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£119.00
The Music Lesson - Robert W. Smith
Inspired by the command and structure of two Henri Matisse paintings under the name "The Music Lesson", this powerful work for alto saxophone and band will become a staple of the repertoire. From the strict structure of the opening piano statement to the classically influenced melodic interplay with the saxophone, the piece moves through a flowing musical environment highlighted by a virtuosic cadenza. The recapitulation of the initial melodic line completes our music lesson and provides a strong conclusion to "Three Conversations With Matisse", a suite for alto saxophone and band.
Estimated dispatch 7-14 working days
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£141.99Jalan-Jalan - Shin'ya Takahashi
Jalan-jalan was inspired by the music of Bali, Indonesia based upon its unique melodies, modes and rhythms. As part of the independent archipelago "Ryukyu", Okinawa (southernmost Japan) had an active exchange with Bali that included cultural and musical influences. Jalan-jalan means "walkabout" or "walking journey" in Indonesian. It describes a walk in the so-called Isle of the Gods, encountering Bali's beautiful scenery and daily life. Its four themes include "Dawn," "Morning Market," "Beach in Early Afternoon" and "Kecak Dance (a form of Balinese dance and music drama, performed primarily by men) in Torchlight."An imposing pesante introduction will properly establish this song's mood. Boldly balance winds and percussion to the prominent timpani solo. At Allegro Vivo, observe the lighter abbreviated scoring and balance melody/countermelody at E. Melodies are elongated at the Grazioso, and tenor/bass rhythm figures need enough separation to be felt. The urgent-feeling Presto must initially be reserved except for the percussive "slaps"; same thing again at O. The daunting rhythmic figure at Q is actually a chattering effect-combine the two elements to teach continuity and placement. Don't "over blow" the ending, but continue to emphasize unique rhythmic elements.(Shin'ya Takahashi)
Estimated dispatch 7-14 working days
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£79.99
Appomattox - James L. Hosay
General Lee and General Grant are represented by their own themes in this expressive tone poem for band. The story of the Appomattox Courthouse meeting between the two military greats is one of extraordinary human drama, and Curnow effectively illustrates the heartbreaking trial and, finally, dignity experience by all involved. Field drum percussion and straight-muted trumpets and trombones give this an authentic historical sound.
Estimated dispatch 7-14 working days
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£204.99
Credentium - Jan van der Roost
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.
Estimated dispatch 7-14 working days
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£60.99The Best of Rooms - Randall Thompson
This arrangement of Randall Thompson's unaccompanied choral piece, The Best of Rooms, was transcribed by Barbara Lambrecht. As a student, Barbara fell in love with Thompson's music after hearing the Texas All State Choir sing his Testament of Freedom. Years later, as a school band director, she joined her church choir and "discovered" The Best of Rooms. Charmed not only by the music but also the text, she arranged this gem for wind band so that a new generation of musicians, in this case instrumentalists, could experience the genius of Randall Thompson. Two wind band versions are available: Version A opens with clarinet choir and oboe solo, while Version B opens with horn quartet. Whether for choir (Catalog No. 2672) or band, the music is lush, warm, lyrical, and mystical. Duration: 4:00
Estimated dispatch 7-14 working days
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£149.99Heaven and Earth - Jan Bosveld
An Astrological Composition. Astrology is based on the principle that each sort of time has its own quality. In order to determine the quality of a particular moment, an astrologer looks at the position of the planets in the solar sustemat that moment. Each planet has specific types of energies and its location provides unique information for a certain moment on Earth. Thus: its position in the sky tells something about what happens on Earth. In this composition the typesof energies of four planets are musically translated. The four planet were not randomly chosen. There are two pairs, whose influence and energy are opposite. Venus and Mars. Venus represents the feminine principle: harmony, beauty,art, and the ability to make relationships and to keep the peace. Venus connects, and communicates in order to maintain the balance. Mars represent the masculine principle: winning, impulsiveness, enthusiasm, and sexual energy for procreation.He creates war enabling the strongest to triumph. Mars is musically depicted in a stirring march in which enthusiasm characterises the masculine character. Saturn and Jupiter. Saturn represents concentration and withdrawal: the strongnotion of responsibility, seriousness, self-discipline and melancholy. Saturn is the hermit who will conquer his fears and worries in minimal conditions and by self-chastisement. This