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  • £89.99

    Ide Fixe - Thomas Doss

    Written to celebrate the Zeppelin-Foundation's centennial, Thomas Doss' first symphony represents the passionate history of the world's most renowned airship. Throughout his contrasting score, Thomas Doss has captured Count vonZeppelin's obsession and the subsequent realization of his dream of producing a flying cigar! The first movement describes how passionate Count von Zeppelin was about his idea and the vision that got hold of him. Towards the endof the movement the music swells to a pictorial image of the count, in which he sees the ship floating above himself. Dur: 8:05 (Grade 5)

    Estimated dispatch 7-14 working days

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  • £129.99

    Ratatouille Satirique - Traditional

    Erik Satie, born in Honfleur in Normandy (France) in 1866 is undoubtedly one of the most striking personalities in the history of French music. He composed in various, often quite divergent, styles. Besides light-hearted, entertaining works he also wrote several serious compositions, among which the three ballets: Parade, Rel che and Les Aventures de Mercure. However his piano pieces, such as Trois Gymnopdies or Gnossiennes will remain his most popular compositions. Satie co-operated with almost all great artists of his time: Pablo Picasso, Jean Cocteau, Sergej Diaghilev and Georges Braque and the composers Darius Milhaud (Le Groupe des Six) and Claude Debussy. Johan deMeij made an orchestration of three short pieces by Erik Satie: I. Prlude (from: Jack in the Box) II. Rverie (from: Trois petites pices montes) III. Marche: Le Piccadilly (1904) It was only after Satie's death in 1925 that the manuscript of the piano piece Jack in the Box was recovered. Satie himself thought he had lost the manuscript in a bus. When his flat in Arceuil was cleaned out, a small notebook was discovered behind his piano and it contained the manuscript which was assumed to be lost forever. The Rverie (De l'Enfance de Pantagruel) is an extract from Trois petites pices montes, originally composed for small symphony orchestra. In this suite it is meant as a restful intermezzo. It is clear that, as with Milhaud (La Cration du Monde) and Debussy (Golliwogg's Cakewalk; Le Petit Ngre), it is hard to deny obvious influences of jazz music in Erik Satie's compositions. Le Piccadilly, dating from 1904, displays a lot of similarities with the compositions of Scott Joplin.

    Estimated dispatch 7-14 working days

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  • £149.99

    Trois Rag-Caprices - Darius Milhaud

    The French composer Darius Milhaud (1892-1974) was a member of the 'Groupe des Six'. This group of six composers gathering Honegger, Poulence, Auric, Durey, Tailleferre and Milhaud, imitated Erik Satie by revolting against the deeply rooted traditional conventions of that time. They reacted against impressionism (Debussy) and romanticism (Wagner, Mahler) and felt very strongly about the music of Satie and Strawinsky. Milhaud's most popular work is undoubtedly the ballet 'La Cration du Monde', one of the most striking examples of jazz influences in classical music. The premire at the 'Th?tre des Champs Elyses' in October 1923 caused a real scandal with the Paris public.The 'Trois Rag-Caprices' for piano were composed one year earlier, in the summer of 1922, and could be considered as a kind of preliminary sketch for 'La Cration du monde'. There are indeed clear similarities between both compositions as to the rhythmical and harmonic aspects. The 'Trois Rag-Caprices' were orchestrated for symphony orchestra by Milhaud himself some time later. The same happened to 'Saudades do Brasil' (1920), a piano composition punctuated with Latin-American influences, which was written after his stay in Rio de Janeiro (1917-18) exactly as his ballet 'Le Boeuf sur le Toit'. Johan de Meij's orchestration of 'Trois Rag-Caprices' for symphonic band is a most welcome addition next to the original band works of Milhaud, such as 'Suite Fran?aise' (1945) and 'West Point Suite' (1951).

