Results
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£104.95A Downland Suite (Concert Band - Score and Parts) - Ireland, John - Steadman-Allen, Ray
A Downland Suite is structured classically, revealing itself in the loose sonata form of the Prelude, the song-like Elegy, the Minuet, and a last movement which utilizes the Rondo. Tight thematic unity between movements gives the work its cohesion. The Elegy melody provides the kernel and the rising fourth interval is seminal. Ireland gives us our clue by repeating the Elegy theme in the last movement. In fact, the opening Rondo theme is virtually the Elegy (but played four times as fast) and the Minuet is the Elegy theme in inversion.
Estimated dispatch 7-14 working days
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£20.95
A Downland Suite (Concert Band - Score Only) - Ireland, John - Steadman-Allen, Ray
A Downland Suite is structured classically, revealing itself in the loose sonata form of the Prelude, the song-like Elegy, the Minuet, and a last movement which utilizes the Rondo. Tight thematic unity between movements gives the work its cohesion. The Elegy melody provides the kernel and the rising fourth interval is seminal. Ireland gives us our clue by repeating the Elegy theme in the last movement. In fact, the opening Rondo theme is virtually the Elegy (but played four times as fast) and the Minuet is the Elegy theme in inversion.
Estimated dispatch 7-14 working days
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£115.00BOHEMIAN DANCES (Concert Band) - Woolfenden, Guy
Includes:1. Shepherds and Shepherdesses2. Florizel and Perdita3. Dance of the SatyrsOne of my favourite Shakespeare plays is The Winter's Tale, and I have written music for three completely different productions during my time as Head of Music to the Royal Shakespeare Company. One, starring Judi Dench as both the mother, Hermione and her daughter, Perdita, had a big band Tribal Love-Rock score; another had a more classical, but timeless feel to it, and the last was an excellent small-scale touring production, for which I was allowed only a handful of instruments. It is from this source that the basic themes for Bohemian Dances, and an earlier version Three Dances for Clarinet Choir, have emerged. Act IV of the play is set in the kingdom of Bohemia - hence the title of the work.Shakespeare calls for "A Dance of Shepherds and Shepherdesses", which gives Florizel, the son of Polixenes, (King of Bohemia) a chance to become better acquainted with the beautiful Perdita, the lost daughter of Leontes, (King of Sicilia). This movement is written in seemingly tricky and ever-changing metres, but is rhythmically quite logical and melodically catchy.The slower second movement 'Florizel and Perdita' is the lovers' pas de deux: a gentle, slow waltz-like tune, initially presented by the principal oboe, is contrasted with a lndler-like double time melody, at the end of which a solo clarinet makes a link to the last movement.'Dance of the Satyrs' is a rip-roaring, foot-stamping dance performed in the play by 'three carters, three shepherds, three neat-herds, and three swine-herds', who enter in outrageous costumes representing the lecherous half-man, half-goat of Greek mythology. This dance is referred to as a "gallimaufry of gambols" - now where have I heard that word before?! - GW
Estimated dispatch 7-14 working days
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£159.99Nostradamus (Concert Band - Score and Parts)
Nostradamus is probably the best-known prophet of the last 1000 years. He lived at the time of the Inquisition and his predictions and medical therapies as a physician caused him to face the wrath of the church forcing him to flee many times. Following the loss of his family to the plague he devoted himself to clairvoyancy. He predicted many events in history in coded form and although there are many ways to interpret these, many are believed to be accurate and Nostradamus is still considered to be a unique personality. Whether he is denounced as a charlatan or promoted as a myth he has surely moved humankind with his prophecies.Otto M. Schwarz, soundtrack composer since 2001, wrote a cinematographic work about this man, who is probably the best-known prohet of the last 1000 years. 12:30
Estimated dispatch 7-14 working days
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£124.95
Sinfonietta - Score and Parts - Rob Wiffin
Program NotesSinfonietta is a challenging, extended work for symphonic wind band. It is in three movements: Dance with the Devil, A Glimpse of Paradise and Reyes Magos. The first two movements are a transition from dark to light; Dance with the Devil is aggressive and occasionally macabre whereas A Glimpse of Paradise is serene. The first and final parts of the second movement were originally written for a sequence in the Royal Military Tattoo 2000, played under the John Magee poem High Flight – ‘Oh I have slipped the surly bonds of Earth...Put out my hand, and touched the face of God’ - with videos of eagle owls in flight dramatically projected onto the buildings of Horse Guards in Whitehall, London.The last movement, Reyes Magos, is the joyous fiesta of the Three Kings. I wrote Sinfonietta while living in Spain and there January 6th, rather than Christmas Day, is the main day of present-giving, marking the Epiphany, the arrival of the Kings from the Orient at the Nativity.Sinfonietta is technically and expressively demanding but is written within the realms of tonal language.
