optional piano/synthesizer makes this remarkable story set to music a must for every library. Very effective!
Estimated dispatch 7-14 working days
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£85.50Eiger - James Swearingen
Heroic themes abound as noted composer James Swearingen weaves a tapestry of musical styles to depict the emotional story of John Harlin. At the age of nine, John lost his father when he tragically fell 4000 ft. to his death while attempting to climb the mountain known as Eiger (pronounced eye-ger). The Eiger North Face is considered to be the most treacherous climb in all of Europe. Yet, forty years later John, with a burning desire to reconnect with his father, began the perilous journey of climbing the mountain with the nearly impossible goal of reaching the summit. Brilliantly scored, simply stunning and beautifully breathtaking!
Estimated dispatch 7-14 working days
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£102.99Cast Away (End Credits) - Alan Silvestri
In 2000, the movie Cast Away stormed into cinemas and received two Oscar nominations in the process. It follows the story of a man (played by Tom Hanks) who gets stranded on an island after the plane he is traveling on crashes. As the sole survivor, he does his best to keep himself alive while facing a rather bleak situation. An interesting feature about this film is that after hearing an Elvis song and a Russian choir, no music is heard again until the end of the movie, over 100 minutes later! Aidan Thomas creates a moving arrangement of the end credits music.
Estimated dispatch 7-14 working days
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£169.99subTERRA - Daniel Weinberger
subTERRA tells the story of a miner who miraculously survives the collapse of a mine shaft. The work consists of five movements:1. The Dream: A horrible nightmare plagues the miner. Dissonances and unusual sounds foreshadow the imminent disaster.2. The Work: The rhythmic second part describes the daily grind of a miner, from driving into the mine shaft to working deep underground.3. The Accident: Suddenly a piercing alarm is heard. Everyone tries to escape the mine amidst the ensuing chaos as the mine shaft collapses, trapping the unfortunate miner.4. Hope: Buried under rubble and debris, the miner regains consciousness. A prayer can be heard.5. The Rescue: A powerfulmaestoso symbolizes the successful rescue and survival of the trapped miner.
Estimated dispatch 7-14 working days
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£76.99Dear Frog - Victor Trojan
Dear Frog describes the story of a prince who changes into a frog and then waits for a princess to kiss him so that he can turn back into a prince again. A musical satire for the trombone and orchestra. What is remarkable about this work is the use of the "wah-wah sourdine" throughout the entire piece, which gives it an extra amusing flavour.
Estimated dispatch 7-14 working days
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£104.99Prelude and Polonaise - Nikolai Rimsky-Korsakov
Nikolai Rimsky-Korsakov (1844-1908) composed his opera The Night before Christmas in 1894-95. The premiere took place on December 10 1895 in St. Petersburg. The libretto to the opera came from Rimsky-Korsakov himself and is based on a tale by Nikolai Gogol, which some years earlier had already served as operatic material for Pjotr Tchaikovsky. The opera tells the story of Vakula, the blacksmith of a small Ukranian village. He is madly in love with Oxana who demands - as proof of his love - a most unusual Christmas present: the magnificent slippers of the Empress. Knowing full well that, in normal circumstances, he would never be able to fulfil Oxana's wish, Vakula seekssupernatural assistance and finds it in the shape of the devil, who comes up with a ploy to help him. The devil carries him on his back to St. Petersburg, where during a lavish reception at court Vakula finds an opportunity to present his request to the empress. The Empress actually agrees to Vakula's wish and hands over her slippers to him. Thereupon he returns to his own village. Here, in the meantime, he had been given up for dead, and Oxana had been plunged into great sorrow as she had come to realise that she also truly loved Vakula. In the end, however, all misunderstandings are resolved and all adversities overcome: Oxana receives her extravagant present, the lovers are united, and the church bells call the villagers to the Christmas service.The vibrant Polonaise is played in the 3rd act of the opera at the entrance of the Empress, whose appearance is anticipated in the prelude by the fanfare motives. The music paints a vivid picture of the party atmosphere and the marvellous dcor at the imperial court of St. Petersburg, which Rimsky-Korsakov conjures up in his opera and which can also be played outside of the Advent and Christmas season, for example as an opening piece to any festive concert.
Estimated dispatch 7-14 working days
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£159.99In the Shadow of Napoleon - Bert Appermont
This suite is based on the musical In the Shadow of Napoleon which celebrated its exceptionally successful premire in Worms, Germany, on 21 July 2014. The musical tells the story of Louis-Joseph Marchand, Napoleon's footman who is involved in the dispute over the emperor's inheritance and the unsolved mystery of his death. The composer strove to present the six musical songs in the suite in such a way that it appears to be an entirely new work.
Estimated dispatch 7-14 working days
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£102.99Twinkling Tunes - Bert Appermont
Twinkling Tunes are two original Christmas songs written especially for children and which, thanks to their flexible instrumentation, can be played by any wind band. Lichtjes van Kerstmis (Christmas Lights) is about people gathering together around the Christmas tree. The Lied der Koningen (Song of Kings) brings the story of the Magi to life. The vocal part (with Dutch text) is optional and can be performed either solo or by a children's choir, but even without vocals, this composition is sure to create a merry Christmas mood.
Estimated dispatch 7-14 working days
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£139.99Rapunzel - Bert Appermont
Rapunzel is based on the famous Grimm fairy tale of the same name. The 4 parts of this piece tell the musical story of fantasy, drama and adventure.This refreshing composition with a low level of difficulty can be performed with orwithout a storyteller. The spoken parts can be indicated on the score. This work won the first prize at the De Muziekgolf composition competition in 2004.
Estimated dispatch 7-14 working days
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£159.99
Fantasia Per La Vita E La Morte - Bert Appermont
The mystique surrounding life and death formed the starting point of this composition. I wanted to write a work without a story, mixed up in a kind of musical quest for a new world of sound, original rhythm sequences, melodies filled with suspenseand distinct orchestral tones.The indirect cause was the birth of my first child which took place during this time, followed by the death of a close family member. At such a moment you experience just how close life and death are to each other, anddespite one being the antithesis of the other, they are incredibly similar. Both radical events are passages into new worlds and have great emotional impact. Moreover, the work was commissioned by "New Life", an orchestra that lost one of itsmusician in a plane crash, which also led me to believe that this approach would be appropriate.I would prefer not to comment on which passages in the composition concern life (birth) and which refer to death. It seems to me that it is moreinteresting to question traditional conceptions and leave it open for the listener. If you think that a passage is about birth, and this idea then shifts, it is this that raises fascinating questions, on both a musical and metaphysical level.Music isin an indirect but incredibly persuasive way in which to express the endless striving and seeking of mankind. Music can even touch eternity, as it were, and give us the feeling that we can transcend death. This endless search (and also longing) canbe heard throughout the work; as much in the sound fields and accent shifts in the first part as in the enormous tension curves and compelling themes of the second part. The semi-tone functions in this way as a guide or something to hold on to,running through the whole work and upon which much of the musical material is based. Traces of profound love resound with quiet simplicity in the slow section's melodious solos, after which the work contemplates life and death one last time, musesupon joy and sadness, on the possibilities and limitations of people and on the why of all things.I would like to dedicate this work to my dearest daughter Paulientje, to Meterke and to Johan de Jong of the "New Life" orchestra. May it fare themwell, here or in another dimension...
Estimated dispatch 7-14 working days
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