contemplative character is depicted in the music as if it isalmost standing still, which also reflects the given character of this planet. Jupiter represents growth and expansion: the positive, self-confidence, the good Samaritan, the healer. Jupiter is the philosopher who will make the world a betterplace, sees future possibilities, and searches for eternal values. He is the prophet who sometimes rants and raves his doctrine and proclamations, resulting musically in a whirling and upbeat finale. not looking back at what has been but searchingfor new challenges. "Heaven and Earth" was commisioned by the Music Lending and Information Centre (MUI), a department of the library for the province of Gelderland in Arnhem, The Netherlands.Een astrologische compositie. Astrologie is gebaseerd op het principe dat elke tijd zijn eigen kwaliteit heeft. ""Tijd voor koffie"" of ""het was je tijd nog niet"" als bijvoorbeeld een baan aan je neus voorbij is gegaan. Om de kwaliteit van een moment te lezen kijkt deastroloog naar de stand van de planeten in ons zonnestelsel op dat tijdstip. Elke planeet heeft specifieke energien en de plaats aan de hemel geeft unieke informatie over een bepaald moment op aarde. Oftewel: de stand aan de hemel (Ouranos) verteltiets over wat er op aarde (Gaia) gebeurt. In deze compositie worden de energien van vier planeten muzikaal vertaald. De vier planeten zijn niet lukraak gekozen. Het zijn twee paren, die qua invloed en energie tegenovergesteldzijn. Venus en Mars. Venus vertegenwoordigt het vrouwelijke principe: harmonieus, schoonheid, de kunst, het vermogen om verbindingen aan te gaan en de vrede te bewaren. Venus geeft door en verbindt om de balans te bewaren. Marsvertegenwoordigt het mannelijke principe: winnen, anderen aftroeven, impulsief en enthousiast, seksuele energie voor de voortplanting. Mars creert oorlog om de sterkste te laten zegevieren. Venus staat tot Mars als vrede staat tot oorlog, alsverbinden staat tot verbreken, als harmonie staat tot competitie. Jupiter en Saturnus. Jupiter vertegenwoordigt groei en expansie: het positieve zelfvertrouwen, de weldoener, de genezer. Jupiter is de filosoof die de wereld wilverbeteren, vooruitkijkend en zoekend naar eeuwige waarden, de profeet die soms al te bombastisch zijn leer verkondigt. Saturnus vertegenwoordigt concentratie en inkrimping: het sterke verantwoordelijkheidsbesef, soberheid, zelfdiscipline enmelancholie. Saturnus is de kluizenaar die onder minimale voorwaarden en zelfkastijding zijn angsten wil overwinnen. De harde, serieuze werker die volgens vaste regels stug doorgaat om aan zijn hoge eisen te voldoen. Jupiter staat tot Saturnusals uitbreiding staat tot inkrimping, als zelfvertrouwen staat tot faalangst, als vrijheid staat tot structuur.
Estimated dispatch 7-14 working days
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£84.99Let's Celebrate - Dagmar Kildevann
Is there something to be celebrated? Then let's play 'Let's Celebrate'! This four-part suite has been based on two birthday songs: the world-famous 'Happy Birthday to you' (which is also sung in many other languages), and the Dutch song 'Lang zal hij/zij leven'. The Fanfare opens in grand style with the motif of 'Lang zal hij leven' and is followed by a cheerful March in which the motifs of both songs can be heard. The third part, Song, forms a moment of contemplation, and the birthday presents are unwrapped by the percussion section in the fourth part, Surprise Party. The yell may be adapted to the occasion. (the sleigh bells caused the composer to note down this somewhat peculiar yell). Of course everybody is expected to join in.
Estimated dispatch 7-14 working days
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£149.40S ta mitt hjerte - Moldestad
This is a tune by Sigrid Moldestad (b. 1972), a Norwegian folk artist. She has based it on a warm and beautiful poem by Danish author Tove Ditlefsen. A text for and about love. Sigrid Moldestad won the "Spellemannsprisen" (the Norwegian equivalent to Grammy) in 2005 as a part of the group Gamaltnymalt. She won the price two years later, this time as solo artist for the record album Taus. Both times in the Folk Music category. So Take My Heart was released in 2012 as a part of the album Himlen har sove bort mrkret.
Estimated dispatch 7-14 working days
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£91.10Galop Final - Léo Delibes
With supersize spiral bound A3 score. In the middle of the 19th century, European ballet was associated largely with stories of tragedy and gloom. In contrast, the ballet Copplia, premiered in 1870 with music by Lo Delibes and choreography by Arthur Saint-Lon, tells the happily-ever-after story of the toymaker Dr. Copplius, his life-sized doll, and two young lovers.
Estimated dispatch 7-14 working days
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£49.95The Banks of Green Willow - Arthur Butterworth
This exquisite composition by George Butterworth is based upon two poignant folk songs, "The Banks of Green Willow" and "Green Bushes". This transcription of the work is loyal to the score, and thus develops the almost mystical atmosphere created by the original work.
Estimated dispatch 7-14 working days
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