Results
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£199.99Le Carnaval des Animaux - Camille Saint-Saëns
Camille Saint-Saens "grande fantasie zoologique" is a collection of 14 short movements, each with a specific animal subject. Performed now by the symphony, this suite was originally scored for two pianos and chamber orchestra. Yo Goto consulted Saint-Saens' score to set these nine movements for concert band. For humor, color and clarity he added piano and various percussion. Also, phrases were added for continuity and impact, particularly in the "Final".
Estimated dispatch 7-14 working days
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£59.95Haydn Seek Surprise
The familiar theme from the Andante movement of Haydn's Symphony No. 94 has been adapted for a first year band. The title, Haydn Seek Surprise, will not only make your students laugh, but will also make sure they never mispronounce Haydn again! This work is made up of an easy set of variations of the original theme, and careful attention must be given to dynamics and articulation. What a great way to get your young band acquainted with standard repertoire while still having fun!
Estimated dispatch 7-14 working days
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£109.99Homage - Jan Van der Roost
In the most literal sense: a piece for an occasion. The actual occasion was Jan de Haan's twentieth anniversary as a conductor of the top Dutch brass band, "Soli Deo Gloria" (Leeuwarden). To mark the occasion, the band commissioned the Belgian comopser Jan Van der Roost to create a surprise piece: without knowledge of the person being celebrated, a suitable source of inspiration was sought for. After some thought the chorale-theme from Camille Saint-Sans organ symphony was chosen, a piece with which Jan de Haan has a special bond.Apart from this chorale, Homage is also based on the names of notes taken from 'Jan de Haan' and 'Soli Deo Gloria', resulting in the tonerow: DEGAH. Both elements are combined together and form a grand climax towards the end of the piece when the whole band unites in the Saint Sans' theme.
Estimated dispatch 7-14 working days
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£139.99
Festive Overture - Dimitri Shostakovich
Festive Overture was composed in 1954 to commemorate the 37th birthday of the October Revolution of 1917. With this overture Shostakovich shows his brighter side, in contrast to his melancholy 10th symphony written in the previous year. The premiere of this piece took place on November 6, 1954 at the Bolshoi Theatre in Moscow. Shostakovich makes great use of different themes which he alternates and intermingles in a masterly way. This skilful transcription by Tohru Takahashi retains all the grandeur of the original.
Estimated dispatch 7-14 working days
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£134.99
Marche au Supplice - Hector Berlioz
Hector Berlioz (1803-1869) once remarked: "My life is a novel that greatly interests me." Experiences in his personal life had a great influence on his compositions. Symphonie Fantastique, written in 1830, is also autobiographical: he subtitled the work Episode in the Life of an Artist. The symphony echoes his feelings for an actress. The Marche au Supplice (march into torture) he described as: "The artist dreams he has killed his beloved, that he has been sentenced to death and is being led to the scaffold. The procession moves to the notes of a march that is now sombre and turbulent, now radiant and stately, and in which boisterous outbursts suddenly dissolve intothe heavy sound of marching feet."
Estimated dispatch 7-14 working days
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£420.99Sinfonietta - Jan Van der Roost
Sinfonietta consists of four movements that have no thematic or musical relationship with each other. Each movement has its own character and atmosphere, which displays a variety of qualities and possibilities of the modern concert band. The four movements are entitled The Landing; The Sword Dance; Nightfall by the River and Towards the Future. Together they build into a mini- symphony full of colour and contrasts.
Estimated dispatch 7-14 working days
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£72.99
Europa - Marc-Antoine Charpentier
Jan de Haan combines a famous prelude and a famous finale from the pens of two famous European composers. Both familiar themes are still frequently played today. The prelude, from Marc Antoine Charpentier's Te Deum, is featured asthe theme for today's Eurovision Song Contest. The finale, from the final movement of Beethoven's Ninth Symphony, has become the European Anthem. Your band will enjoy performing these master works that have been carefully scoredin a four-part flexible instrumentation. Dur: 2:40 (Grade 2)
Estimated dispatch 7-14 working days
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£149.40Carol of the Bells - Mykola Leontovych
Ukrainian composer Mykola Leontyovich composed this famous Christmas Carol in 1914. The carol is based on a folk chant called Shchedryk.The composer was a supporter of the independence movement in Ukraina, and was assassinated by a Soviet agent in 1921.The carol was made famous after the adaption by Peter J Wilhousky in 1936. Wilhousky worked as an arranger for the NBC symphony orchestra.It is also well known from popular culture, like the film Home Alone (1990), and a version by the vocal group Pentatonix.
Estimated dispatch 7-14 working days
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£104.50
Incandescent Sky - Robert Sheldon
This sparkling concert overture commemorates the 30th anniversary of the First Coast Wind Symphony. An opening majestic fanfare leads to a buoyant main theme in 12/8 time. A lyrical contrasting section is as rich in melodic content as it is passion. The piece, being in a modified rondo form restates a variation of the main theme before returning to the opening fanfare and a rousing conclusion.
Estimated dispatch 7-14 working days
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£144.99Ross Roy - Jacob de Haan
Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". Thismovement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.
Estimated dispatch 7-14 working days
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