Results
-
£69.99Barcelona '92 (Concert Band - Score and Parts) - Schelcke, Horst
The Olympic Games from the summer of 1992, officially known as the Games of the XXV Olympiad of the modern era, were held in the sunny Spanish city of Barcelona. This was the first time the Olympic Games had been held in Spain, and to celebrate this Horst Schelke composed this rousing concert march with a typically Spanish feel. Relive the excitement of this great event with this superb march.Duration: 2:30
Estimated dispatch 7-14 working days
-
£68.00As the Moon Whispers
Gorgeous! This expressive piece of work by Benjamin Yeo paints a musical picture of a young child sleeping soundly beside the window, listening to the whispering voice of the moon. Benjamin's careful and creative scoring makes this work a great tool to remind your players about the importance of good tone production, balance and phrasing; and at the same time, a manageable yet effective piece with interesting percussive elements to portray this beautiful night setting. This tune will definitely leave a deep and long-lasting impression to both your performers and audiences after your next concert. You certainly cannot miss this one!
Estimated dispatch 7-14 working days
-
£149.99Bridge Between Nations Wind Band Set (Score & Parts)
This work builds a musical bridge between the nations of the European Union. In this composition each country is represented by a fragment of its national anthem. The listener will continually be surprised by the creative way the national anthems are presented. The national anthems of the nations that have become part of the EU in 2004 have already been included in this piece. Because the fragments follow each other and complement each other in a logical way, this work does not sound like a regular medley but rather like a varied concert work with interesting elements of folklore. For most of the national anthems Jacob de Haan has chosen a minor key, which gives this work an extra emotional, sometimes melancholic overtone. 0:09:30
Estimated dispatch 7-14 working days
-
£149.99
Columbus Wind Band Set (Score & Parts)
Christopher Columbus was born in Genoa in 1451. His father was a wool merchant. Originally he seemed destined to follow in his father's footsteps, and thus sailed the oceans to countries as far apart as Iceland and Guinea. In 1476 his ship was sunk during a battle off the coast of Portugal. Columbus saved his own life by swimming to shore. In 1484 he conceived the idea of sailing to the Indies via a westward sea route, but it was only in 1492 that he was able to realize this plan. On this first voyage he was in command of three ships: the flag-ship, called the Santa Maria, the Pinta, and the Ni?a. From Spain Columbus sailed via the Canary Islands to the Bahamas, which he sighted on October 12th 1492. Without being aware of it Columbus discovered the 'New World' - he thought he had landed in the eastern part of Asia. The motif from Dvo??k's 9th Symphony 'Aus der neuen Welt' forms a little counterfeit history at this point in the composition. After this first voyage Columbus was to undertake another three long voyages to America. These voyages were certainly not entirely devoid of misfortune. More than once he was faced with shipwreck, mutiny and the destruction of settlements he had founded. After Columbus had left for Spain from Rio Belen in 1503, he beached his ships on the coast of Jamaica. The crew were marooned there and it was only after a year that Columbus succeeded in saving his men and sailing back to Spain with them. In the music the misunderstanding about which continent Columbus discovered in his lifetime resounds, for does this part in the composition not contain Asiatic motifs? Poor Columbus! In 1506 the famous explorer died in Valladolid. 09:00
Estimated dispatch 7-14 working days
-
£264.99
Panoptikum (Concert Band - Score and Parts)
Armin Schaer commissioned this work in his search for a new piece for the tuba. More specifically, he wanted a work that showed off the versatility of this splendid instrument, written in a musical style that is both fresh and modern, while not banishing the orchestra to a simple supporting role. Taking all these specifications into account, Thomas Doss created a work that allows stylistic leaps and is fun, exciting, romantic, and virtuosic, but does not lose sight of the thread that connects the opening measures to the very last.Armin Schaer describes his Panoptikum as follows:Panoptikum is a show of appreciation for my beautiful home and community at Lake Constance, an eventful life, the