Results
-
£250.00The England of Elizabeth,Three Portraits from (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul
This suite was derived from Vaughan Williams' score for the film, The England of Elizabeth, written in 1955. It was the composer's tenth of his 11 cinematic efforts and designed to serve a more descriptive role than other such scores, since the movie was a documentary featuring no action scenes, but lots of images of paintings, buildings, and the like. Composer Muir Matheson adapted this three-movement suite, probably shortly after the composer's death in 1958, though publication of the manuscript would not come until 1964. The first movement is entitled Explorer, and refers to Sir Francis Drake. Its music is mostly festive and colourful, but features interior passages of exotic flavor, similar in style to that of Vaughan Williams' then-recent Symphony No.8. The second movement is entitled Poet and, at about seven minutes, is the longest of the three in this 16 to 17 minute work. It also contains probably the score's best music, hardly a surprising result since the poet in question is Shakespeare, one of the composer's favourites and an inspirational springboard for so many other of his works. The mood is mostly subdued and Vaughan Williams presents lovely, if slightly somber music in the opening, and follows it with a hearty, folk-like dance tune. The latter part of this movement depicts Shakespeare as a noble, heroic figure in English history. The last movement, Queen, is devoted to Queen Elizabeth. It has a regal yet muscular manner at the outset, and features a gentle but somewhat disengaged middle section. It returns to the splendor and colour of the opening to close the work. This suite is important because it distills some of the best music from the film into a logically assembled structure. Program notes extracted from those of Robert Cummings.
Estimated dispatch 7-14 working days
-
£137.99And Still, the Spirit (Spirit of the Sequoia) (Concert Band - Score and Parts) - Sparke, Philip
This work was commissioned by Dr. Robert Oertli from Mhlin, Switzerland, and is based on an earlier composition called Spirit of the Sequoia. The piece is inspired by how the human spirit can gain from setbacks: we become stronger after adversity. Sparke used the Californian redwood tree as a metaphor for this basic idea. The remarkable life cycle of these amazing trees involves them dropping seeds to the ground, which require heat to open their shells and germinate; the seeds require destruction in order to procreate.This piece is particularly suitable for younger bands - one of the last wishes of the initial commissioner.Duration: 8:15
Estimated dispatch 7-14 working days
-
£154.99About Reynard the Fox (Concert Band - Score and Parts) - Houben, Kevin
We find ourselves initially at the court of King Nobel, where all the animals have arrived for a court hearing. Reynard the Fox has plenty to answer for but he seems determined to avoid his punishment... Kevin Houben chose this fable as the theme for his programmatic work, in which the musical setting of the fox forms the main theme. But King Nobel, Braun the bear, Murner the cat and Grimbart the badger also take a musical turn. About Reynard the Fox promises excitement and adventure right to the last note!Duration: 9:30
Estimated dispatch 7-14 working days
-
£110.00March for A History of the English-Speaking Peoples (Concert Band - Score and Parts) - Walton, William - Noble, Paul
In 1959, William Walton was commissioned to compose music for the opening and closing credits of a television series based on Winston Churchill's History of the English-speaking Peoples. The resulting work, March for the History of the English-Speaking Peoples, was recorded by the London Symphony Orchestra in May of that year and later published by Oxford University Press. However, the television project never materialised, and consequently Walton's score, which might have become one of his more familiar among popular audiences through television exposure, was all but forgotten. With the moderate surge in popularity that Walton's music enjoyed in the last decade of the twentieth century, this and other little-known pieces have become available for consideration. Concert Bands will enjoy the majesty and drama of this piece, very appropriate for concerts, ceremonies, and graduations.