    Estimated dispatch 7-14 working days

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  • £99.99

    Jazz Suite No. 2 - Dance II - Dimitri Shostakovich

    In 1938 Shostakovich composed his Second Jazz Suite at the request of the recently founded State Orchestra for Jazz conducted by Victor Knushevitsky. This suite was originally scored for a complete symphony orchestra to which four saxophones, an accordion and a guitar had been added. The Jazz Suite no. 1 in three movements, composed in 1934, had been written for a smaller ensemble. The title 'Jazz Suite' is rather misleading, as the composer definitely uses the style of light music. Back in 1928, the twenty-two-year-old Shostakovich had already composed some light music. A bet among friends to make an orchestration of the popular song 'Tea for Two' in less then one hour time, causedhim to compose 'Tahiti Trot'. Shostakovich easily won the bet as he completed the original and witty arrangement within only forty minutes!

    Estimated dispatch 7-14 working days

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  • £89.99

    Andante - Georges Bizet

    The composition of the suite Roma was a labor of love for Bizet as it took some eight years to complete, originally being intended as a symphony. This Andante, together with an Allegro, forms the first movement of the work. Wilvan der Beek has created a beautiful, satisfying band arrangement of this little-known masterpiece.

    Estimated dispatch 7-14 working days
  • £420.99

    Sinfonietta - Jan Van der Roost

    Sinfonietta consists of four movements that have no thematic or musical relationship with each other. Each movement has its own character and atmosphere, which displays a variety of qualities and possibilities of the modern concert band. The four movements are entitled The Landing; The Sword Dance; Nightfall by the River and Towards the Future. Together they build into a mini- symphony full of colour and contrasts.

    Estimated dispatch 7-14 working days
  • £94.99

    Pilgrims' Swing - Graham Lloyd

    The Andante from the first movement of Mendelssohn's Italian Symphony (often nicknamed Pilgrims' March) contains the most beautifully haunting melody supported by the simplest of bass lines and counterpoint figures. As a young musician, Graham Lloyd was so fascinated by this music he bought the orchestral score to study the notes, which at the time made little sense to him. However, he did notice that the bass line was similar to a "walking bass" line in a standard swing tune.In this composition Graham Lloyd uses Mendelssohn's original bass line, melodic line and counterpoint figures but gives them a swing feel. Who knows, maybe if Mendelssohn had been born a hundred yearslater, he could have become one of our big band leaders!

    Estimated dispatch 7-14 working days

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  • £149.99

    Concordia - Jan Van der Roost

    This unusual concert work, commissioned by the concert band ?Harmonie Concorde? from Sanem in Luxembourg, is built on two basic ideas: the evolution of the economic and social context of this Luxembourg city with its strong mining industry and the European concept, which is clearly present in this very small but prosperous country with its many European institutes. This is musically expressed in a few quotes from the European hymn Ode to Joy, the closing of Beethoven?s Ninth Symphony and from the Te Deum by Charpentier ? widely known as the signature tune for Eurovision broadcasts. A work of true unity.

    Estimated dispatch 7-14 working days

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  • £72.99

    Lola Flores - Alfred Sadel

    The lively dance style of the Paso Doble (double-step) is inherent in Spanish culture and claims its roots from the excitement and drama of the bullfight arena. Here in one of the most famous Paso Dobles can be heard theanticipation and pageantry as the matadors majestically enter the ring. John Krance's classic 1966 setting is a distinctive and important work for band. (Grade 4) Dur: 4:00 Recorded by the Texas A&M University Wind Symphony -Timothy Rhea, conductor From Mark Records Wind Band Masterworks Volume V 8515-MCD - Used with permission.

    Estimated dispatch 7-14 working days
  • £64.99

    Lansing State Journal - John Moss

    Commissioned to celebrate the 150th anniversary of the Lansing State Journal newspaper, this marvelous symphonic march was premiered by the Michigan State University Wind Symphony in November 2005, conducted by John Whitwell. In combining elements of our country's rich march history with his own blend of contemporary harmonies and masterful orchestrational techniques, John Moss has created an impressive work destined to become a staple in the repertoire of enduring concert marches.

    Estimated dispatch 7-14 working days