Estimated dispatch 7-14 working days
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£24.95
Sinfonietta - Score only - Rob Wiffin
Program NotesSinfonietta is a challenging, extended work for symphonic wind band. It is in three movements: Dance with the Devil, A Glimpse of Paradise and Reyes Magos. The first two movements are a transition from dark to light; Dance with the Devil is aggressive and occasionally macabre whereas A Glimpse of Paradise is serene. The first and final parts of the second movement were originally written for a sequence in the Royal Military Tattoo 2000, played under the John Magee poem High Flight – ‘Oh I have slipped the surly bonds of Earth...Put out my hand, and touched the face of God’ - with videos of eagle owls in flight dramatically projected onto the buildings of Horse Guards in Whitehall, London.The last movement, Reyes Magos, is the joyous fiesta of the Three Kings. I wrote Sinfonietta while living in Spain and there January 6th, rather than Christmas Day, is the main day of present-giving, marking the Epiphany, the arrival of the Kings from the Orient at the Nativity.Sinfonietta is technically and expressively demanding but is written within the realms of tonal language.
Estimated dispatch 7-14 working days
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£75.00
Der Aufstand - Gavin Higgins
Der Aufstand (German for 'riot') is not a descriptive work, nor is it solely based on the riots of 2011. It does, however, draw on the idea of opposing forces and escalating anger. The work falls into two contrasting sections that are linked by a series of repeated, 'screaming' chords. A slow build drives the first section from a single pitch to a blazing orchestral tutti. The second section is a fast and wild series of fanfares and driving rhythms that ultimately cannot be sustained. In many ways this mirrors the first. Both sections open on single tones (Bb and E) and grow to a climax of brass and hammered chords. The first performance took place on the last day of the 2012 Olympic Games. Der Aufstand is a noisy antithesis to the celebratory fanfare.Wind Band Grade: 6 (Professional and elite student and 'national' bands)Duration: 10 minutes
In stock: Estimated delivery 1-3 days
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£129.00
Diversity (CB) - Yves Wuyts
Diversity is written for the royal fanfare band 'De Werkmanszonen' from Zichen-Bolder (Riemst) where Yves has been a conductor since 2005 and is dedicated to their chairman Sylvain Tans. The title 'Diversity' refers to the diversity of styles in the work but also to the diversity of a chairman. The work consists of three continuous movements. Part one starts with a fanfare motif that is later developed in a pop/rock and funky style. The second theme has a medieval character with a twist of the first theme. In the second movement we hear several lyrical solos. After the cadenza, the medieval theme returns but now in a more mysterious character. After this we come to the climax of this movement, which fades out into the third movement. The last movement has a resolute character where several previous motives and the opening theme are repeated to end with a dazzling finale!
Estimated dispatch 7-14 working days
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£97.00Four Scottish Dances - Malcolm Arnold
These dances were composed early in 1957, and are dedicated to the BBC Light Music Festival. They are all based on original melodies but one, the melody of which is composed by Robert Burns. This Classic Band Edition is the definitive wind ensemble orchestration of worldwide renown, as referenced in the composer's own Program Notes:"The first dance is in the style of a slow strathspey -- a slow Scottish dance in 4/4 meter -- with many dotted notes, frequently in the inverted arrangement of the 'Scottish snap.' The name was derived from the strath valley of Spey. The second, a lively reel, begins in the key of E-flat and rises a semitone each time it is played until the bassoon plays it, at a greatly reduced speed, in the key of G. The final statement of the dance is at the original speed in the home key of E-flat.The third dance is in the style of a Hebridean song and attempts to give an impression of the sea and mountain scenery on a calm summer's day in the Hebrides. The last dance is a lively fling, which makes a great deal of use of the open string pitches of the violin (saxophones in the band edition)."
Estimated dispatch 12-14 working days
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£123.203 Letzte Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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