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£75.00I Will Sing with the Spirit (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
This well-known piece by John Rutter is set in a subtle Latin mode, to which the arranger has enhanced by adding castanets, maracas, claves, and congas. The arrangement is written for combined band and chorus, but may be performed by band alone, featuring a variety of instruments carrying the melody and its harmonies. It is written one-half step (one semi-tone) lower than the original presentation to better accommodate band instruments.
Estimated dispatch 7-14 working days
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£60.99The Banks of Green Willow (Concert Band - Score and Parts) - Butterworth, George - Longfield, Robert
Written by British composer George Butterworth in 1913, this classic work is based on two folk songs - The Banks of Green Willow and Green Bushes (the latter also appearing in works by Grainger and Vaughan Williams). Butterworth died in World War I at the age of 31, and this composition remains his most popular, regarded as an anthem for Unknown Soldiers. Here is a masterful setting for winds adapted by Robert Longfield.Duration: 3:50
Estimated dispatch 7-14 working days
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£85.00The Armed Man (L'Homme Arme) (Movement I from The Armed Man: A Mass for Peace) (Concert Band - Score and Parts) - Jenkins, Karl - Longfield, Robert
Welsh composer Karl Jenkins dedicated his landmark mass The Armed Man to the victims of the 1998-1999 war in Kosovo. More recently it is been associated with remembrances of 9/11. The French Renaissance song L'homme arme serves as the basis for the first movement of the mass, beautifully adapted here for standard concert band instrumentation. With its relentless pulse and haunting strains, this is a dramatically emotional and riveting work!Duration: 6:00
Estimated dispatch 7-14 working days
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£72.99The Lion King, Highlights from (Flexible Ensemble - Score and Parts) - Brown, Michael
Originally released as an animated film in 1994, then adapted as a stunning musical for Broadway in 1997, The Lion King remains one of the most powerful and beloved productions to come out of the Disney studios. Scored for flexible instrumentation this medley includes: This Land, I Just Can't Wait to Be King, Hakuna Matata, Can You Feel the Love Tonight? and Circle of Life.
Estimated dispatch 7-14 working days
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£195.00A John Rutter Christmas V - The Story (Concert Band - Score and Parts) - Rutter, John - Noble, Paul
After arranging a number of John Rutter's magnificent compositions for Concert/Wind Band, he invited me to create a medley of his most popular Christmas carols for band. I am pleased to present A John Rutter Christmas to the world of band music, with the hope that conductors, players, and audiences alike will enjoy this outstanding music. Somehow, John Rutter's carols shout Christmas without a word being spoken! - Paul Noble
Estimated dispatch 7-14 working days
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£125.00English Dance Suite - I. Chacony on a Golden Theme (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated dispatch 7-14 working days
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£64.95Pioneers of the Medway (Concert Band - Score and Parts) - Phillips, Richard
The Salvation Army Band in my home town of Chatham, part of a conurbation of 5 towns in the South East of England known as the Medway Towns, celebrated their 135th anniversary in 2016 and this piece was composed as part of those celebrations. I suppose to some degree all composers and lyricists are pioneers, always striving to write something different and new. Well, there has been a number of 'creatives' who at one time or another have been members of the Chatham Corps and this piece includes songs from some of those. The opening motif is based on the 1st 3rd and 5th notes of the scale and after a short 'fanfare-like' introduction the tune of Blacklands (Ray Steadman-Allen) is heard in 4/4 time. This is followed by a song from Ray Jones, a former Bandmaster of the Corps entitled 'On resurrection day', a song for children's voices published in 1971 and for mixed voices in 2009. Rosemary Steadman-Allen's 'To know and do thy will' is at the heart of the link into 'Everywhere', a new setting of John Gowans' words by Andrew Maycock (both former members) which is proving to be very popular at the moment. Finally, an arrangement of this composer's setting of 'Praise the Lord' is used to bring this piece to its conclusion. It was first performed on October 1st 2016 by the Chatham band under the leadership of Bandmaster Ray Maycock.
Estimated dispatch 7-14 working days
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£12.95
Pioneers of the Medway (Concert Band - Score Only) - Phillips, Richard
The Salvation Army Band in my home town of Chatham, part of a conurbation of 5 towns in the South East of England known as the Medway Towns, celebrated their 135th anniversary in 2016 and this piece was composed as part of those celebrations. I suppose to some degree all composers and lyricists are pioneers, always striving to write something different and new. Well, there has been a number of 'creatives' who at one time or another have been members of the Chatham Corps and this piece includes songs from some of those. The opening motif is based on the 1st 3rd and 5th notes of the scale and after a short 'fanfare-like' introduction the tune of Blacklands (Ray Steadman-Allen) is heard in 4/4 time. This is followed by a song from Ray Jones, a former Bandmaster of the Corps entitled 'On resurrection day', a song for children's voices published in 1971 and for mixed voices in 2009. Rosemary Steadman-Allen's 'To know and do thy will' is at the heart of the link into 'Everywhere', a new setting of John Gowans' words by Andrew Maycock (both former members) which is proving to be very popular at the moment. Finally, an arrangement of this composer's setting of 'Praise the Lord' is used to bring this piece to its conclusion. It was first performed on October 1st 2016 by the Chatham band under the leadership of Bandmaster Ray Maycock.
Estimated dispatch 7-14 working days
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£64.95The Poppy Red (Concert Band Accompaniment - Score and Parts) - Park, Owain
Commissioned by the Military Wives Choirs to commemorate the centenary of 1918, the end of the First World War. The Vocal score is available separately - NOV167387-01To mark the centenary of the end of World War I, the Military Wives Choirs - 69 choirs from across Britain and abroad - commissioned Owain to write a piece for their album, 'Remember'. The text for Owain's work, 'The Poppy Red', is inspired by the 1918 poem 'We Shall Keep The Faith' by Moina Michael, itself inspired by John McCrae's 'In Flanders Fields'. The recording brought together 1105 voices with The Band of the Household Cavalry, conducted by Hilary Davan Wetton.
Estimated dispatch 7-14 working days
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£57.50Eye of the Hawk (Concert Band - Score and Parts) - Botti, Susan
Eye of the Hawk was inspired by the beautiful and majestic Hudson Valley. I wanted to base the piece on something that would resonate with the band who would be premiering it... my local, exceptional, middle school band. The hawk became our spirit animal, and represented to me many of the qualities that are inherent in a young person of that age: bold, instinctive, elegant, a fierce creature who owns the sky. The music conveys power, freedom, and confidence. Just like the students.- Susan Botti
Estimated dispatch 7-14 working days
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