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  • £105.80

    No War - Marco Somadossi

    The theme of this composition is immediately evident from the title, which almost requires no further explanation. It will never be possible to represent or reproduce the full implications of a tragedy such as war, all too often forgotten, concealed, exploited or written off as being an evil that is "necessary" for the development of civilisation. War changes the course of human history: man kills man, fathers bury their sons, children take up arms, and mankind is devastated by evil, choosing death over life. The atrocities, repeatedly perpetrated and evident to all observers, are an offence to human dignity. Yet they are tolerated and, at times, even re-interpreted as inevitable remedies for "obstacles" to the global economy, in order- it would seem- to build "a better world". And all this goes on despite the fact that the terrible scars left by past wars are still evident and should serve as a warning to ensure that such tragedies do not return to devastate our world. "No War" is thus a heart-felt protest against any form of culture that justifies war as a means of gaining wealth and power, satisfying the economic needs of the richest countries at the expense of the poorest nations. In so doing the one truly fundamental value is annihilated, that of human life.

    Estimated dispatch 7-14 working days
  • £106.95

    Highland Celebration - Alan Lee Silva

    Written with the lilt and flavor of the Scottish Highlands, this original Alan Lee Silva piece is a joyous new addition to the concert band repertoire. The pulsing 6/8 rhythms are contrasted by momentary feelings of 3/4, as the melody floats over punctuated harmonies. This piece contains contrast, with a slower middle section featuring a divine flute melody, accompanied by the sound of "bagpipe" drones in the other voices. This grand Scottishstyle melody develops to a climax before the wistful return of the main theme, and an up-tempo coda completes the piece.

    Estimated dispatch 7-14 working days
  • £89.95

    Seven Summits - Amy Webb

    The Seven Summits are the highest mountains of each of the seven continents. Using the concept of the summits, this piece explores the rush of adrenaline, the pounding of the heart, and the sheer joy of being one with nature. The middle slower section represents the pitfalls and difficulties of climbing the mountains, demonstrated by the several accidentals and mature chordal progressions. Finally, the end brings the climber's triumphant return to base camp! 1st trumpet's highest note is G.

    Estimated dispatch 7-14 working days
  • £144.99

    Jungle - Thomas Doss

    In this fascinating piece we experience an exciting adventure in the jungle. The entrance into the "green hell" turns out to be very dangerous with wild monkeys and the roaring of elephants accompanying our way through the dark forest. There seems to be something lurking behind every tree and all of a sudden, a horde of savage cannibals appears. A wild hunt sets off and we escape at the last second by jumping from a cliff into the savage water below. Exotic birds welcome us in a new landscape and from somewhere in the distance we can hear a bamboo flute playing. This is a journey of no return.... The effects (elephants, wild monkeys, exotic birds and rain) should be producedwith much creativity - individual ideas are always desirable and welcome.

    Estimated dispatch 7-14 working days

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  • £144.99

    Suite Marchigiana - Luciano Feliciani

    According to a famous statement by Herder, folk songs represent the archives of a nation's knowledge, the expression of its heart and theimage that reflects its history and identity. Suite Marchigiana is a three movement piece, inspired by folk songs from the Marche in central Italy, a region with a very ancient and rich folkloristic heritage. The first movement elaborates on the well-known Pasquella. The Pasquella comes from a traditional winter begging ritual where a group of musicians go from house to house singing verses, wishing their audience good health, wealth and abundance, in return for small amounts of money, food and wine. The second movementis an Andante Triste inspired by an old song called Sona la mezzanotte (The Clock Strikes Midnight), a melancholic song that reminds us of unhappy love stories, bereavement, and so on. Luciano Feliciani concludes the suite with the Saltarello Marchigiano, which is bright and sparkling, and therefore in complete contrast with the previous movement. Although unproven, the Saltarello is thought to have its origins in the 'saltatio' (a latin dance). While the choreae were group dances, circular in structure and with a rhythmic progression, the saltationes were more lively in character. The fast, frenetic and joyous saltarello was without any doubt the most famous musical expression of rural central Italy in the nineteenth century.

    Estimated dispatch 7-14 working days

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  • £77.99

    A Finnish Rhapsody - Clare Grundman

    The opening measured of Clare Grundman's A Finnish Rhapsody are base on Oi kallis Suomenmaa (O Blessed Fatherland), an old South Bothnian melody beloved of the whole Finnish nation. The words of this song epitomize each Finn'snoblest duty, the readiness to sacrifice all in defense of his country's liberty. Next is an episode based on Kesilta (Summer Evening), one of the loveliest of Finnish folk songs, being as delightfully tranquil as the Finnishcountryside. Following this is a section based on the lively folk tune, Talon Tytt (The Country Lass), a mirthful love song about a peasant maid and her swain. This leads into the majestic Finlandia Hymn, created by Jan Sibelius.The work closes with the return of Oh, Blessed Fatherland, with all its strength and grandeur. (5:30)

    Estimated dispatch 7-14 working days
  • £69.99

    Firebrook Prelude - James Curnow

    Captivated by the rolling hills, majestic horse farms and beautiful horses of the Central Kentucky Bluegrass region, James Curnow has named this exciting overture after one of the most scenic areas near his home. After a fanfare opening, the Percussion section provides high energy for the main theme. A contrasting middle section showcases the expressive abilities of your ensemble. With a return of the main theme, momentum builds steadily to the exciting conclusion.Exhilarating!

    Estimated dispatch 7-14 working days

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  • £139.99

    Inspiration - Jan de Haan

    Inspiration was commissioned by the Solothurnischer Kanotonal Musikverband in Switzerland in 1993. The composition begins with an A-theme written in a Phrygian tonality and, after an enormous climax, moves on into a quicker B-section, characterized by the use of wide interval jumps. Then follows the development in which both themes return individually and together. Peace and quiet is restored in the slow middle movement, based on the B-theme. The movement comes to a close with a tutti B-theme, brutally interrupted by fragments from the A-theme. Without a break, the final movement of this contrastive piece develops from these fragments. The theme of this extremelyrhythmical closing movement is built up of elements from the A-theme, whilst the B-theme (from the slow middle movement) returns in full once more. Before the piece comes to a close in a resounding fortissimo, the cornet soloist performs the A-theme from the back of the auditorium, to special effect.

    Estimated dispatch 7-14 working days

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  • £60.99

    Canticum - James Curnow

    MusicWorks - Grade 2 One of the classics of young band literature, this composition by James Curnow is found on many state lists throughout the country. Described as a song of jubilation, Canticum opens with a very distinctive and rhythmic main fast theme. The beautifully melodic slow 3/4 theme alternates between various choirs of the ensemble then leads to a dynamic return of the main theme and powerful coda. A must for every band program! (3:35)

    Estimated dispatch 7-14 working days
  • £106.99

    Desert Dances (Concert Band - Score and Parts) - Sparke, Philip

    Henderson is a city in Clark County, Nevada, just southeast of Las Vegas and surrounded by desert: this was the inspiration for the title. Desert Dances opens with a lively introduction, mostly in 3/4, which pervades the faster sections of the piece. This subsides to introduce a slower dance which expands to a full-band climax. The introduction soon returns and leads to the main theme of the piece, a waltz-like melody played by the full ensemble. A short bridge passage follows, which leads to a legato central theme. This is played twice and heralds the return of the main theme and a short coda which closes the work. An imaginative work for concert or contest with nice features throughout all groups of the band.Duration: 4.45

    Estimated dispatch 7-14 working days

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