Results
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£53.95High Desert March (Concert Band - Score and Parts) - Hodges, Steve
High Desert March, by Steve Hodges, is a march that captures the excitement and occasional drama of a long hike in the high desert. Adventure awaits as the young hikers begin their trek, prepared to overcome any obstacles that may come their way.Duration: 2.15
Estimated dispatch 7-14 working days
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£53.95At Max Power! (Concert Band - Score and Parts) - Webb, Amy
It's time to show the world that your band has what it takes to be the best. Can they push to the front, give it all they've got, and sprint to the finish line? Your students have put in hard work, time, and effort to make their concert the best it can be. What better way to end your program than with this exciting piece by Amy Webb that lets them sprint to the finish line!Duration: 2.00
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00
Estimated dispatch 7-14 working days
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£256.0014 Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the modernity of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 39.00
Estimated dispatch 7-14 working days
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£59.95Wiltshire Pictures (Concert Band - Score and Parts) - Holmes, Chris
Movement 1: Army on the Plain - More than 10% of Wiltshire is used by the Army for training, and all of it takes place on Salisbury Plain. As well as tanks and weapons of all sizes, there is plenty of marching!Movement 2: Spire - Since 1549 Salisbury Cathedral has had the tallest spire in the UK, at 123 metres. Majestic and awesome it soars over the elegant and peaceful Cathedral Close.Movement 3: Sarsen Stones - Stonehenge's vertical Sarsens weigh 20 tonnes and stand 7 metres tall, they are heavy!Movement 4: Moonrakers - From the 15th to the 18th century, there was much smuggling of illegal gin in Wiltshire. The story goes that a group that was trying to rake out barrels hidden in a village pond, and surprised by the Excisemen, feigned stupidity. They told the Excisemen they were trying to rake in the moon, reflected on the ponds surface. They were believed and left in peace! Wiltshire folk can still call themselves Moonrakers.Duration: 11:15
Estimated dispatch 7-14 working days
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£11.95Wiltshire Pictures (Concert Band - Score only) - Holmes, Chris
Movement 1: Army on the Plain - More than 10% of Wiltshire is used by the Army for training, and all of it takes place on Salisbury Plain. As well as tanks and weapons of all sizes, there is plenty of marching!Movement 2: Spire - Since 1549 Salisbury Cathedral has had the tallest spire in the UK, at 123 metres. Majestic and awesome it soars over the elegant and peaceful Cathedral Close.Movement 3: Sarsen Stones - Stonehenge's vertical Sarsens weigh 20 tonnes and stand 7 metres tall, they are heavy!Movement 4: Moonrakers - From the 15th to the 18th century, there was much smuggling of illegal gin in Wiltshire. The story goes that a group that was trying to rake out barrels hidden in a village pond, and surprised by the Excisemen, feigned stupidity. They told the Excisemen they were trying to rake in the moon, reflected on the ponds surface. They were believed and left in peace! Wiltshire folk can still call themselves Moonrakers.Duration: 11:15
Estimated dispatch 7-14 working days
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£68.00She Had Me at Heads Carolina (Concert Band - Score and Parts) - Kamuf, Michael
From the top of the country charts, Cole Swindell's hit single She Had Me at Heads Carolina pays tribute to singer and songwriter Jo Dee Messina and her debut single from 1996, Heads Carolina, Tails California. With melodies that get passed throughout the ensemble, arranger Michael Kamuf has crafted the perfect vehicle that will engage both your students and audience. This one is fun!Duration: 2.00
Estimated dispatch 7-14 working days
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£159.99Spirit of Time (Concert Band - Score and Parts) - Schwarz, Otto M.
Zeitgeist; transformations; a departure for new shores... these are buzzwords we often encounter nowadays. Above all in this digital age, it is essential that we face changes positively and that we make the very best of them. Music is emotion! Otto M. Schwarz begins many of his lectures with this phrase, and this is exactly what we feel in this new concert work. Rapid, and full of energy, is the leap into a new chapter, wonderful opportunities are waiting to be discovered in uncharted lands. But change is not only loud and momentous. The creative power of the future lies dormant in the inventive spirit of the individual, quietly, thoughtfully, silently and alone! The final sequence of this work is all about good vibes: it lights the way to a positive future and stands for the dawn of a new era!Duration: 9.45
Estimated dispatch 7-14 working days
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£139.99Cyrano (Concert Band - Score and Parts) - Schwarz, Otto M.
What are the true qualities of a person? Outward beauty or inner values? Or perhaps a balance of the two? This question has probably been posed by everyone at some time or another, and the answer is as challenging as it is subjective. This is also the theme of this work. The poet and soldier Cyrano de Bergerac is known for his big nose and his great intellect. The 17th century novelist harbours feelings for the beautiful Roxane but is sure that this love will never be reciprocated. Roxane herself falls in love with the cadet Christian de Neuvillette, who is certainly handsome but could be described as stupid. Cyrano de Bergerac writes love poems on behalf of Christian to win Roxane's heart. And then there is the Count Guiche, who is married but also wants to make her his mistress. Christian and Roxane eventually marry and the furious Count Guiche sends Christian and Cyrano, who serve together in the Captains of Gascony regiment, to the front and, some months later, on a suicide mission. Shortly before the battle, Roxane confesses to her husband that she no longer loves him so much for his beauty as for his inner values. Christian is dismayed and begs Cyrano to tell Roxane the truth, but he can't bring himself to do so. Christian de Neuvillette dies in battle and Cyrano de Bergerac remains silent about the true provenance of the letters. Only much later does the truth come to light: scarred by the war, Cyrano visits Roxane in the convent where she has been living since Christian's death and confesses his love for her. He ultimately dies in Roxane's arms.Duration: 8.30
Estimated dispatch 7-14 working days
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£63.50Sverige pa Vakt (Sweden on Guard) (Concert Band - Score and Parts) - Widqvist, Viktor - Blixt, Niclas
Sweden On Guard is part of Widkvist's earliest march production. It was composed around 1914 when he served in the engineering troops.It is worth noting that the march from the beginning was probably intended for a small sized brass band and was later rearranged for a full military band by the composer. When I searched in the Swedish War Archives many years ago, looking for more or less forgotten marches, this work, among others, appeared. I immediately became attached to the young Widkvist's catchy melodies and clear harmonic tonal language that express faith in the future and optimism.Sweden On Guard has never been published in print before, and the work of modernizing the setting without resorting to the elegance and resilience of the original has been a challenge.- Niclas BlixtDuration: 2.30
Estimated dispatch 7-14 working days
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