Results
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£52.99Future Force - Larry Neeck
A mysterious opening melody quickly leads to driving and intense musical moments in "Future Force" a tour-de-force for your band's next concert. The energetic and rhythmic themes of this piece provide plenty of excitement for your wind players and involve the entire percussion section. Offering a wide variety of teaching opportunities, "Future Force" will be a hit with your developing band and their audience.
Estimated dispatch 7-14 working days
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£49.50
Night At the Opera - J. Taylor
Here's a delightful combination of opera's greatest hits that proves that opera can indeed be fun. Your audience will love it!Features themes from Puccini, Verdi, Wagner, and Leoncavallo.
Estimated dispatch 7-14 working days
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£89.99
Spirals of Light - Naoya Wada
This refreshing, lively composition by the Japanese composer Naoya Wada is an ideal opening work, but it can equally provide a boost of energy later in your concert programme. Brilliant themes supported by virtuoso runs and energetic counter melodies ensure that each section, including percussion, is given a chance to shine.
Estimated dispatch 7-14 working days
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£109.99RadiObertura - Teo Aparicio-Barberán
This work was originally written as the introduction tune for the wind orchestra programme Plaza Mayor on the Spanish National Radio. Numerous short themes have been brought together in a kind of "musical collage" and provide interestingcontrasts with the ever-changing rhythmic pounding of the drums. RadiObertura is a refreshing starter with a touch of Spanish passion, ideal for every concert programme.
Estimated dispatch 7-14 working days
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£84.99Song for Sakiko - Bert Appermont
Bert Appermont composed Song for Sakiko during a stay in the cosmopolitan metropolis of Tokyo. "Sakiko" roughly translated means "flower child" and is associated with a dreamy, poetic atmosphere. Appermont used theseassociations as a starting point while composing. Song for Sakiko starts with a very lyrical theme based on a minor third that forms the basis for the entire work. A second theme builds up to the grand finale, which repeats the theme, but in amajor key and the music slowly fades away, like ripples on a pond, as both themes can be heard dissipating into nothingness.
Estimated dispatch 7-14 working days
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£109.99Rejoice! - Naoya Wada
Rejoice! was commissioned by the Kitakyushu City Foundation for Promoting Arts and Culture (KICPAC) on the occasion of the 50th anniversary of the founding of the city on Feburary 10, 1063. The composer grew up in this city and feels at home there. Kitakyushu was born from the merger of five municipalities of Moji, Kokura, Tobata, Yahata and Wakamatsu centred on the ancient city of Kokura. These five former cities are represented in five themes in distinct keys at the beginning of the piece: G major, e major, g major again, Bb major and F major. Rejoice! is dedicated to the city of Kitakyushu and Mr. Kenji Kitahashi, mayor of the city. The premire was held on March3, 2013 at the Kitakyushu Soleil Hall, performed by the Comfort Wind Ensemble, conducted by Mr. Satoru Yoshihara.
Estimated dispatch 7-14 working days
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£149.99Jericho - Bert Appermont
Jericho is the musical translation of the well-known story from the book of Joshua about the capture of the city of Jericho by the Israelites.Part 1 depicts the cruel journey through the desert to Canaan, the promised land. An emotional lamentation for the yearning for a home, for the end of a roaming existence.The capture of Jericho is the theme of part 2. The city cannot be captured immediately and Jehovah orders an impressive army to march around the city for six days. On the seventh day, they marched around the city seven times and the priests blew their trumpets and the people cried so loud that the walls of Jericho came tumbling down. The Jews stormed the city and drove theinhabitants away. The music clearly reveals the marching army and you can hear the walls falling down with a tremendous noise. However, there is quite some artistic freedom in the actual story.A majestic and grand melody subsequently evokes the triumphant emotions that emerged as the fortified city fell (part 3).Following a personal and romantic interpretation, the scene ultimately ends in a typical Jewish feast (part 4) whereby the virtuosity of melodies played by the woodwinds and the passionate rhythms refer to traditional Jewish music. All themes are repeated in this last part in various forms, often simultaneous and in duelling counterpoint. The piece ends with fragments from the main theme of part 1 in major: peace and quiet return at last.
Estimated dispatch 7-14 working days
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£76.99Elegia - Wouter Lenaerts
This calm chorale provides an atmospheric introduction for your concert or can be used to warm up for a competition. The two themes, which are related to each other, gradually move from one group of instruments to the next, ultimately leading to a majestic finale before falling away slowly to end in an introvert conclusion.
Estimated dispatch 7-14 working days
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£102.99Fanfare For A Friend - Bert Appermont
'Fanfare for a Friend' was originally composed as an introductory piece for the brass ensemble Musica Mosana and their conductor Mark Prils. The work begins with a brilliant brass fanfare that presents the main theme for the first time. This stately theme can be heard in counterpoints throughout the first 28 bars. This is followed by a contrasting and rapid part whereby a melodic theme can be heard against a more rhythmic accompaniment. A virtuoso and sweeping passage then leads to the grandioso in which both themes are played simultaneously in a grand finale.
Estimated dispatch 7-14 working days
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£159.99Ouverture To The Three Angels - Jelle Tasseyns
This overture was written in 2000 and pays homage to the composer Paul Hindemith. The composition is based on "Es sungen drei Engel. The song dates back to the 12th century and was originally a Christmas carol. Mahler used this melody in his 'Des Knaben Wunderhorn' and in the finale of his third symphony. Paul Hindemith also uses this melody as a chorale in the 'Engelkonzert' of his 'Mathis der Maler' symphony. This melody is not only used extensively in the 'Overture to The Three Angels', it also forms the main theme of the entire central piece. In this central piece, the melody can first be heard as a fugue by the woodwind instruments and then by the brass instruments andultimately ends in a grand tutti which features all the themes of the entire work. The first and the last part of the composition are not based directly on the chorale melody but constitute a contemporary commentary of the central part. These are not literal references but rather the sounds of the heralds.
Estimated dispatch 7-14 working days
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