Results
-
£137.99
Sword of Honour - Tom De Haes
With Sword of Honour, Tom De Haes brings to life the noble knightGawain of King Arthur?s court. The composition is built around twomain themes, which express the audacity and noble character ofGawain. The varied harmonies and orchestrations of both themesreflect the many layers of these courtly qualities. Both themes cometogether towards the end of the work to form a stately closing.
Estimated dispatch 7-14 working days
-
£64.50
Starcraft Ii Legacy Of The Void - M. Hayes
This stunning musical collage of tunes from the wildly popular video game, Starcraft II: Legacy of the Void, was composed by Jason Hayes and Mike Patti. Themes include "The Stars Our Home," "The Fall of Shakuras," "Honor Guides Me," and " My Life for Aiur." Vividly contrasting styles combine to embrace the cherished themes and are masterfully interwoven into this through-played medley. (4:30)
Estimated dispatch 7-14 working days
-
£83.50
Across the Great Divide - Rob Romeyn
A delightful programmatic work depicting the day in the life of a cowboy in the American northwest. From the glorious mountain sunrise, to the exciting rodeo, and finally to the beautiful sunset, the themes are very memorable and enjoyable. Includes solo opportunities for trumpet, flute and clarinet. Contrasting moods, styles, and engaging themes make this piece a winner. Don't miss this one!!"
Estimated dispatch 7-14 working days
-
£85.50
Return of the Crusaders - Larry Neeck
Full of cinematic grandeur and epic style, "Return of the Crusaders" provides an exciting and effective vehicle for your next concert. Gorgeous melodies, rousing themes, and effective changes of mood and character portray the crusaders and their quest. The ample percussion parts provide sparkle, and power the bold themes of the piece, which are balanced by the beautiful lyrical melodies that are also present. An especially effective piece for contest, take your audience on a trip to the ancient world with "Return of the Crusaders."
Estimated dispatch 7-14 working days
-
£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
-
£68.99
Classical Suite - James Curnow
Best-loved themes from Mozart and Haydn for Piano soloist with band! These two great Classical themes have been carefully arranged with detailed attention to the Classical idiom and performance practice. This piece acts as a perfect change-of-pace during the band concert, giving your show a refreshingly contrasting sound to reinvigorate the audience's ears. While being a nice reward for the young Piano soloist's hard work, having the band play in the Classical style in an accompanying manner allows for exploration of all kinds of control and sensitivity issues in rehearsal.A great experience for everyone!
Estimated dispatch 7-14 working days
-
£179.99
Pastorale Symphonique - Jacob de Haan
Jacob de Haan has composed a very interesting concert work with Pastorale Symphonique. Through music the composer reflects on one of today's most important concerns, the adverse effect on the environment caused by man. The work consists of two main themes; one symbolises unspoiled nature and the second the negative influences of man on nature. A constant interaction between both themes develops into a meaningful final "marche funbre".
Estimated dispatch 7-14 working days
-
£159.99
Tanczi - Jan Van der Roost
This suite was written in the style of traditional Russian folk music, but does not use existing melodies or themes as its basis. The colourful and varied work contains a number of surprising turns, but also familiar sounds. After the introduction, a kind of Trepak follows ? a fairly quick dance with attractive themes. The second movement (Garovot) is predominantly slow and conveys some melancholy, although, during a more dynamic passage the passion flares up again. Finally, the Troika takes us along in a reindeer sleigh through a grand snowy landscape. This is a wonderful tribute to the music of Eastern Europe in the style of some of the great Russian masters.
Estimated dispatch 7-14 working days
-
£179.99
Lebunus ex Daventria - Peter Kleine Schaars
Much like a film score, Peter Kleine Schaars' composition paints colourful images while telling the story of the Anglo-Saxon monk, Lebu nus. In around 768 AD, Lebu nus founded a mission in the Dutch province of Deventer in an effort to convert the Pagan Saxons. Contrasting themes describe the Ijssel Valley, the Saxons and Lebu nus, construction on the church and its subsequent destruction in a clash with the Saxons. The Ijssel-Valley-theme returns one more time in a minor key before each of the themes come together again for one rousing finale. Let battle commence!
Estimated dispatch 7-14 working days
-
£76.99
Star Trek Through the Years
From the TV screen to the Big Screen , Star Trek has produced hit after hit, each one accompanied by wonderful themes and soundtracks. This excellent medley for developing bands captures all the thrills and emotions of the various 'Trek' themes.
Estimated dispatch 7-14 working days