Results
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£154.60Den store dagen - Benny Borg
This beautiful song contains a huge contrast between the hopeful and the disappointing. A mother has her birthday and is waiting her children to celebrate it. Each verse starts optimistically, but the short chorus is characterized by the disappointment, that everyone calls, and cannot come. This has been tried recreated musically, mostly in the last two choruses, as it dawns on her that she will not receive a visit. It's a beautiful tune, but with a serious message that it's easy to take someone for granted.One of the elements the musicians came up with after rehearsal, was that they really liked the change between the ballad parts with even eights and the swing parts. This also gives the piece a sense of "parlando" character, which tells a story, and is therefore important to focus. It is not quite simple, as the melody also in those parts with even eights has some triplet rhythms. Therefore, this is a topic you can work on.Regarding instrumentation, Flugelhorn, Alto Saxophone and Euphonium have important roles, in addition to the rest of the first parts in the Band. The arrangement is written so you are not depending on "special" instruments. Important details are also often duplicated so you can use the arrangement for a smaller Wind Band.It is also possible to use a vocal soloist, but then you must soften the instruments that holds the melody.
Estimated dispatch 7-14 working days
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£99.00Postcards from Tomorrow - Gauthier Dupertuis
During their childhood, some people have the tradition to put their toys, drawings and wishes for the future into a timebox that they bury somewhere to dig up when they are adults. This has inspired Gauthier Dupertuis for the title of this work: Postcards from tomorrow. What wishes would we put in those boxes for the future; what kind of postcards would we send to our grandchildren? To compose this work, Gauthier Dupertuis was also inspired by three pictures that have some symbolic meaning linked to the question above and that give the names to the three movements that make up this piece.The first movement, Abandoned Blockhouses, refers to war and other horrors in the history of humanity, while Pagoda at the Lake, the second movement, was inspired by the pagoda, a religious building whose function is to house the relics of holy people in Asian worship. The third and last movement, Building Bridges, is a call for hope. In July 221, Postcards from Tomorrow was awarded the first prize at the "La Bacchetta d'Oro" international composition contest in Italy.
Estimated dispatch 7-14 working days
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£159.99Resurrection - Kevin Houben
"Man wird mit Keulen zu Boden geschlagen und dann auf Engelsfittichen zu den hchsten Hhen gehoben." (Mahler over zijn 2de symfonie "Wederopstanding", Juli 1894)*"You are clubbed to the ground and then lifted to the highest heights on angels' wings"Commissioned by and dedicated to Concertband Maasmechelen (BE), conducted by Mark Prils.Kevin Houben was inspired for this work by Gustav Mahler's 2nd symphony, better known as the Resurrection symphony.The work can be regarded as a Ma(h)lerei of various compositional and spherical elements that refer to the Austrian composer but that appear in this composition in an embedded, contemporary way.As Mahler often drew his inspiration from nature, the opening of this piece brings nature right to the audience. The work starts with a solo for alto flute accompanied by a pedal note in four octaves with harmonic responses echoing the solo.From the start, Kevin Houben provides Mahler's material with a contemporary touch. He replaces the nature sounds that Mahler uses (perfect fourth) with tritone intervals. The off stage trumpet signals have been preserved but are provided with a new accompaniment. Gradually, throughout the work, the orchestra undergoes its own independent development. Mahler's musical signature remains recognizable, but Kevin Houben allows it - e.g. through the use of various timbres - to flourish in a more modern musical idiom, which characterizes numerous contemporary compositions for wind band (cfr. Where Angels Fly).The work comes to a grandiose end with a passage of the famous chorale from Mahler's 2nd symphony. The rich orchestration of this chorale gives the listener the illusion of the presence of a choir and organ without actually using them.In Resurrection, each instrument group comes into its own: in solo fragments, in transparent thematic passages or in splendid tuttis. Therefore, the work forms an interesting challenge for a wind band on several levels, both technically and melodically - the latter due to the long suspenseful melodic phrases that the musical structure requires.The piece is accessible to a wide audience and can be regarded as an enrichment for any concert programme. Resurrection takes the audience through various atmospheres and experiences: from stunning to chilling, from calming to delighting...Die Musik muss immer ein Sehnen enthalten, ein Sehnen ber die Dinge dieser Welt hinaus." (Gustav Mahler, 1860-1911)"Music must always involve a longing, a yearning beyond the things of this world."
Estimated dispatch 7-14 working days
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£105.80Magellano - Andrea Moncalvo
This composition was written on the occasion of the 500th anniversary of the death of Ferdinand Magellan, a Portuguese explorer (1480 - 1521), who embarked on what would have become the first circumnavigation of the globe. Unfortunately, he did not complete it because, in 1521, he was killed in the region that is today the Philippines. This adventure triggered various images in the author's mind; evocations that the composer elaborated in this piece, which is in a tripartite form (A B A) and is introduced and concluded by a solemn fanfare evoking the departure of the expedition, consisting of 5 ships with a total of 234 crewmen. The first part (Allegro) presents a main theme with a cantabile character that describes the fleet that, intrepid, plows the ocean. This initial melody is then contrasted by a more rhythmic and syncopated theme in a minor key, which instead refers to the indigenous peoples they have encountered during the journey. The central section (Adagio) is an oasis of reflection because, as in other great adventures, this too has tragic aspects: mutinies, shipwrecks, clashes with indigenous peoples, up to the disappearance of those who had desired and planned this enterprise. The last part proposes the themes of the first section but in reverse order, to describe the return to the homeland. The solemn fanfare welcomes the arrival of the Victoria, the only surviving ship with only 18 men on board, which returns to the port of departure after completing the circumnavigation of the earth in 2 years, 11 months, and 17 days.
