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£104.99Jubilant Prelude Wind Band Set (Score & Parts)
Jubilant Prelude' is an orchestration of the 'Preludium over Psalm 150' originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the 'Grote or Sint Micha?lskerk' in Zwolle (the Netherlands). He has written several 'contemporary' compositions for organ.'Jubilant Prelude' has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax, which is both dynamic and harmonic, the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself is heard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register, with motifs in ornamentation for saxophones, bugles and trumpets. The finale, like the prelude is capricious and vehement.The instrumentation for concert band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section. 04:30
Estimated dispatch 7-14 working days
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£132.95MEDITATIONS (Prestige Concert Band - Score and Parts) - Ellerby, Martin
'Meditations on the Seven Last Words of Our Saviour from the Cross' takes its form from a work by Haydn. It consists of seven slow movements prefaced by a slow introduction and concluded by a presto movement representing the earthquake that occurred after Christ's death. Performance time 12'50" Grade 5 (Recorded on QPRM143D DREAMSCAPES, Royal Northern College of Music Wind Orchestra)
Estimated dispatch 7-14 working days
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£37.95
MEDITATIONS (Prestige Concert Band - Score only) - Ellerby, Martin
'Meditations on the Seven Last Words of Our Saviour from the Cross' takes its form from a work by Haydn. It consists of seven slow movements prefaced by a slow introduction and concluded by a presto movement representing the earthquake that occurred after Christ's death. Performance time 12'50" Grade 5 (Recorded on QPRM143D DREAMSCAPES, Royal Northern College of Music Wind Orchestra)
Estimated dispatch 7-14 working days
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£109.99Metalla Wind Band Set (Score & Parts)
Metalla was commissioned by the 'Kreisverband Altenkirchen' of Germany and dedicated to Ottomar Jung. The composer himself conducted the premiere of the piece, which was performed by the 'Jugendorchester Kreisverband Altenkirchen' on 25 March 1999.The region of Altenkirchen is known for its iron mines, which find musical expression in the dark mood of the introduction (andante misterioso). This effect is accomplished with overlapping seventh intervals, orchestral crescendos, a succession of broad chords and the presentation of most themes in the middle register of the band.The dynamic section (allegro energico) that follows the introduction is characterized by concise figures in the brass and a second motif, a kind of rippling motion depicting the Sieg River, an important element in the landscape of the Altenkirchen region.The work closes with a final theme that returns a number of times, albeit in different guises. After a brief repeat of the seventh intervals from the beginning, a last radiant chord signals the end of the piece. 0:05:15
Estimated dispatch 7-14 working days
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£264.99
Panoptikum (Concert Band - Score and Parts)
Armin Schaer commissioned this work in his search for a new piece for the tuba. More specifically, he wanted a work that showed off the versatility of this splendid instrument, written in a musical style that is both fresh and modern, while not banishing the orchestra to a simple supporting role. Taking all these specifications into account, Thomas Doss created a work that allows stylistic leaps and is fun, exciting, romantic, and virtuosic, but does not lose sight of the thread that connects the opening measures to the very last.Armin Schaer describes his Panoptikum as follows:Panoptikum is a show of appreciation for my beautiful home and community at Lake Constance, an eventful life, the people that have enriched this life, and a fascinating instrument: the tuba. This work musically embodies the many different moods found around theBodensee - cheerfulness and melancholy, departures and longing, calm and agitation. The roles of the soloist and the orchestra were consciously crafted in a way that does not follow the usual conventions of the genre. The work should spark emotions, address broad segments of listeners, and persuade them of the tuba's ability to be a solo instrument as well as the richness symphonic wind ensembles have to offer. I hope this work enriches the lives of all the soloists and orchestras that cross its path, as well as everyone in the audience who gets to partake! 15:30
Estimated dispatch 7-14 working days
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£38.61
Prelude, Op. 3, No. 2 - Rachmaninoff, Sergei
At last, a full-length transcription of the famous Rachmaninoff prelude that captures all of its dark, gloomy drama and at the same time makes for a dazzling showpiece for the modern concert band.