people that have enriched this life, and a fascinating instrument: the tuba. This work musically embodies the many different moods found around theBodensee - cheerfulness and melancholy, departures and longing, calm and agitation. The roles of the soloist and the orchestra were consciously crafted in a way that does not follow the usual conventions of the genre. The work should spark emotions, address broad segments of listeners, and persuade them of the tuba's ability to be a solo instrument as well as the richness symphonic wind ensembles have to offer. I hope this work enriches the lives of all the soloists and orchestras that cross its path, as well as everyone in the audience who gets to partake! 15:30
Estimated dispatch 7-14 working days
-
£154.99
Piccola Suite Italiana (Concert Band - Score and Parts)
With this new suite for concert band Franco Cesarini draws on the rich repertoire of folk songs from the Friuli Venezia Giulia region of northern Italy. Between the 16th and 17th Century this rural region developed the 'furlana', a brilliant dance in 6/8 time. This catchy dance soon spread throughout Europe and became more cultivated. Fran?ois Couperin (1668-1733), Georg Philipp Telemann (1681-1767) and Johann Sebastian Bach (1685-1750) all composer of the 18th century composed 'furlane' and in the 20th Century Maurice Ravel used a 'furlana' dance his Tombeau de Couperin. Franco Cesarini follows this great tradition by using the 'furlana' as the basis for this major new concert work. 08:49
Estimated dispatch 7-14 working days
-
£144.99
Ross Roy (Concert Band - Score and Parts) - De Haan, Jacob
Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.Duration: 9:20
Estimated dispatch 7-14 working days
-
£124.95SWORD AND THE CROWN, The (Prestige Concert Band - Score and Parts) - Gregson, Edward
In 1988 I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for power (the crown) through the use of force (the sword) and they portray one of the most turbulent periods in the history of the British monarchy.This work quickly became established in the mainstream repertoire and has received performances worldwide as well as five commercial recordings and many broadcasts. In 2002 I was approached by the Parc and Dare Band regarding their summer festival and commissioned to do a version for brass band. This was given its first performance in Treorchy Hall by the combined bands of Black Dyke and Parc and Dare conducted by Nicholas Childs.When the Royal Air Force Music Services commissioned me to write a work especially for their British tour in 1991 I immediately thought of turning to this music and transforming some of it into a three-movement suite for symphonic band.The first movement opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but the English army music returns in counterpoint. Finally, a brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed).The second movement takes music from the Welsh Court in Henry IV (part 1) which is tranquil in mood; distant fanfares foreboding battles to come are heard, but the folktune is heard three times in different variations and the movement ends as it began with alto flute and gentle percussion.The final movement starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the 'war machine' and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV's defeat of the rebellious forces.- Edward GregsonPerformance time 13'54"Recorded on QPRM117D FESTIVAL OF MUSIC 1991, Massed Bands of the Royal Air ForceRecorded on QPRM120D THE SWORD AND THE CROWN, Central Band of the Royal Air Force'Finale' recorded on QPRM142D FESTIVAL OF MUSIC 2002, Massed Bands of the Royal Air Force)
Estimated dispatch 7-14 working days
-
£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
-
£79.99Chorale for Peace - Thierry Deleruyelle
Chorale for Peace is a song of hope and peace for humanity. In commissioning this work, the wind band of Le Portel (France) wanted to pay tribute to the victims of 8 September 1943, when around 100 Allied planes dropped more than 5,000 bombs on the town of Boulogne and the surrounding area. In fact, this operation was nothing more than a diversion to make the enemy believe that a landing was imminent in the north of France. This music is slow, an adagio commemorating the human sacrifice of this operation. But more broadly, the composer also wanted to express his support for the peoples who, even today, suffer oppression. This set includes an optional choir part that offers the possibility of making an even deeper impression on the listener.
Estimated dispatch 7-14 working days
View Music