Estimated dispatch 7-14 working days
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£64.99Synergy - Robert Buckley
'Synergy' is the combined power of a group when they are working with each other - in musical terms, it's that magical something that happens when people create music together. Written as a celebratory piece, Synergy is a rousingoverture that explodes with energy and effervescence - an ideal concert opener or festival piece full of joy and excitement that showcases all sections of the band. Dur: 4:30
Estimated dispatch 7-14 working days
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£154.99
Leviathan - Franco Cesarini
The leviathan, a demoniacal sea monster that appears as a dragon or serpent, is considered in the Old Testament to be the embodiment of evil. The defeat of the demon is prophesied in Isaiah 27:1: "On that day the Lord will punish with his cruel sword, his mighty and powerful sword Leviathan that primeval sea-serpent, that writhing serpent Leviathan, and slay the monster of the deep ."The composer's main goal is to create an atmosphere thick with agitation, tumult and extreme tension rather than express specific events musically. The monstrous form of the leviathan slowly emerges from the abyss of primordial sounds at the start of the piece, recalling the eternal conflict betweengood and evil.
Estimated dispatch 7-14 working days
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£204.99
Credentium - Jan Van der Roost
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.
Estimated dispatch 7-14 working days
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£35.50Triglav - Julius Fucik
Julius Fuc k (1872-1916) appreciated life in Sarajevo. First compositions were written, which soon made him become one of the leading representatives of his profession in Austria-Hungary. Among those works also figured his elaborate piece "Austria's Glory and Honor", which unfortunately remains kind of ill-fated up to now. Yet another area of activities, where Fu k was able to demonstrate his talents was to stage the symphony concerts introduced by him in Sarajevo. Late in fall of the year 1900 Fuc k's time had come, when the regiment deployed from Sarajevo to Budapest. He lived in that metropolis on the Danube for the next some ten years, and during that period most of hisworks were composed. At that time his popularity also grew from day to day. The first performances of his works met with general interest, and not only numerous officers most of them were friends of Fuc k attended these events, they rather were attractions for all ranks of the society. It should also not be overlooked that music publishers were anxious to secure almost each one of his works for their publishing company, and most of them were printed immediately after their premieres. In 1899 the "Laban March" was written as his Opus 44. It was dedicated to Major General Rudolf Laban of Vralje, commander of the 3d Mountain Brigade which was stationed in Nevesinje. The title of the march then changed to "Eiserne Brigade" ("Iron Brigade") until it finally became known as "Danubia". It was first printed as late as 1933 by Bohuslav Leopold (Edition Continental). Leopold was a musician in Fuc k's regimental band, and later a successful publisher. He succeeded in securing the best of Fuc k's works for his company. Sketches of "Triglav" date back to 1903. The title alludes to the highest mountain of the province of Slovenia, and this was probably an apt means in the eyes of the composer to demonstrate his "Slavonic patriotism".
Estimated dispatch 7-14 working days
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£435.40Continental Divide - Stig Nordhagen
The title is "Continental Divide" and it has nothing to do with tectonic plates, but is another word for "Watershed". It is the place where the the water flows in opposite directions. For example, when you drive up a mountain, the water flows downwards, the same does it when you drive down the other side. On top there is usually a water, and it is in this water, or musical idea if you like, that it is a continental divide. What I intend is that in this piece there are some musical motifs that change character and direction. They can be in the foreground and carry the play, or they may be in the background as a countermeasure. It can also be from horizontal lines to vertical. Orrhythmical patterns that dont find their match until far into the piece.
Estimated dispatch 7-14 working days
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£228.70Konsertouverture - Viktor Widqvist
This piece was composed in 1937 in the composer's later part of life. Here, Widqvist shows his broad competence as a composer by using both classic marching and late-romantic thematic elements with exciting harmonic twists. In addition, you can find a perfect fugue where the composer shows that he masters this advanced composition technique. One can imagine that Widqvist wanted to show off his entire repertoire of knowledge to take the lead in the unspoken competition with colleague and friend Sam Rydberg. Rydberg had several years earlier composed a concert overture with a similar form. However, this piece is simpler in its design and lacks the technical brilliance that Widqvist shows in his contrapuntal treatment and harmonious diversity.The concert overture was re-orchestrated in 1939 by the composer for symphony orchestra, and it is this version and the original score for a large military orchestra that form the basis for this edition. My aim has been to keep all of Widqvist's original intentions, but still make use of all the possibilities of the modern symphonic wind orchestra. The composer's own arrangements for symphony orchestra have been of great help in this work.- Niclas Blixt -
Estimated dispatch 7-14 working days
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