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  • £174.99

    Et in terra Pax - Jan Van der Roost

    This piece was commissioned by the 'Concert Band Vlamertinge' and is a plea for peace: the title translates as 'Peace on Earth'. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words 'Et In Terra Pax' - an appeal for peace - at first jumbled together but later more rhythmically structured, developing into synchronized massed voices.The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from 'ConCErtbAnD VlAmErtinGE' and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently colored sound: the words 'Et In Terra Pax' bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem 'Sonnet' by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words 'Et In Terra... Pax' are repeated again and again by the rest of the orchestra.The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too.

    Estimated dispatch 7-14 working days

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  • £141.60

    Stjernen og Rosa - John Philip Hannevik

    The Star and a Rose is a big-scale Christmas piece for band, featuring four seasonal chorales.The first is a Gregorian-like chant Hodie Christus natus est.In this section of the piece, a soloist can be placed away from the band, maybe on a gallery. The soloist can be a tenor instrument, maybe trombone, or you can feature a vocal soloist.After this, the music leads us on to the old German Christmas chorale Lo, how a rose e'er blooming. This song is given a fairly rhythmical treatment, but make sure that the melody is presented in a cantabile style.An interlude follows, before the piece presents one of the most used and loved Scandinavian Christmas chorales, Mitt hjerte alltid vanker (My Heart will always wander), composed by the Danish bishop Hans Adolph Brorson around 1732. This song is building towards a climax, before the solo horn brings it all down to the Stable view described in the lyrics.Then comes a transition that brings us in to the final section of the piece, which presents the international Christmas Carol Adeste Fideles. As many will notice, I have borrowed a section from David Wilcocks majestic harmonization towards the end.The title of the piece has its background form the lyrics in My heart will always wander, where the text speaks about the stars in the sky. But also in the latin text for Adeste Fideles:Stella duce, Magi, Christum adorantesThe Rose is of course from the lyrics in the chorale Lo, how a Rose.

    Estimated dispatch 7-14 working days

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  • £125.00

    Danceries (Set II) - Kenneth Hesketh

    Danceries Set II was commissioned by Keith Allen and Birmingham Symphonic Winds, supported by PRS for Music Foundation and the RVW Trust. The world premire of this work was given by Birmingham Symphonic Winds, conducted by Keith Allen, at the CBSO Centre, Birmingham in 2011. This second set of Danceries continues the format established in Danceries (Set I), namely in using material taken from Playford's Dancing Master, a collection of folk and popular tunes published in the seventeenth century, to form the basis of an extended dance suite. In this set, the melodies have been more abstracted and project only a distant echo of their original forms, but as before, each movement is self-contained, colourful and direct, with its own distinct mood.The outer movements - Jennie's Bawbee and Peascod's Galliarda - share a use of driving percussion writing with a military air. Tom Tinker's Toye and Heart's Ease (movements two and three) are both settings of original melodies. All movements are more extended than in the first set, with a freer use and approach to the material; melodies now occur in various keys and are supported by a greater variety of harmonic colouring. The result is a richer, even more exhilarating set of dances. Danceries has come of age!

    In stock: Estimated delivery 1-3 days
  • £81.87

    Temperamental (Concert Band) Fendall Hill

    This work by Fendall Hill was the set test for the 2021 National Brass Band Championships of New Zealand, B Grade. Here it has been adapted for Concert Band. The composer writes: 'J.S. Bach (1685-1750) is deemed by many to be the 'Ulimate Composer'. He added an incredible proportion to the DNA of western music, and his influence is heard in the music of today. Like many artists, he was not overly recognised as a composer during his lifetime, and it took an 1829 performance of the St Matthew Passion by Mendelssohn to ignite a recognition of his place in the music world, a place he has maintained ever since. This piece starts with a similar spark of rediscovery of the music of Bach. It contains arrangements of various works, interspersed with composition based on Bach's chord structures, sections in the style of Bach, and original sections inspired by the moods created along the way. The first section explores the Toccata, and great organ works. This leads into an exploration of his choral works, and a finale based on the Preludes. The word 'Tempered' has different meanings, and all seem to apply to the music of Bach, and these appeal to the musical, engineering and spiritual aspects of my personal life. His music reaches to the humanity and divinity, it has strength, structure and order that creates frameworks in which incredible complexity reigns; and the complexity leads to a wildness, a kind of craziness that represents a range of human moods, and can change without warning. The same piece of music affects people in very different ways. I don't know if it's Bach's music, or us, but it can seem out of control and under control at the same time - the combination is highly temperamental. To view a follow-the-score video of the work please visit: https://youtu.be/6CtYZmCoWIc Sheet music available from: UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Advanced Instrumentation: Instrumentation: Piccolo Flute 1-2 Oboe Bassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Timpani Percussion 1-3

