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  • £70.50

    , Theme from - John Williams / arr. Sean O'Loughlin

    Join the Robinson family in their current Netflix adventures with this iconic John Williams nostalgic theme from the original 1965 TV Series. Now featured in the remake, solid scoring leads to an intergalactic performance of this delightful theme. "Danger, Will Robinson!" . . . this is a great choice for any pop concert. (2:15)

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  • £53.95

    Theme from

    All the energy is there but the difficult syncopations are carefully spelled out for your beginners in this arrangement of "Theme from " arranged by Paul Cook. Sure to bring a smile to the faces of those just familiar with Scooby and to those who remember him "back when." You won't be able to stop your students from practicing this familiar tune. A winner for sure! (1:45)

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  • £64.50

    Main Title Theme from - Ramin Djawadi / arr. Michael Kamuf

    Grammy-nominated composer Ramin Djawadi's wonderful score for the HBO series has helped create the perfect setting for the show's storyline. Lyrical themes and driving rhythms combine to create the show's distinctive theme. Developing and advanced bands will enjoy performing this dramatic and highly musical theme! (1:45)

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  • £86.50

    , Symphonic Suite from

    The combination of award-winning composer John Williams and the talents of Robert W. Smith make for exquisite results. A stunning medley of the four most revered themes from the epic film score. The arrangement begins with the familiar "Prologue: Book II." Next is the aggressive theme from "The Chamber of Secrets," followed by "Fawkes the Phoenix," and finally the theme used in both of the first two films, "Harry's Wondrous World." A vivid and dynamic portrayal of the movie, this one will be a real crowd pleaser. (6:05)

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  • £62.95

    Bounty Hunter (from ) - Tommy Tallarico, Michael Richard Plowman, Emmanuel Fratianni and Laurie Robinson / arr. Robert Sheldon

    This is a piece that your students will love! Finally---music from the enormously popular video game , as performed by Video Games Live! "The Bounty Hunter Theme" from the is very accessible by young bands while still maintaining all the drama and adventure of the original score. What a fantastic addition to your next concert!

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  • £80.95

    Episode II Themes from - John Williams / arr. Robert W. Smith

    A delicious medley of three of the dynamic tunes from one of John William's newest film scores are presented at the concert level. Titles include the traditional "Main Title," a most contemporary segment called "The Space Canister Caper," and the refreshing ballad "Across the Stars" (Love Theme from . You just can't go wrong with the music of John Williams scored by Robert W. Smith! (3:21)

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  • £48.95

    Largo from - Antonín Dvorák / arr. Mark Williams

    Here's the famous symphonic theme from Dvork's (known with added lyrics as "Goin' Home") artfully arranged for young bands. Colorful percussion writing and melodic opportunities for the low brass make this a first-class choice for expanding your students' knowledge of the classical repertoire. Highly recommended! This title is available in MakeMusic Cloud.

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  • £53.95

    Fawkes the Phoenix (from ) - John Williams / arr. Michael Story and Robert W. Smith

    The most memorable theme from John Williams' film score has now been scored for the youngest learners by a pair of veteran arrangers, Michael Story and Robert W. Smith. A part of the series, this arrangement is prepared for use at the end of the first semester of instruction. It's rich and lush. Satisfaction guaranteed! (1:53)

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  • £58.50

    Fame (from the Motion Picture )

    A driving tune that's familiar to all, here's the theme from just in time for the release of the big-screen version. All the energy is there . . . a driving choice to keep your students engaged!

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  • £55.50

    Theme from - John Kander / arr. Mike Story

    No city has quite the mystique of The Big Apple...and none has a better melody to celebrate that aura. Your beginning band will find great fun in this chart that almost plays itself. (2:59)

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