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  • £94.99

    Bessarabyanke - Sjaak van der Reijden

    Bessarabia is an area of south-eastern Europe (modern-day Romania, Moldovia and the Ukraine) in which numerous "Shtetl," or small Jewish towns, have been established over time. Bessarabyanke is a remarkable Yiddish themed work for concertband, composed by Sjaak van der Reijden. An ideal piece to close a concert with, or perhaps play as an encore.

    Estimated dispatch 7-14 working days

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  • £84.99

    Hymn of Brotherhood - Egbert van Groningen

    In his Hymn of Brotherhood composer Egbert van Groningen expresses the importance of respecting, listening and paying attention to one another. With a theme of charity running throughout this rich-toned ballad, you'll leave your audience wanting more!

    Estimated dispatch 7-14 working days

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  • £149.99

    Puszta - Jan Van der Roost

    In composing Puszta, Jan Van der Roost wrote folk dances related to Slavonic folk music. Its character and sounds are comparable to the Hungarian and Slavonic dances by Brahms and Dvorak and to the Hungarian Rhapsodies by Liszt. All the melodies, however, are newly composed, not adapted from existing dances.

    Estimated dispatch 7-14 working days

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  • £104.99

    Flashing Winds - Jan Van der Roost

    This flashing piece was commissioned by 'Het muziekverbond van West-Vlaanderen' and is dedicated to the 'Arlequino' youthband.Colourfully and effectfully instrumentated, this piece speeds towards its finale without any tempo changes. The chord-blocks, which characterized the introduction, unite this virtuoso piece by reappearing in the end.

    Estimated dispatch 7-14 working days

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  • £60.99

    Brown Eyed Girl - Van Morrison

    Considered to be Van Morrison's signature hit, this was first recorded in the '60s but remains popular today. The rhythmic and upbeat feel of this solid arrangement will liven up any concert.

    Estimated dispatch 7-14 working days
  • £72.99

    Festiva - Sven Van Calster

    This joyful, festive march by the Belgian composer Sven Van Calster was written specially for young ensembles looking for a challenge. In Festiva, all instrument groups are featured, but the parts include sufficient doublings to cover any missing players. In a balanced concert programme, a march is, of course, an absolute must!

    Estimated dispatch 7-14 working days

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  • £104.99

    Canterbury Chorale - Jan Van der Roost

    This quiet piece with its broad tones was originally written for brass band on request of Robert Leveugle, chairman of the composers own band: Brass Band Midden Brabant (Belgium). The direct cause was a visit to the beautiful cathedral of theEnglish city Canterbury, in which so many fine compositions sounded throughout the centuries. Later on, Jan Van der Roost rescored this piece for symphonic wind band, exploring the full richness of colours of this formation. Besides solo phrases forseveral instruments, there are some massive tutti passages making the wind orchestra sound like a majestic organ. By the way: an "ad libitum" organ part adds an extra richness, colour and power to this piece, making it sound even more broad andgrand.

    Estimated dispatch 7-14 working days

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  • £89.99

    Arsenal - Jan Van der Roost

    Arsenal was composed for the 50th anniversary of the 'Harmonie van het Spoorwegarsenaal' [railroad arsenal], based in Mechelen (Belgium). Rather a stately concert march, it has beautiful themes and a broad melody in the trio. It waspremiered in the Mechelen Cultural Center on the 11th of May 1996 during the solemn ceremony, opening the anniversary year and conducted by the composer. In the meantime, Arsenal has been recorded several times by such renowed performers likethe Tokyo Kosei Wind Orchestra, the Black Dyke BB etc.

    Estimated dispatch 7-14 working days

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  • £94.99

    Conzensus - Jan Van der Roost

    This stately concert opener was originally written by Jan Van der Roost for a special event in which six respected wind orchestras (two Belgian and four Dutch) of different composition (two symphonic bands, two fanfare bands and two brass bands) were featured during six concerts. Each evening brought forth a performance by a symphonic band, a fanfare, and brass band, so that the audience could experience all three types of ensembles. This was indeed an original concept.The name, ConZEnSus, comes from a combination of the words, 'Concert Cyclus' (concert series) and 'zes' (Dutch for 'six'). This leads to a new word, which refers to 'consensus'. The general tenor of the cycle isthus immediately indicated. The richness of color of the various ensembles is revealed through an open and friendly atmosphere. During all six concerts (over a span of three years), ConZEnSus functioned as a permanent opening number for each orchestra. Thus the same musical story was portrayed in three different packages.

    Estimated dispatch 7-14 working days

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