    In stock: Estimated dispatch 1-3 days
  • £91.00

    Christmas Time is Here (Concert Band - Score and Parts) - Torskangerpoll, Idar

    This song was originally written for the 1965 TV special "A Charlie Brown Christmas", Charlie Brown is known from the comic strip, "Peanuts". "Christmas Time is Here" has been performed by a multitude of artists since, among them: Al Jarreau, Steve Vai, Take 6 and Kenny Loggins. This arrangements i based on Diana Krall's version from the 2005 Album "Christmas Songs". The arrangement has many chamber-musical passages where a soloist is playing with a small group, please mind the balance and thin out if needed. Also: Do take liberties in tempo and direction of this music to make it flow naturally and not stand still. Duration: 3.15

    Estimated dispatch 7-14 working days

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  • £75.00

    Once in Royal David's City (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks

    Once in Royal David's City is a Christmas carol originally written as a poem by Cecil Frances Alexander. The carol was first published in 1848 in her hymnbook Hymns for Little Children. A year later, the English organist Henry John Gauntlett discovered the poem and set it to music. According to The New Oxford Book of Carols, the text was conceived by Cecil Alexander after overhearing a group of her god children complaining about the dreariness of the catechism. Cecil masterfully took doctrines from the Apostle's Creed and simplified them for her hymns. Cecil wrote about 400 hymns in her lifetime, among which are All things bright and beautiful and There Is a Green Hill Far Away. She used the money for charitable purposes, and was a tireless advocate (and visitor) of the poor and sick. Henry John Gauntlett had spent the first half of his career as a lawyer before abandoning his practice to pursue music. He served as the organist at a number of leading London churches. Gauntlett was a prolific writer and is said to have composed over 1000 hymn tunes. He made tremendous contributions to the world of music, even inventing mechanical improvements to the organ. As a result, he was praised by the famous Felix Mendelssohn and was awarded an honorary doctorate in music from the Archbishop of Canterbury. In 1919, Arthur Henry Mann, organist at King's College (1876-1929), introduced an arrangement of Once in Royal David's City as the processional hymn for the service. In his version, the first stanza is sung unaccompanied by a boy chorister. The choir and then the congregation join in with the organ on succeeding stanzas. This has been the tradition ever since. It is a great honor to be the boy chosen to sing the opening solo--a voice heard literally around the world. In this arrangement for band accompaniment, the first five verses may be performed as directed by the conductor, with different groupings of instruments for each verse, i.e., Vs.1, A cappella; Vs. 2, Fl., Oboe, E.H., Bsns; Vs. 3 Cl., Saxes; Vs. 4, Brass; Vs. 5, All, and Vs. 6 as written with featured descant. This arrangement is one of the Series of Band Arrangements compatible with the David Willcocks Carols for Choir, Book 2 (#31).

    Estimated dispatch 7-14 working days

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  • £53.50

    Like a Mighty Stream (Remembering Dr Martin Luther King Jr) (Concert Band with Optional Narrator - Score and Parts) - Vinson, Johnnie

    Composed in remembrance of Dr. Martin Luther King, Jr., the title of this dramatic setting is taken from a biblical passage and quoted by Dr. King in his celebrated "I Have a Dream" speech in 1963. After a fanfare-like introduction, the piece is comprised of three sections. "The Dream" reflects on Dr. King's famous speech. This is followed by "Strife," which recalls the violence of the civil rights movement, and finally "Hope," which looks to a brighter future and is a setting of the hymn We Shall Overcome. Performed with or without the narration, this is a stirring work for young bands.Duration: 5:20

    Estimated dispatch 7-14 working days
  • £64.50

    Carols from the British Isles (Concert Band - Score and Parts) - Wagner, Douglas E.

    Four treasured carol tunes from Wales, England, and Ireland comprise this colourfully scored and emotionally varied medley including "Suogan," "I Saw Three Ships," "Good People All, This Christmastime," and "The Seven Joys of Mary." These cherished carols establish the slow-fast-slow-fast form of the medley. Lush and charming, this is a real holiday treat!Duration: 3:30

    Estimated dispatch 7-14 working days

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  • £113.00

    Twelfth Night (Concert Band - Score and Parts) - Reed, Alfred

    A Musical Masque after Shakespeare. Shakespeare's verse in this famous comedy, "If music be the food of love, play on..." sets the tone for this major work by master composer Alfred Reed. Approached as a masque (a form of play-with-music commonly used in Shakespeare's time), this suite for wind orchestra takes the form of five separate movements, each related to a place or persons from the story. I. Prelude: Illyria II. Viola and Orsino III. The Merry Conspirators IV. Malvolio's Lament in "Prison" V. A Double Wedding, and All's Well! Duration: 15:00

    Estimated dispatch 7-14 working days
  • £72.99

    Italian Masters Suite (Concert Band - Score and Parts) - Gordon, Philip

    From the ranks of notable teaching pieces comes this solid, well-crafted suite of Baroque dances arranged by Philip Gordon. Over the years this publication has appeared on virtually every state list and continues to serve as a quality work for younger bands. This new edition is published with a full score. Includes: I. Harvest Echoes, II. Slow Dance, III. Country Road.

    Estimated dispatch 7-14 working days