Estimated dispatch 7-14 working days
-
£73.50The Minstrel Boy (from The Irish Suite) (Concert Band - Score and Parts) - Anderson, Leroy
The second movement of The Irish Suite from the creative genius of the legendary Leroy Anderson has been re-engraved now with a full score. This more stately movement contrasts stylistically with the others. All movements are now available:I The Irish WasherwomanII The Minstrel BoyIII The Rakes of MallowIV The Wearing of the GreenV The Last Rose of SummerVI The Girl I Left Behind
Estimated dispatch 7-14 working days
-
£110.99Hail the Dragon! (Concert Band - Score and Parts) - Sparke, Philip
Its title, Hail the Dragon!, references a work Philip Sparke wrote in 1984, The Year of the Dragon. The piece opens with a lively and energetic fanfare. The mood becomes more subdued in the centre section as a new theme is introduced that builds to an emotional climax. This leads into a recap of the opening fanfare which acts as a type of descant to short quotations from the last movement of The Year of the Dragon before reaching a thunderous finale.Duration: 4.45
Estimated dispatch 7-14 working days
-
£244.99
Journey to the Centre of the Earth Wind Band Set (Score & Parts)
This composition was based on the world-famous novel by the French author Jules Verne. This novel describes the attempt to reach the centre of the earth. The descent of the crater of the volcano called Snaeffels, situated in Iceland, marks the beginning of this voyage to the sublunary world. The German geologist, professor Lidenbrock, is accompanied on this trip by his nephew Axel and an Icelandic guide named Hans. The last mentioned will be helpful in many occasions. Dark colors & mist The composer tried in this single work to give a musical expression to various significant moments from this novel. In the introduction he sketches an image of the dismal ambience on the island by using dark colors. Rising fragments of mist reveal the flanks of the monumental mountain Scataris. The composer tries to catch this image in a majestic and broad chorale. Away from Iceland Subsequently the ostinato rhythmicity and virtuosity represent the hectic descent of the crater of the volcano. The party descends ever more and more and travels south, away from Iceland. On the way, they see all kinds of rock formations, fossils and minerals. At a depth of thirty hours walking distance, at about 150 kilometers below the surface, they reach a sub terrestrial sea which is called the Lidenbrock sea. Genuine eruption of sounds Strange electric manifestations and unpredictable weather conditions accompany this singular phenomenon. An orchestral tutti-episode expresses this impression musically. On a make-shift raft, the party continues its voyage, heading to the south coast of this huge sea. Once ashore, an enormous rock obstructs the passage. The blowing up of this obstacle unleashes a genuine eruption of sounds in the orchestration. Spat out by the volcano But the explosion has an unforeseen side effect. The sea - travelers and raft included - is sucked upwards into a dark hole. Again, our heroes are accompanied on their involuntary voyage, while left to fend for themselves, by an ever increasing ostinato rhythmicity. Before an irruption can destroy the raft, the threesome manages to escape and climb up through a cave towards the daylight. They seem to be spat out by the Stromboli volcano on the island of Sicily, far from home. The composition ends with triumphant sounds that represent the scientific triumph of these adventurers. 22:00
Estimated dispatch 7-14 working days
-
£64.35The Seventh Day
Based on the hymn tune "My Shepherd Shall Supply My Need", this fantasia is a musical reflection of the biblical account of The Creation. A powerful programmatic piece that opens with the woodwind choir and as the piece develops the mood shifts to excitement and a feeling of exhilaration. The tension and musical drama is brought to a conclusion only in the last measure as the climax is suspended for a long electric moment with the decay of a single chime tone. Without a doubt this is David Shaffer's most aggressive work to date. Highly Recommended.
Estimated dispatch 7-14 working days
-
£144.99
Three Bites of the Apple Wind Band Set (Score & Parts)
One of the best known nicknames for a city that is perhaps New York: "The Big Apple". Already in the thirties of the last century, this name is often used in New York jazz scene. With "The Big Apple" Manhattan was intended. It was the place to be. Around 1920 Harlem was the center of a thriving black culture. This period is known as the "Harlem Renaissance". In the famous Cotton Club were many concerts of greats like Duke Ellington. Broadway attracts millions of tourists. Many of them visit here one of the many musicals sometimes for years on the boards are placed. Broadway splashes sparkles and swings. Peter Martin shows us three bites tests of this imaginary apple. Enjoy! 07:30
Estimated dispatch 7-14 working days
-
£115.60The Outlaws - Roar Minde Fagerli
The Outlaws is a musical piece in three parts who describes three criminal characters.The first part describes a thief in a cartoon who is chased by the police. The second part describes a gangster with a hat and pinstriped suite sitting with his gang planning their next robbery.The last part describes a bandit in the wild west riding across the prairie. He is riding towards a small town to rob the local bank.
Estimated dispatch 7-14 working days
View Music