Results
-
£65.00Nurture (Windependence Concert Band - Score and Parts) - Fairlie, Edward
There are some people for whom the act of nurturing is innate. The work they do is often unheralded, acknowledgement of their effort the last thing on their mind. But nurturers carry pain, too. Their own burdens, anxieties and hardships often take a back seat to that nurturing impulse. This piece is a meditation on that idea; that some people, not without their own deep personal obstacles, can't help but live out the powerful instinct to hold those around them in a warm embrace of care. ~ Edward Fairlie Duration: 4:50
Estimated dispatch 7-14 working days
-
£1.95Symphony No.4: Symphony of Songs (SATB Choral Octavo) - De Meij, Johan
Johan de Meij's 4th Symphony for solo voice, children's choir and wind orchestra is inspired by a variety of 19th century German poems.The first three movements use lyrics from the same source as Gustav Mahler did earlier: Kindertotenlieder by Friedrich Ruckert.:Ein Jahr ist nun geschwundenWenn zur Thur hereinWiedersehnThe second half of the symphony continues on the death theme, using a poem by Heinrich Heine (Two Brothers). The last two songs, Early Spring and Song of the Harlequin by Hugo von Hofmannsthal are a metaphor for rebirth, new life and hopeZwei Bruder (Heinrich Heine)Vorfruhling (Hugo von Hofmannsthal)Liedchen des Harlekin (Hugo von Hofmannsthal)Duration: 30:00
Estimated dispatch 7-14 working days
-
£87.50Undecim (Concert Band - Score and Parts) - Standridge, Randall D.
Undecim is Latin for eleven, referring both to the eleventh hour (the last opportunity to get something done) and the high-energy opening metric feel of the piece (7/8 + 2/4 = 11 eighth notes). This high-energy opener is the perfect way to begin your next concert!Duration: 3.15
Estimated dispatch 7-14 working days
-
£32.95Trombone Concerto (Trombone Solo with Concert Band - Score only) - Wiffin, Rob
The composer writes:My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout. The concerto was composed in Spain the summer of 2010. Once I started writing I realised this concerto was, inevitably, going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write ineluctably cantabile as we trombone players rarely get a chance to play the melody! There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson (my teacher at college) died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument, I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.Recorded on Polyphonic CD QPRM161D Roman TrilogyDuration: 19:30
Estimated dispatch 7-14 working days
-
£164.95
Trombone Concerto (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob
The composer writes:My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout. The concerto was composed in Spain the summer of 2010. Once I started writing I realised this concerto was, inevitably, going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write ineluctably cantabile as we trombone players rarely get a chance to play the melody! There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson (my teacher at college) died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument, I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.Recorded on Polyphonic CD QPRM161D Roman TrilogyDuration: 19:30
Estimated dispatch 7-14 working days
-
£58.50Fireball! (Concert Band - Score and Parts) - Beck, Brian
From the very first measure to the last note, Fireball is an intense experience for developing bands. This piece will challenge players musically, rhythmically, and stylistically. With accidentals, shifting chords, and lots of effects, Fireball will certainly keep musicians and audience members on the edge of their seat.Duration: 2:00
Estimated dispatch 7-14 working days
-
£110.99With Clouds Descending (Concert Band - Score and Parts) - Sparke, Philip
A Fantasy on the Hymn Tune HelmsleyWith Clouds Descending is a fantasy on the powerful Advent hymn Helmsley which is long associated with another Advent hymn - Wesley's Lo! He Comes with Clouds Descending. The hymn tune is divided into an introduction and three complete verses of Helmsley, which surround a slower central section, whose melody is derived from the last line of the hymn tune. Philip Sparke's grade 4 arrangement of this majestic piece for Concert Band is equally suitable as a concert opener or a main concert piece.Duration: 6:00
Estimated dispatch 7-14 working days
-
£110.00I Was Glad When They Said Unto Me (Choir with Concert Band - Score and Parts) - Parry, Hubert C. - Noble, Paul
I Was Glad is an introit commonly used in the Anglican Church, and also used as an anthem traditionally sung at the coronation of the British monarch. Its most famous setting was written in 1902 by Sir Hubert Parry. Parry's version was composed for the coronation of King Edward VII in 1902, and revised in 1911 for that of King George V, when the familiar introduction was added. This setting employs antiphonal choir effects and brass fanfares. Apart from the imperial splendour of the music, the chief innovation is the incorporation in the central section of the acclamations Vivat Rex... or Vivat Regina... (Long live King/Queen...) with which the King's or Queen's Scholars of Westminster School have traditionally greeted the entrance of the monarch since the coronation of King James II in 1685. This section is generally omitted when the anthem is performed on other occasions. At the last coronation, that of Elizabeth II in 1953, the acclamation took the form of Vivat Regina Elizabetha. Parry's setting of I Was Glad was performed on 29 April 2011 at the Westminster Abbey wedding of Prince William, Duke of Cambridge and Catherine, Duchess of Cambridge (formerly Kate Middleton) as the processional music for the bride and her father and the bridal attendants. It had previously been performed at the wedding of the Duke's parents, Charles, Prince of Wales and Diana, Princess of Wales in 1981.
Estimated dispatch 7-14 working days
-
£44.95Splendour of Youth (Concert Band - Score and Parts) - Condon, Leslie - Horner, Kevin
The Splendour of Youth was one of the last pieces composed by Leslie Condon and is typical of his style: a strong melody line, well-wrought contrapuntal lines, rhythmic features and a colourful harmonic palette. He was much interested in the development of music in children and young adults and this piece reflects the vitality that such a group brings to their performance. Each movement has a central melodic theme that that has been developed to form each part of this suite.
Estimated dispatch 7-14 working days
-
£8.95
Splendour of Youth (Concert Band - Score Only) - Condon, Leslie - Horner, Kevin
The Splendour of Youth was one of the last pieces composed by Leslie Condon and is typical of his style: a strong melody line, well-wrought contrapuntal lines, rhythmic features and a colourful harmonic palette. He was much interested in the development of music in children and young adults and this piece reflects the vitality that such a group brings to their performance. Each movement has a central melodic theme that that has been developed to form each part of this suite.
Estimated dispatch 7-14 working days
View Music