Estimated dispatch 7-14 working days
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£64.95
PURCELL VARIANTS (Advanced Concert Band) - Meechan, Peter
Purcell Variants is based on Purcell's Queen Mary's Funeral Music, which consists of four canzonas, two elegies and an anthem. The first movement begins by sounding some of Purcell's original music in the trombones and horns, underpinned by a timpani roll with the woodwind articulating the beginnings and endings of the phrases. This leads into a cadenza for trumpet and alto saxophone before the movement heads in different directions, leading us to its mysterious end, where the original music is sounded this time in the 'stabs' of the clarinets and alto saxophone. Originally composed for the funeral of Queen Mary in 1695, Purcell's original funeral music was used later that same year for Purcell's own funeral - he died aged only 34. The second movement is an elegy, inspired by this story. After an introduction (a disjointed last post), the main melody of the movement is introduced by the solo euphonium, with other solo roles for flute, oboe and alto saxophone. This is then taken over by the trumpets who lead us into the middle section of the movement. This is a quasi funeral march, inspired by the image of Purcell's coffin being taken to its final resting point. The main melody returns in the flute, oboe and alto saxophone, this time more elaborated. The movement ends with a snare drum fading away - perhaps a metaphor. The Finale is a fast and furious movement combining thematic material from the two previous movements with new rhythmical ideas. This takes us through to the final passage - the triumphant return of Purcell's original theme. Duration: 13.00
Estimated dispatch 7-14 working days
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£69.95SALUTE TO GEORGE M. COHAN (Programme Concert Band) - Keeley, Ed
This medley presents four of the biggest Cohan hits: I'm a Yankee Doodle Dandy; Mary's a Grand Old Name; Give My Regards to Broadway; Over There. This last title has had great prominence in the UK recently with a pseudo operatic performance being used for a successful TV insurance advertisement 'Go Compare'. This took the song back to its roots as the first recording of it was by the great Italian tenor, Caruso.
Estimated dispatch 7-14 working days
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£37.95SYMPHONY No.2 (Novello Symphonic) Score only - Bedford, David
Symphony No.2 contains four movements and a coda, all played without a break, following the traditional symphonic pattern. The Introduction presents the main thematic material of the piece which is characterized by rising and falling 5ths a semitone apart. The Quaver Machine has a repeated, relentless constant quaver pulse from the vibraphone. The harmony circles around only 3 chords and the section builds with more and more instruments being played in harmony and in canon. A shift in tonality gradually leads to Adagio, an almost opulently romantic presentation of the main theme with a rippling accompaniment. After a massive climax, the music leads to Finale with the main theme presented as an Ostinato gradually introducing the full band to another large climax. Gradually, everything quietens down for the Coda, a varied repetition of the Introduction but ending with a last reminiscence of the Adagio. Duration: 14 mins.
Estimated dispatch 7-14 working days
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£420.99
Tre Sentimenti Wind Band Set (Score & Parts)
At last the bass clarinet can shine in this major new solo work for bass clarinet and concert band. This composition begins with a rather mysterious opening passage with atmospheric sounds and effects. The soloist plays - preferably backstage - a number of fragments and melodic patterns, without actually "starting" the piece. After this somewhat hesitant introduction, a lively, cheerful allegro entitled Con Giocondita (with joy) bursts out. It is swarming with irregular meters, changing tempos, and polyrhythm, through which the listeners (and sometimes also the musicians) constantly get the feeling that they are being tossed around. The second movement brings rest and peace making careful use of sound colours. The upbeat finale, titled Con Allegria (with cheerfulness), is the most significant movement for the soloist. This is a challenging piece of music that demands great virtuosity, but with the correct performer it will be a real highpoint in any concert..
Estimated dispatch 7-14 working days
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