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£64.50Starcraft Ii Legacy Of The Void - M. Hayes
This stunning musical collage of tunes from the wildly popular video game, Starcraft II: Legacy of the Void, was composed by Jason Hayes and Mike Patti. Themes include "The Stars Our Home," "The Fall of Shakuras," "Honor Guides Me," and " My Life for Aiur." Vividly contrasting styles combine to embrace the cherished themes and are masterfully interwoven into this through-played medley. (4:30)
Estimated dispatch 7-14 working days
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£83.50Across the Great Divide - Rob Romeyn
A delightful programmatic work depicting the day in the life of a cowboy in the American northwest. From the glorious mountain sunrise, to the exciting rodeo, and finally to the beautiful sunset, the themes are very memorable and enjoyable. Includes solo opportunities for trumpet, flute and clarinet. Contrasting moods, styles, and engaging themes make this piece a winner. Don't miss this one!!"
Estimated dispatch 7-14 working days
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£85.50Return of the Crusaders - Larry Neeck
Full of cinematic grandeur and epic style, "Return of the Crusaders" provides an exciting and effective vehicle for your next concert. Gorgeous melodies, rousing themes, and effective changes of mood and character portray the crusaders and their quest. The ample percussion parts provide sparkle, and power the bold themes of the piece, which are balanced by the beautiful lyrical melodies that are also present. An especially effective piece for contest, take your audience on a trip to the ancient world with "Return of the Crusaders."
Estimated dispatch 7-14 working days
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£71.80
Kings Row Fanfare - Erich Wolfgang
Kings Row fanfarecontinued Erich Wolfgang Korngold's late career transition from period piece and adventure films to adult dramas whose darker tones and complex narratives, which lent themselves well to his operatic writing. Korngold was very much attracted to the psychology and complexity of this character driven drama. What resulted was one of the finest scores he ever composed, which was at once sumptuous, melodically rich, and full of heartache and nostalgia. What is remarkable is that he wrote twelve themes, one for each character, as well as numerous secondary motifs. The manner in which he weaves his themes together, varies their expression, and joins them with exquisite contrapuntal writings offers testimony to his compositional gift and mastery of his craft. In many ways Kings Row is, from a compositional standpoint, perhaps the most satisfying, and best score Korngold ever composed.
Estimated dispatch 7-14 working days
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£124.20The falcon of Egypt - Rossano Galante
The Falcon of Egypt is a bold, romantic and heroic work that takes the listener on a musical journey through the eyes of an Egyptian Falcon. The composition does not use traditional western harmony. I utilized the Phrygian mode to capture the essence of Egypt. The piece consists of three main themes. The opening melody introduces us to the Falcon, flying through Egypt. Robust brass lines accompanied by energeticwoodwind ostinati. The second section captures the beauty of this creature by creating lush chords, lyrical themes and countermelodies. The final statement is strong, flowing and lyrical, accompanied by brass rhythms and percussive elements. The piece concludes with a slower, grandiose version of the main thematic statement.
Estimated dispatch 7-14 working days
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£79.99
The Great Highland Pipes - Mike Hannickel
Two melodies in the Scottish style meet head-on in this energetic new arrangement. Your students will love the "bagpipe sound" and rhythmic color of the Scottish "snap". This arrangement can also be used with young bands as a lesson in the concept of counterpoint. Each of the two main themes is clearly stated on its own, but remarkable things happen when they are played together. Through skillful selection of themes and contrapuntal composition, Mike Hannickel does a masterful job of melding these contrasting songs into a unified and energetic adventure into the Highlands.Fun to play, and a great style study!
Estimated dispatch 7-14 working days
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£69.99
Classical Suite - James Curnow
Best-loved themes from Mozart and Haydn for Piano soloist with band! These two great Classical themes have been carefully arranged with detailed attention to the Classical idiom and performance practice. This piece acts as a perfect change-of-pace during the band concert, giving your show a refreshingly contrasting sound to reinvigorate the audience's ears. While being a nice reward for the young Piano soloist's hard work, having the band play in the Classical style in an accompanying manner allows for exploration of all kinds of control and sensitivity issues in rehearsal.A great experience for everyone!
Estimated dispatch 7-14 working days
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£84.99
Classics on Parade - Michael Friedmann
Classics on Parade is a wonderful and original compilation of nineteen famous classical themes. Pieces by Beethoven, Mozart, Haydn, and a number of other well-known composers are heard, some on their own and some interwoven with other themes. Classics on Parade will enrich the light classical repertoire available for concert band. Includes such well know works as: Eine Kleine Nachtmusik (W.A. Mozart), Trumpet Concerto (F.J. Haydn), La Traviata(G. Verdi), New World Symphony (A. Dvorak), Clarinet Concerto (W.A. Mozart), Orpheus in the Underworld (J. Offenbach) and many more.
Estimated dispatch 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
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£179.99
Pastorale Symphonique - Jacob de Haan
Jacob de Haan has composed a very interesting concert work with Pastorale Symphonique. Through music the composer reflects on one of today's most important concerns, the adverse effect on the environment caused by man. The work consists of two main themes; one symbolises unspoiled nature and the second the negative influences of man on nature. A constant interaction between both themes develops into a meaningful final "marche funbre".
Estimated dispatch 7-14 working days
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